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Farrell L: Residential Tenancies

Residential Tenancies

'Traveller-specific' architecture in Ireland and permanently 'temporary' sites in the UK embody an insoluble contradiction - as systems of control, policing and strategic neglect, and as a cultural right, an alternative to housing that recognizes the dignity of choice.

‘Traveller-specific’ architecture in Ireland and permanently ‘temporary’ sites in the UK embody an insoluble contradiction - as systems of control, policing and strategic neglect, and as a cultural right, an alternative to housing that recognizes the dignity of choice. View from the Traveller Site explores post-nomadism as an artefact of statecraft in which contradictory processes occur in tandem, legal insecurity persists, and state policies have unexpected consequences, as sites materialize the countervailing tendencies of post-war European states. At conjunctures of camps, court rooms, sites, and council houses, Irish Travellers generate new architectures and revive old ones. Architecture and the body form distributed fields of analogy and metaphor, and are reciprocally constituted as social capacities and sites of personhood and relations. Through ethnographic accounts of sites and camps, funerary monuments, and gift cycles of mares and foals, the book reflects on material and performative architectures, negotiations of gendered and generational rights, and the role of women in encounters between the dead, the living and the unborn in camps. The author engages with debates in the anthropology of the state, property, citizenship and the family, and offers a new analysis of Travellers’ concepts of personhood and embodiment, as Travellers negotiate the politics and poetics of citizenship, kinship and sociality, enfolding the ‘settled’ (non-Traveller) world of sites into the collective bodies of ‘breeds’ and ‘back-breeds’. This exploration of the productivity of post-nomadic architecture, culture and sociality will be of particular interest to scholars of anthropology as well as architecture, geography, and material and visual culture.

Architecture that Begins where the House Ends

View from the Traveller Site

BASEES/Routledge Series on Russian and East European Studies

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

Before and After Communism

Land Ownership in Russia

The Law of Expert Evidence in Ireland

The greatest journey is the one you least expect...

Before Dorothy

Sister Fidelma Mysteries Book 36

Grave of the Lawgiver

Picador Collection

John Banville's Ghosts is an unforgettable amalgam of enchantment and menace, now part of the Picador Collection.

Ghosts

The Medicine Tree

A History of Fionn and the Fianna

Heroes of the Gael

Make Strange

The early Industrial Revolution was not ignored by eighteenth-century writers. They addressed it in the Enlightenment Mock Arts, a curious genre of satires that fed into Gulliver's Travels, Tristram Shandy and Belinda. Paddy Bullard traces the oblique strategies that these authors used to avoid the constraints of Enlightenment instrumentalism.

Long before the Industrial Revolution was deplored by the Romantics or documented by the Victorians, eighteenth-century British writers were thinking deeply about the function of literature in an age of invention. They understood the significance of 'how-to' knowledge and mechanical expertise to their contemporaries. Their own framing of this knowledge, however, was invariably satirical, critical, and oblique. While others compiled encyclopaedias and manuals, they wrote 'mock arts'. This satirical sub-genre shaped (among other works) Swift's Gulliver's Travels, Sterne's Tristram Shandy, and Edgeworth's Belinda. Eighteenth-century satirists and poets submitted to a general paradox: the nature of human skilfulness obliged them to write in an indirect and unpractical way about the practical world. As a result, their explorations of mechanical expertise eschewed useable descriptions of the mechanical trades. They wrote instead a long and peculiar line of books that took apart the very idea of an instructional literature: the Enlightenment Mock Arts.

The Enlightenment Mock Arts

Satire, Instruction and Useful Knowledge in Eighteenth-Century Britain

Routledge Archaeology of Northern Europe

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland. Central themes that cut across the book's broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence.

Iron Age Lives provides the first integrated academic treatment of the Iron Age of Britain and Ireland. After considering the social changes that marked the end of the Later Bronze Age, it examines the environmental, economic, demographic and cultural factors that underpinned the emergence of the fragmented and regionalised societies of the Early Iron Age. Subsequent chapters trace the development of increasingly complex and distinctive social forms across Britain and Ireland including the hillfort societies of southern England and the Welsh Marches; village communities of the Upper Thames Valley; the dense settlement landscapes, cemeteries and chariot burials of East Yorkshire; the hillfort communities of Northumbria and south-east Scotland; the broch-building societies of Atlantic Scotland; and the ritual landscapes of Iron Age IrelandCentral themes that cut across the book’s broadly chronological structure include: the creation and expression of individual and collective identities; the social role of art and religion; changing gender roles; technological innovation, including iron-working and rotary technology; the complex and varied treatments of the dead; gift-giving, trade and exchange; and the role of conflict and violence. The text is supported throughout by box features expanding on individual sites, objects, themes or debates and the book focuses, where appropriate, on fresh and exciting new finds and discoveries from the last few years including, for example, the well-preserved bog bodies from eastern Ireland, recently excavated chariot burials from Newbridge and Ferry Fryston, Iron Age roads from East Anglia, the Midlands and Ireland, musical instruments from High Pasture Cave in Skye and Cnip in Lewis, the shrine containing gold torcs from Stirlingshire, and the impact of AMS dating on the chronologies of Iron Age art and burial.

The Archaeology of Britain and Ireland 800 BC – AD 400

Iron Age Lives

Residential Tenancies

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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