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for piano and orchestra

Get Set! Piano

A Get Set! Piano Book for Adult and Teen Beginners

Couch to Concert: Beginner Piano Pieces and Practice

The heart-breaking and inspiring true story of one man and his piano during the Holocaust, for fans of The Choice and The Cut Out Girl.

A True Story of Music, Survival and Hope

The Piano Player of Budapest

Foundational Concepts and Skills

Developing Intermediate-Level Piano Performance with Romantic Style Repertoire

Drawing on his expertise as a medical professional and active pianist, Cameron Roberts provides an understanding of how virtuosic piano playing works from an evidence-based, scientific perspective. Using accessible language, this wealth of information will help readers steer away from uncertainty, suboptimal performance, and injury.

Evidence-Based Perspectives

Optimizing Pianism

A new audio edition of this popular instruction book. Get Set! Piano is an exciting beginner piano course for children that inspires, entertains and builds confidence from the start.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and demo tracks.

Get Set! Piano Tutor Book 2

A first piano book for young beginners

Tunes for Ten Fingers (Third Edition)

Women are an essential part of the history of the piano—but how many women pianists can you name?

A History in 50 Lives

Women and the Piano

"This chapter deals with the earliest references to keyboard instruments in the writings of Martin Agricola, Henri Arnaut of Zwolle, Juan Bermudo, Ercole Bottrigari, Antonio de Cabezon, Eberhardus Cersne, Paulus Paulirinus, Hermann Poll, Michael Praetorius, Sesto Tantini, Sebastian Virdung, and others. Described is the earliest depiction of a keyboard instrument appearing in an altarpiece carving in the cathedral of Minden, Germany, as well as the earliest extant keyboard instrument, a clavicytherium made around 1480, now in the Royal College of Music, London. This chapter deals with the origin of such terms as the chekker, clavichordium, clavicembalo, clavicimbalo, clavicymbalum, claviciterium, clavicytherium, clavisimbalum, dulce melos, epinette, manichordium, monochordion, and monocordo. Also considered are the keyboard ranges of early keyboard instruments and the earliest music written for keyboard instruments, such as the Mulliner Book, Robertsbridge fragment and Faenza Codex"--

A wide-ranging history of the piano, clavichord, and harpsichord, from their origins in the fourteenth century to the present. It will interest scholars, keyboard instrument players, makers and technicians, as well as those who simply enjoy listening to over five centuries of keyboard music.

A History of Stringed Keyboard Instruments

Ashgate Historical Keyboard Series

Authorship is a pertinent issue for historical musicology and musicians more widely.The discovery of new sources and methodologies has also opened up opportunities for reassessing specific authorship problems. This book aims to build on what has already been achieved by focusing on keyboard music.

Studies on Authorship in Historical Keyboard Music

A Guide for Piano Teachers

Generations Z and Alpha Students at the Piano

Routledge Research in Music

Edward MacDowell's European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876-1888), steeped in reception history and with a special emphasis of programmaticism.

Edward MacDowell’s European Piano Music is a critical study of the piano music that MacDowell composed during his European sojourn (1876–1888), steeped in reception history and with a special emphasis of programmaticism.The book expands current knowledge of MacDowell’s childhood in four of the chapters based on his previously uninvestigated sheet music collection, thereby achieving a better balance among the stages of MacDowell’s life than is evident in most books of the life-and-works variety. Prolific contemporaneous music criticism, meticulously preserved in MacDowell’s scrapbooks, is likewise undervalued in the MacDowell literature, but it furnishes penetrating observations about the expressive and programmatic content of numerous compositions, especially as it was revealed to critics when MacDowell performed his own works. Lastly, the book offers explanations for why MacDowell immersed himself in European culture for decades and then, at a crucial juncture in his career, embraced diverse American heritages and worked toward a conception of a pluralistic music that was American “in a creative sense.”The book’s content and methodology would appeal most directly to specialists within the broad fields of musicology and music theory, particularly within American art music and its composers; nineteenth-century music; program music; reception history; and piano literature.

The Forging of an American Composer

Edward MacDowell’s European Piano Music

Górecki’s Solo Piano Music

Reflections

Bibliografische Angaben

Schlagworte

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