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The two-volume definitive resource of prints by postwar American artist Richard Diebenkorn

Richard Diebenkorn

The Catalogue Raisonne of Prints

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Insider: How to Get a Job and Earn a Living in the Art World

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book’s second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author’s own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict,in a search of methodology for improving the effectiveness of current practices.

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Adelphi Papers Reissue Hardback

Society and Power

Europe and America in the 1970s. Part II

New Directions in Critical Criminology

Drawing on a range of approaches including conflict, critical race, and social control theories, this book provides a comprehensive theoretical review of the need for a critical historical intersectional theory of policing and race.

The reaction to Ferguson, the murder of Trayvon Martin and other police-related deaths around the US has brought race and the criminal justice system to the forefront of current scholarly discussion. However, unlike the past, racial realism has been brought to the front line via expressions from those affected by police mistreatment as well as official reports from the Department of Justice and social justice advocacy groups. Although a public conversation has begun, lacking within this discourse is a cogent forthright criminological assessment that includes expressions and namely experiences from those affected by police-violenceDrawing on a range of approaches including conflict, critical race, and social control theories, this book provides a comprehensive theoretical review of the need for a critical historical intersectional theory of policing and race. Disrupting the obsolescence of racial realism in policing literature, this book also discusses the social and democratic implications of using critical historical intersectional analyzes in criminological research involving race.

Policing and Race

Colorblind Nation examines how colorblindness is discussed, debated and deployed in a host of social, political and economic contexts. This book traces how the concept of colorblindness has shifted from an abstract societal goal to a normative belief system that now frames how individuals and institutions understand race in the context of equal opportunity, social mobility and perceptions of institutional racism. Using his own ethnographic research as well as social science polling research on racial attitudes, Chip Gallagher examines colorblindness in media, education, and corporate America.

Colorblind Nation examines how colorblindness is discussed, debated and deployed in a host of social, political and economic contexts. This book traces how the concept of colorblindness has shifted from an abstract societal goal to a normative belief system that now frames how individuals and institutions understand race in the context of equal opportunity, social mobility and perceptions of institutional racism. Using his own ethnographic research as well as social science polling research on racial attitudes, Chip Gallagher examines colorblindness in media, education, and corporate America.

The Denial of Race and The Rise of Racial Inequality

Colorblind Nation

Elliot Carter

Routledge New Religions

A Companion to Adidam brings together a half-dozen scholars of New Religious Movements (NRMs) with a half-dozen of the many academic followers of Adi Da to produce a comprehensive study of a highly creative alternative spiritual group. Though new religion specialists have been aware of this group for decades, and though Adi Da and his organization are generally acknowledged to be important, there have been no prior book-length treatments of this group, and few articles. This is the first published research on the current organization, its membership and the extensive corpus of literary and artistic works that Adi Da created over the past two dozen years.

A Companion to Adidam  brings together a half-dozen scholars of New Religious Movements (NRMs) with a half-dozen of the many academic followers of Adi Da to produce a comprehensive study of a highly creative alternative spiritual group. In addition to chapters on such standard subjects as the movement’s history, membership profile, controversies and the like, Adidam examines unusual (for NRM studies) topics like Adidam’s architecture, and the art and literary productions of the founder. Prior studies of NRMs have largely ignored the cultural dimensions of such groups. There is also an untold story in Adi Da’s attempt to create a new spiritual tradition, a project that has been severely challenged by Adi Da’s passing in 2008. Though new religion specialists have been aware of this group for decades, and though Adi Da and his organization are generally acknowledged to be important, there have been no prior book-length treatments of this group, and few articles. This is the first published research on the current organization, its membership and the extensive corpus of literary and artistic works that Adi Da created over the past two dozen years.

Perspectives on a New Spiritual Tradition

A Companion to Adidam

Restoring Upward Mobility and the American Dream

The Middle-Class New Deal

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Richard Diebenkorn

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