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Dikötter F: Red Dawn Over China

Red Dawn Over China

How Communism Conquered a Quarter of Humanity

Feminist Lessons From Five Revolutionary Women

Red Valkyries

SOAS Studies in Modern and Contemporary Japan

This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another. Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions. The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga-and manga and anime in general once they went global.

Challenging Gender and Sexuality in Japan

The Tale of Genji through Contemporary Manga

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum. In Black Power, White Heat: From Solidarity Politics to Radical Chic, the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance. By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences. Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics.

From Solidarity Politics to Radical Chic

Black Power, White Heat

The Translocal Island of Okinawa reveals the underrepresented memories, visions and actions that are involved in the making of Okinawan resistance against its subordinated status under the US-Japan security system beyond the narrowly defined political, cultural and geographical borders of locality. As Okinawa's base politics is a problem deeply rooted in the context of East Asia, so is the history of the people's protest movement. The issue examined in this book is the arbitrary distinction of scale between 'local', which tends to be employed for a particular territory demarcated by a cohesive culture, and 'regional', a larger area that consists of myriad localities. Locality, Shinnosuke Takahashi here argues, is neither self-evident, fixed nor homogenous but is established through historical processes that involve interaction, conflict and negotiation of individuals and communities across territorial and cultural boundaries. This book reveals the novel concept of Okinawa as a translocal island which offers a way to understand locality in the context of Okinawan activism as a product of multiple cultural and human flows, as opposed to the conventional way of framing the local community as fixed, internally cohesive and rigidly bordered. It makes an exciting contribution to the field of modern Japanese and East Asian studies by stimulating discussions on the richness and scale of local civic activism that is increasingly becoming a key political feature of the East Asian region.

Anti-Base Activism and Grassroots Regionalism

The Translocal Island of Okinawa

Developing an objects-based approach through detailed engagements with WWII remains on a remote headland of Arctic Norway, this book attempts to unleash archaeology's potential by opting for pasts that resist historical time and reveal the fundamental importance of an archaeology that is other than history. In this book, two leading theoretical archaeologists and the founding figures of what has been called "symmetrical archaeology" turn their attention to the kinds of pasts that archaeology makes possible. This book attempts to unleash archaeology's potential by opting for pasts that largely resist historical time and the tropes of succession and replacement which has defined the discipline for nearly two centuries. Olsen and Witmore take up this task by targeting objects associated with one of the periods most thoroughly studied by historians, World War II. Building on over a decade of archaeological fieldwork and excavation at Sværholt, an erstwhile Wehrmacht artillery battery at the outermost terrestrial edge of continental Europe, they demonstrate precisely what difference archaeology can make with objects routinely saturated by history. Through in-depth archaeological engagements with the prisoner-of-war camp, fishing hamlet, battery, and garrison they offer pasts other than what archaeologists have always assumed to take historical form. Among the innovations of this richly pictorial book is a novel design that begins with the encounter and works toward pasts otherwise. Along the way, the authors articulate new conceptions of presence, patience, waiting, and the post-history of things, also accompanied by text boxes that offer points of pause, reflection and excursus. Through a detailed engagement with what remains above and below the surface, Olsen and Witmore touch on the central problems of archaeological engagement, inference, and interpretation.

An Archaeology of War

Pasts Otherwise

Gao Pian's Trials of Allegiance

The Fall of the Tang

Critical Perspectives in South Asian History

Hierarchy, Humanity and Equality in Indian History

Textual Lives of Caste Across the Ages

Swimming Scandinavia in Search of a Better Life

The Year I Lay My Head in Water

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

A vital account of fifteen speeches and orators - from Benjamin Franklin to Barack Obama - that tells the story of the United States as a battle over what it means to be an American, from a New York Times bestselling author and former presidential speechwriterWhat does it mean to be an American? Since the Founding, Americans have been having an intense debate over this deceptively simple question which has spawned Constitutional crises, civil war, populism, mass migrations, reform movements - and their inevitable backlash. The history of this debate over who and what makes an American, Ben Rhodes argues, is essential to understanding how the United States has evolved as a nation and the intensity of their divisions today. In this book, Rhodes tells the story of fifteen essential speeches - some famous, some obscure - that, together, offer a fresh and revealing portrait of the United States as an ongoing contest over what it means to be American. With rare insight into the power and purpose of political rhetoric, Rhodes illuminates how each speech reflects the nature of American identity at a particular historical moment, with riveting portraits of the people, movements, and social conditions that produced pivotal oratory. Rhode also establishes the unique role of speaking as an act of American political persuasion - from Franklin's case for compromise at the Constitutional convention to Alexander Stephen's case for white supremacy as the cornerstone of the Confederacy; or, in social movements, from Martin Luther King's demand for racial equality at the march on Washington, to Pat Buchanan's 'culture war' speech to the 1992 Republican convention which foreshadowed Donald Trump. For a country that values individualism, self-invention, and mass media, Rhodes reminds us that speeches have occupied an out-sized space in the American national imagination: the lone voice before a crowd, bending history to its will. At a time when what it means to be an American is a matter of intense debate and division, Ben Rhodes offers rare insight into the gap between who we say we are, and who we want to be.

A History of the United States in 15 Speeches

The word 'samurai' stands for ideals of courage, honour, self-sacrifice and loyalty. Yet much of the common understanding is imaginative fiction. This book explores the concept from medieval reality, through early modern changes, to today's hugely varied popular culture, challenging preconceptions and exploding myths. &gt;Published to accompany a major exhibition at the British Museum, this is the first book to explore the centuries-long trajectory of the samurai through objects from international collections. It discusses the historical origins of the samurai warrior class in the civil wars of the medieval period and examines the stories they told of their own achievements. From the early 1600s, with the establishment of peace, the samurai became an official class fulfilling a bureaucratic role. The ideal of the medieval warrior took on legendary status, leading to endless representations in popular culture of past examples of heroic valour. As the highest social class, samurai were consumers of deluxe products and their tastes set the standard for the rest of society. Political tensions intensified during the 1850s, culminating in civil war in 1868 and the abolition of the samurai social class in 1876. With the full opening of Japan to international visitors, the concept of the samurai was packaged for foreign tourists and repurposed to provide a model for the modern soldier in a period of military conflict and colonial expansion. The image of the samurai has been interpreted and reimagined in Japan and across the world in myriad ways. Discussions of national myth and global samurai bring the story up to the present day through a broad selection of films, television shows, manga, anime, video games and much more.

Samurai

A diplomatic and literary journey through history, identity, and memory.

Essays on Poland, Britain, and Cultural Memory

Entwined Histories

Red Dawn Over China

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