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Robert Frank: Mary’s Book

From Augusta to Bristol, Brunswick and beyond, Johansson's chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago--he found Strand's views of New England "boring" at the time--and also wondering, "Why is American photography so focused on the west?" Johansson's Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson's work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

From Augusta to Bristol, Brunswick and beyond, Johansson’s chronicle of Maine combines humor and emotion with a sense of place In 2023, Swedish photographer Gerry Johansson (born 1945) roamed the state of Maine with a Rolleiflex, curious to make new pictures in a region of America he first encountered in the work of Paul Strand five decades ago—he found Strand’s views of New England “boring” at the time—and also wondering, “Why is American photography so focused on the west?” Johansson’s Maine echoes the formal restraint of his earlier books, notably American Winter, Spanish Summer, Meloni Meloni and Pontiac, sequencing nearly 200 black-and-white duotones alphabetically by their oddly poetic Northeastern town names (Bath, Friendship, Purgatory, etc). Somehow, none of the Maine pictures draws more attention than any other, and the flawless and playful compositions never seem to repeat. As in all of Johansson’s work, endlessly inventive arrangements of architecture and landscape orient the viewer in a specific geographic and cultural place while generously sharing his way of seeing, walking and thinking with a camera.

Gerry Johansson: Maine

Matteo Di Giovanni: True Places Never Are

A pioneering collector of Cubist art, the English art historian and critic Douglas Cooper was one of the most important—and controversial—figures in the international art world of the 20th century &nbsp; Born into a wealthy family whose money was made in the 19th century in Australia, Cooper (1911- 1984) built up much of his collection of works by Picasso, Braque, Gris and Léger in the 1930s. He also trained himself to become a respected art historian, his reputation as a scholar resting largely on his catalogue of the Courtauld Collection (1954) and his catalogue raisonné of Juan Gris (1977). He also curated exhibitions of Gauguin, Braque and two major displays of Cubism. The second of these, The Essential Cubism, held at the Tate Gallery in 1983, was one of the most remarkable accumulations of Cubist painting, sculpture and drawings ever assembled. &nbsp; Based on extensive research and packed with new material and fresh interpretations, IRASCIBLE! focuses attention on Cooper’s colourful life and significant accomplishments: his financing and directorship of the Mayor Gallery in London as a very young man in the 1930s, when he became close to artists such as Francis Bacon, Paul Nash, Henry Moore, Paul Klee, Joan Miró, and Max Ernst; his wartime experiences as an ambulance driver in support of the collapsing French army in 1940; his job as a senior Monuments Man in charge of tracking down Nazi-looted art in Switzerland; his move to Provence in the early 1950s, taking his collection with him; and his legendary clashes with leading figures and institutions in the British art world. This book is the definitive account of Cooper’s collecting, art dealing, writing and curating.

The Combative Life of Douglas Cooper, Collector and Friend of Picasso

Irascible

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

Graphis Journal Magazine

Visionaries of Creative ExcellenceExplore the minds of industry legends like David Carson, Jeff Goodby, Rich Silverstein, and Lindsay Siu in The Graphis Journal issue #383-a must-have for anyone seeking inspiration from the top creative talents of today!The Graphis Journal issue #383 features the world's creative giants, where industry influencers like David Carson, Jeff Goodby, Rich Silverstein, Ron Taft, and Lindsay Siu share their stories and work that shape today's visual landscape. Whether you're a graphic designer, advertiser, photographer, illustrator, or simply a visual arts enthusiast, this issue opens a window into the minds of these top talents. Go behind the scenes with in-depth interviews and insights that uncover the motivations and creative journeys of award-winning creators-all crafted to fire up and elevate your own creative game. Design Highlights:David Carson (USA) is the rebel of graphic design, a legend who shook up the industry from his days at Ray Gun magazine to his current work for The Macallan. David doesn't follow the rules-he reinvents them, showing the world that bold, non-traditional design can shape generations to come. Ron Taft (USA) makes his return in this issue, diving deep into how his love of music influences everything from his design approach to his philosophy on collaboration. Ron's work will make you feel something, and that's what truly makes him a Graphis Master. Ad Revolutionaries:Jeff Goodby and Rich Silverstein of Goodby, Silverstein &amp; Partners (USA) have never been ones to play it safe. Together, these Graphis Masters reject the status quo, fusing graphic design and editorial aesthetics to create timeless, groundbreaking work. Photography Excellence:From the New York Comic Con to editorial shoots, Colin Douglas Gray's (USA) lens captures the soul of his subjects, making him a must-watch photographer. Lindsay Siu (CA) brings stories to life with her camera. Her unique perspective as a first-generation Chinese Canadian shines through in her advertising, portraiture, and entertainment photography, with every image reflecting her commitment to sharing the narratives of others. Illustrative Storytelling:SEAN &amp; EVE (UK/CA) blur the lines between typography, illustration, and CGI in a way that will make you question what's real. Their hybrid techniques bring together both digital and analog elements, making them a duo that consistently elevates their craft. Educational Insight:Simon Johnston isn't just a designer; he's a thinker. Dividing his time between teaching at the ArtCenter College of Design and his personal practice, Simon teaches how to verbalize the visual, taking creativity to intellectual heights. Exclusive Content:In-depth Q&amp;As with these visionaries offer you a rare peek behind the curtain of their creative minds. Full-page award-winning visuals that showcase the finest work from the global design, advertising, and photography industries. Industry testimonials that reveal what makes these creatives stand out from their peers. The Graphis Journal issue #383 is your ultimate source of inspiration and insight into the world of creative excellence. Whether you're looking to learn from the best or simply fuel your own artistic drive, this issue offers something for everyone in the visual arts. Order your copy today and unlock the secrets to success from the industry's top talents.

Graphis Journal Magazine 383

A visual &amp; lyrical declaration filled with fever &amp; flight, REPRISE, Golden's second collection of poetry &amp; photography maps a personal search for safety in a U.S. that offers none. 
 
Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty. 
 
At its heart, this collection asks: Where is home? Who is free? What makes a nation? 
 
Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts &amp; come back home unbothered or I am home in the arms of the armed.&nbsp; 
 
Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege &amp; sorrow, rage &amp; revival, joy &amp; creation of being Black and trans in America.

Poems and Photographs

Reprise

Shadow Boxers captures the lost era of club boxing, the world of real life Rockys that no longer exists.

The Lost Era of Club Fighting

Shadow Boxers

On Creativity, Rejection, Tenacity and Luck

Art Work

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Trips

A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri--wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.

Henry O. Head: Twelve Acres

Preserving the decorative richness and symbolism of a rare example of Hispano-Muslim sculptureThe Courtyard of the Lions in the Alhambra, built by order of Muhammad V between 1362 and 1391, is the culmination of Nasrid architecture. Adrian Tyler's black-and-white photographs depict the lions before and after their 2020 restoration, providing a cache of archaeological images reminiscent of 19th century photography.

Preserving the decorative richness and symbolism of a rare example of Hispano-Muslim sculptureThe Courtyard of the Lions in the Alhambra, built by order of Muhammad V between 1362 and 1391, is the culmination of Nasrid architecture. Adrian Tyler's black-and-white photographs depict the lions before and after their 2020 restoration, providing a cache of archaeological images reminiscent of 19th century photography.

The Alhambra Lions

The vibrant capital of South Korea, Seoul is a city of contrasts, a unique blend of tradition and modernity, with futuristic skyscrapers blending with traditional, ancient architecture. But at night is when the city really shines. As the sun sets, the city transforms into a dazzling metropolis. The skyline lights up and the bustling streets come alive with bright neon lights, street food vendors, and late night shoppers.&nbsp;Photographer Bal Bhatla - better known online as Mr Whisper - has been traveling to Seoul for years, capturing the photographs in Seoul After Dark, armed only with his camera and a keen eye for detail. A specialist in low-light photography, Bhatla captures the everyday moments of Seoul in a unique and compelling way, showing the city's residents, adventurous and carefree, chasing the night.&nbsp;Whether you're a lover of photography, a fan of Seoul, or simply someone who appreciates the beauty of everyday moments, Seoul After Dark will leave you with a newfound appreciation for your city after dark.

Seoul After Dark

Robert Frank: Mary’s Book

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