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Pinson A: Reporting on Crime

Reporting on Crime

Bringing Great Police Work to the Courtroom

Don't miss the brand-new gripping thriller and courtroom drama full of twists and turns that will keep you up at night!* Longlisted for the Theakston Old Peculier Crime Novel of the Year Award and The Twisted Dagger CWA award! *'An impeccable blend of courtroom drama, mystery thriller and social commentary ... a true masterpiece' Andrea Mara'Timely ... Suspenseful and unpredictable' iPaper'A brilliantly thought-provoking read' Crime Monthly'The kind of crime fiction that eventually becomes social history' Literary Review* * * *Lily and Safa were best friends growing up. Now, Lily is the nation's favourite breakfast TV presenter and Safa, once a renowned journalist, is reeling from a recent fall from grace.When news breaks about suspicious bruises on Lily's body, Safa attempts to rekindle their old friendship. But Lily claims the bruises are nothing to worry about.And then one night the police are called to Lily's home. Lily is strangely calm - and a body lies dead at her feet.Lily pleads not guilty, and then says nothing more. Driven by her desire to give a voice to all victims, Safa begins her own investigation into what happened that night.But Safa is not prepared for what her quest for justice will uncover ...* * * *Praise for Kia Abdullah'One of my ten best reads of the year. Easy five stars' Lisa Jewell'Terrific and hugely thought-provoking' Ian Rankin'Rich in drama and intrigue. Kept me turning the pages long into the night. Bloody superb' Graham Bartlett, author of Bad For Good'Abdullah draws out the truth with compassion, charting with notable understanding the ever-changing currents in human relations' The Times'Timely and powerful, Abdullah's fourth novel lets no one off the hook' Guardian'Gripping' Woman's Weekly

What Happens in the Dark

Isms

A collection of fascinating and provocative quotations from the world-renowned performance artist Marina Abramovi¿ is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramovi¿-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. <ul><li>“Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.”</li><li>“Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.”</li><li>“Beauty doesn’t have a definition. What is important is what moves you.”</li><li>“Don’t ever call me the grandmother of performance art. Just call me a warrior.”</li></ul>

A collection of fascinating and provocative quotations from the world-renowned performance artist Marina Abramović is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramović-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. “Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.” “Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.” “Beauty doesn’t have a definition. What is important is what moves you.” “Don’t ever call me the grandmother of performance art. Just call me a warrior.”

Abramović-isms

Palgrave Histories of Policing, Punishment and Justice

This book considers the law, policy and procedure for child witnesses in Australian criminal courts across the twentieth century. It uses the stories and experiences of over 200 children, in many cases using their own words from press reports, to highlight how the relevant law was ¿ or was not - applied throughout this period. The law was sympathetic to the plight of child witnesses and exhibited a significant degree of pragmatism to receive the evidence of children but was equally fearful of innocent men being wrongly convicted. The book highlights the impact ¿safeguards¿ like corroboration and closed court rules had on the outcome of many cases and the extent to which fear ¿ of children, of lies (or the truth) and of reform ¿ influenced the criminal justice process. Over a century of children giving evidence in court it is `clear that the more things changed, the more they stayed the same¿.

Child Witnesses in Twentieth Century Australian Courtrooms

A FINALIST FOR THE 2024 CUNDILL HISTORY PRIZE LONGLISTED FOR THE 2024 BAILLIE GIFFORD PRIZE A Best Book of the Year in The Economist, Prospect, The Telegraph, TLS, The New York Times, The Washington Post, The New Yorker, and Foreign Affairs 'Magisterial' - Max Hastings, The Sunday Times 'Monumental' - Rana Mitter, Times Literary Supplement 'Every so often, a new work emerges of such immense scholarship and weight that it really does add a significant difference to our understanding of the Second World War and its consequences. Judgement at Tokyo is one such, a monumental work in both scale and detail, beautifully constructed and written, leaving the reader not only moved but disturbed as well.' - James Holland, The Sunday Telegraph 'A work of singular importance . . . balanced, original, human, accessible, and riveting' - Philippe Sands, author of East-West Street A landmark history of the postwar trials of Japan's leaders as war criminals, and their impact on the modern history of Asia and the world. In the weeks after Japan finally surrendered to the Allies to end World War II, the victorious powers turned to the question of how to move on from years of carnage and destruction. For the Allied powers, the trials were an opportunity both to render judgment on their vanquished foes and to create a legal framework to prosecute war crimes and prohibit the use of aggressive war. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was no more than victors' justice. Gary J. Bass' Judgement at Tokyo is a magnificent, riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the postwar era in the Asia-Pacific. 'A comprehensive, landmark and riveting book' - The Washington Post, 'The 10 Best Books of 2023' 'Breathtakingly ambitious and unlikely to be bettered as a portrait of the trials and their place in postwar global history' - History Today

The definitive account of the Tokyo war crimes trials of 1946-8, WWII and the beginning of the end of the European empires in Asia and the impact the settlement has had on post-war China and Japan, the wider history of East and South Asia - and of the world - to this day.

World War II on Trial and the Making of Modern Asia

Judgement at Tokyo

Central Eurasian Library

In the languages spoken by the Muslims in Central Asia, atheistic writing developed into a setting not for attacking religion, but for documenting it. "Muslim Atheism in Central Asia" argues that scientific atheism, an ideology hostile to Islam, was itself Islamized during the decades following World War II. Drawing on a substantial and neglected body of literature in these languages, this study shows how atheist writers described and catalogued prayer, pilgrimage, ritual, and sacred geography with breathtaking detail. Ranging from anticlerical satire, to travelogues, to explications of Muslim dogma, to encyclopedic catalogues of rites, and more, these texts reveal an imperative to record and document Muslim life. Rather than simply seeking to eliminate Islam, Muslim atheism absorbed and redefined the anti-religious imperative, transmitting Islamic knowledge in the process. The book highlights atheist authors' engagement with the Central Asian muftiate (SADUM), whose dogmatic pronouncements they often applauded, in spite of themselves. Thanks to the vast body of data and information embedded within atheistic texts, it also provides an account of Muslim practices in Soviet society. By recovering this forgotten literature, the book reshapes our understanding of both Central Asian history and the world of Muslim life under late socialism.

Muslim Atheism in Central Asia

The gripping new thriller from the Sunday Times bestselling phenomenon, VOX'Shocking, emotive, urgent and original' Chris Whitaker'A non-stop thrill ride' Jeffery Deaver'Queen of the "what if" thriller. Unflinching, unguessable and unputdownable' Simon Lelic'Thrilling, topical and timely ... I ripped through this in a few days' Louise Swanson'Provocative, inventive and compulsively page-turning' David KoeppThe one decision you can't take backProsecutor, Justine Boucher has only asked for the death penalty once, in a brutal murder case.In doing so, she put her own life on the line. Because, if the convicted are later found innocent, the lawyer who requested the execution will be sentenced to death.Justine had no doubt that the man she sent to the chair was guilty.Until now.Presented with evidence that could prove his innocence, Justine must find out the truth before anyone else does.Her life depends on it.

The Sentence

A Nora Carleton Legal Thriller

PREORDER JAMES COMEY'S BREATHTAKING NEW LEGAL THRILLER RED VERDICT NOW! New York lawyer Nora Carleton faces her biggest case yet in this gripping legal thriller and Times Book of the Month from the former director of the FBI, James Comey. EVEN FREE SPEECH HAS ITS PRICE. Nora Carleton is back working as a federal prosecutor in New York, but her city is in turmoil. Extremism is on the rise, funded from the shadows and growing in momentum online, with one person in particular fanning the flames. Radio and podcast host Samuel Buchanan uses his platform to spread disinformation and incite violence - and his mission is succeeding, with disturbances, clashes, and hate crimes rising across the country. As the threat of a major attack grows, and a United Nations rally is targeted, it seems Nora is the only one who can stop the spread. She must successfully convince a jury that some speech should be treated as a crime - or see her country torn apart. A powerful novel about the realities facing modern America, perfect for fans of Grisham, Connelly and Coben. 'Comey's best book yet' The Times Reviews for James Comey 'Truly outstanding' Harlan Coben 'Vivid and compelling' Ian Rankin 'Reads like Grisham' Daily Mail 'Drips with authenticity' Telegraph

FDR Drive

API Design for C++, Second Edition provides a comprehensive discussion of Application Programming Interface (API) development, from initial design through implementation, testing, documentation, release, versioning, maintenance, and deprecation. It is the only book that teaches the strategies of C++ API development, including interface design, versioning, scripting, and plug-in extensibility. Drawing from the author's experience on large scale, collaborative software projects, the text offers practical techniques of API design that produce robust code for the long-term. It presents patterns and practices that provide real value to individual developers as well as organizations. The Second Edition includes all new material fully updated for the latest versions of C++, including a new chapter on concurrency and multithreading, as well as a new chapter discussing how Objective C++ and C++ code can co-exist and how a C++ API can be accessed from Swift programs. In addition, it explores often overlooked issues, both technical and non-technical, contributing to successful design decisions that produce high quality, robust, and long-lived APIs. It focuses on various API styles and patterns that will allow you to produce elegant and durable libraries. A discussion on testing strategies concentrates on automated API testing techniques rather than attempting to include end-user application testing techniques such as GUI testing, system testing, or manual testing.

API Design for C++

Will Trent

WATCH WILL TRENT ON ABC!“Expect from a Karin Slaughter crime thriller . . . just the right amount of twists, turns, shocks, surprises and domestic thrill and shrill.” — ParadeThe instant NYT bestseller featuring Will Trent and Sara Linton from Karin Slaughter, #1 New York Times bestselling author of Pretty Girls and After that Night! One toxic family. Eight suspicious guests. Everyone is guilty...But who is a killer?For GBI investigator Will Trent and medical examiner Sara Linton, McAlpine Lodge seems like the ideal getaway to celebrate their honeymoon. Set on a gorgeous, off-the-grid mountaintop property, it’s the perfect place to unplug and reconnect. Until a bone-chilling scream cuts through the night.A murderer in their midstMercy McAlpine, the manager of the Lodge, is dead. With a vicious storm raging and the one access road to the property washed out, the murderer must be someone on the mountain. But as Will and Sara investigate the McAlpine family and the other guests, they realize that everyone here is lying….Lying about their past. Lying to their family. Lying to themselves.Who killed Mercy McAlpine?It soon becomes clear that normal rules don’t apply at McAlpine Lodge, and Will and Sara are going to have to watch their step at every turn. Trapped on the resort, they must untangle a decades-old web of secrets to discover what happened to Mercy. And with the killer poised to strike again, the trip of a lifetime becomes a race against the clock…

WATCH WILL TRENT ON ABC!“Expect from a Karin Slaughter crime thriller . . . just the right amount of twists, turns, shocks, surprises and domestic thrill and shrill.” — Parade The instant NYT bestseller featuring Will Trent and Sara Linton from Karin Slaughter, #1 New York Times bestselling author of Pretty Girls and After that Night! One toxic family. Eight suspicious guests. Everyone is guilty...But who is a killer? For GBI investigator Will Trent and medical examiner Sara Linton, McAlpine Lodge seems like the ideal getaway to celebrate their honeymoon. Set on a gorgeous, off-the-grid mountaintop property, it’s the perfect place to unplug and reconnect. Until a bone-chilling scream cuts through the night. A murderer in their midst Mercy McAlpine, the manager of the Lodge, is dead. With a vicious storm raging and the one access road to the property washed out, the murderer must be someone on the mountain. But as Will and Sara investigate the McAlpine family and the other guests, they realize that everyone here is lying….Lying about their past. Lying to their family. Lying to themselves. Who killed Mercy McAlpine? It soon becomes clear that normal rules don’t apply at McAlpine Lodge, and Will and Sara are going to have to watch their step at every turn. Trapped on the resort, they must untangle a decades-old web of secrets to discover what happened to Mercy. And with the killer poised to strike again, the trip of a lifetime becomes a race against the clock…

A Will Trent Thriller

This Is Why We Lied

Practical HR Toolkit

Handling Discipline and Termination

When Things Go Wrong

A Calamity of Souls

A Finalist for the 2024 Cundill History Prize Longlisted for the 2024 Baillie Gifford Prize A Best Book of the Year in The Economist, Prospect, The Telegraph, TLS, The New York Times, The Washington Post, The New Yorker, and Foreign Affairs 'Magisterial' - Max Hastings, The Sunday Times 'Monumental' - Rana Mitter, Times Literary Supplement A landmark history of the postwar trials of Japan's leaders as war criminals, and their impact on the modern history of Asia and the world. 'Every so often, a new work emerges of such immense scholarship and weight that it really does add a significant difference to our understanding of the Second World War and its consequences. Judgement at Tokyo is a monumental work in both scale and detail' - James Holland, The Sunday Telegraph 'A work of singular importance . . . balanced, original, human, accessible, and riveting' - Philippe Sands, author of East-West Street In the aftermath of World War II, the victorious Allied powers turned to the question of how to move on from years of carnage and destruction. The Tokyo trial - the largely overlooked counterpart to Nuremberg - was an opportunity both to render judgment on the Allies' vanquished foes and to create a legal framework to prosecute war crimes and prohibit the use of aggressive war. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was no more than victors' justice. Judgement at Tokyo is a magnificent, riveting story of wartime action, dramatic courtroom battles, and the epic formative years of postwar Asia. 'A comprehensive, landmark and riveting book' - The Washington Post, 'The 10 Best Books of 2023' 'Breathtakingly ambitious and unlikely to be bettered as a portrait of the trials and their place in postwar global history' - History Today

SHORTLISTED FOR THE 2024 CUNDILL HISTORY PRIZE LONGLISTED FOR THE 2024 BAILLIE GIFFORD PRIZE 'Magisterial' – Max Hastings, The Sunday Times 'Monumental'– Rana Mitter, Times Literary Supplement 'Every so often, a new work emerges of such immense scholarship and weight that it really does add a significant difference to our understanding of the Second World War and its consequences. Judgement in Tokyo is one such, a monumental work in both scale and detail, beautifully constructed and written, leaving the reader not only moved but disturbed as well.' – James Holland, The Sunday Telegraph 'A work of singular importance . . . balanced, original, human, accessible, and riveting' – Philippe Sands, author of East-West Street 'Breathtakingly ambitious and unlikely to be bettered as a portrait of the trials and their place in postwar global history' – History Today A landmark history of the postwar trials of Japan’s leaders as war criminals, and their impact on the modern history of Asia and the world. In the weeks after Japan finally surrendered to the Allies to end World War II, the victorious powers turned to the question of how to move on from years of carnage and destruction. For the Allied powers, the trials were an opportunity both to render judgment on their vanquished foes and to create a legal framework to prosecute war crimes and prohibit the use of aggressive war. For the Japanese leaders on trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism and that the court was no more than victors’ justice. Gary J. Bass' Judgement at Tokyo is a magnificent, riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the postwar era in the Asia–Pacific. 'A comprehensive, landmark and riveting book' – The Washington Post, 'The 10 Best Books of 2023'

Reporting on Crime

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