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Jenkins S: Reading Biblical Greek

Reading Biblical Greek

A Graded Reader for Beginners

Library of Hebrew Bible/Old Testament Studies

Between Trauma and Resilience

Violence Against Women and Children in the Hebrew Bible

Scriptural Traces

The Library of New Testament Studies

This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world.

Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.

This volume is a critical exploration of cross-cultural Bible film reception presented through an analysis of the responses of UK and South African audiences to The Lumo Project: The Gospel of Mark (2014) and Son of Man (2006). Victoria Olaide Omotoso places emphasis on audience reception and highlighting the non-Western experience of biblical films by examining the responses of audiences from different cultural contexts to identical media, with a cross-cultural audience discourse facilitated by cultural dynamics: fidelity to the (biblical) text, ethnicity, music, and gender. By examining historic and cinematic debates, audience responses and filmmaker responses, Omotoso explores the ethnicity of Jesus, theological contexts and implications, and the presentation of Jesus in an androcentric world.

Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.

Cross-Cultural Bible Film Reception of The Lumo Project: The Gospel of Mark and Son of Man

Imag(in)ing Jesus in the Universal or Particular

The contentious life and times of the most widely cited book of the New TestamentWritten some two thousand years ago, the Gospel of John is the only Christian Gospel to place Jesus at the creation of the world, and the only one where we find the stories of the raising of Lazarus, the woman taken in adultery, and the changing of water into wine at the wedding in Cana. The Gospel of John also points an accusing finger at Jesus's Jewish opponents and has been used by medieval crusaders, Protestant reformers, and white supremacists to legitimize antisemitic violence. Kim Haines-Eitzen traces the legacy of this complex, beautiful, and at times deeply troubling work, from its composition in the late first century to its enduring power today. Haines-Eitzen sheds light on the book's reception by early Christian gnostic and patristic commentators, its use in the Crusades and Reformation, its revered status among American evangelicals, and the many ways it has inspired novels, films, music, and art. The earliest papyrus fragment of an identifiably Christian Gospel is a fragment of John, and John is the only canonical Gospel that depicts Jesus as a savior who teaches openly about his divinity. Haines-Eitzen shows how John simultaneously carries a message of inclusion and intolerance, and how its story teaches us about the nature and enormous influence of scriptural religions. Compelling and provocative, The Gospel of John reveals how this dynamic, malleable biblical work has both unified and divided Christians over centuries of translation, interpretation, and creative reimagining.

A Biography

The Gospel of John

Jewish and Christian Texts

Erich S. Gruen investigates a remarkable phenomenon in religious and literary history: the freedom with which Jewish writers in antiquity retold and recast, sometimes distorted or bypassed, biblical narratives that ostensibly had the status of sacred texts. Gruen asks the question of what prompted such tampering with tales that carried divine authority, and what implications this widespread practice of liberal revising had for attitudes toward the sacrality of the scriptures in general. Gruen focuses upon writings of the Second Temple period, an era of the deep integration of Jewish history and the Greco-Roman world. Gruen brings to the task the training of a classicist and ancient historian rather than that of a biblical textual critic or a rabbinics scholar, not pursuing the commentaries of the later rabbis with their very different approaches, methods, and goals. As such, Gruen's emphasis rests upon narrative rather than legal matters, the haggadic rather than the halakhic. The former lends itself most readily to the creative instincts of the re-tellers.

The Inventiveness of Second Temple Jews

Scriptural Tales Retold

A Jamesonian Reading of the Book of Haggai

"The Time Has Not Yet Come to Rebuild YHWH's House"

The volume discusses nudity and clothing in the Hebrew Bible, covering anthropological, theological, archaeology and religious-historical aspects. These aspects are addressed in three separate sections, enhanced by over a hundred pictures and illustrations. Part I places nudity and clothing in its ancient Israelite context, with discussions of methodology, the ancient Near Eastern evidence (including material culture and iconography), and an assessment of central aspects of the biblical material such as fabrication and uses of textiles, lexicography, theological and anthropological implications. Part II looks at key themes such as mourning, death, encounters with the divine and issues of power and status. Finally, Part III presents several close studies of key passages from narrative, prophetic and wisdom texts where clothing and nudity play an important role.

The volume discusses nudity and clothing in the Hebrew Bible, covering anthropological, theological, archaeology and religious-historical aspects. These aspects are addressed in three separate sections, enhanced by over a hundred pictures and illustrations. Part I places nudity and clothing in its ancient Israelite context, with discussions of methodology, the ancient Near Eastern evidence (including material culture and iconography), and an assessment of central aspects of the biblical material such as fabrication and uses of textiles, lexicography, theological and anthropological implications. Part II looks at key themes such as mourning, death, encounters with the divine and issues of power and status. Finally, Part III presents several close studies of key passages from narrative, prophetic and wisdom texts where clothing and nudity play an important role.

Clothing and Nudity in the Hebrew Bible

Learn to speak, read, write and understand Brazilian Portuguese! Love, Travel, Study, Work, Friendship-whatever your reason for wanting to learn,&nbsp;Beginners' Brazilian Portuguese&nbsp;will help you to: &nbsp; - Communicate &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;naturally in everyday situations. - Build &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;your confidence with easy-to-follow explanations and plenty of practice &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;activities. - Understand &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;and pronounce Brazilian Portuguese easily with online audio. - Remember &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;what you learn with our effective Discovery Method. - Focus &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;your learning and track your progress with practical tools and planners. Access the audio for this course for free by downloading it to the Teach Yourself Library app or streaming it on library.teachyourself.com. Is this course for me? Beginners' Brazilian Portuguese&nbsp;is for absolute beginners and those who've had some previous experience with the language and want to refresh their knowledge. Clear and simple explanations make the course appropriate and accessible to anyone learning Brazilian Portuguese. There are extensive illustrations and tools to help you plan your studies and track your progress, all designed to support learning on your own. This course is also ideal to use with one-to-one tutoring and as a classroom course, and it's the perfect resource to pair with a language-learning app. Where do I go next? Continue learning with&nbsp;Teach Yourself&nbsp;Complete&nbsp;Brazilian Portuguese.&nbsp;Have some fun with our&nbsp;Short Stories in&nbsp;Brazilian Portuguese&nbsp;for&nbsp;Beginners&nbsp;by Olly Richards. Rely on Teach Yourself, trusted by language learners for over 85 years.

Perfect for absolute beginners, travellers and the culturally curious, Beginners' Brazilian Portuguese covers the most common and practical everyday situations. With easy-to-follow, bite-sized lessons in the book and 2 hours of audio online, you'll start speaking, listening and reading in Brazilian Portuguese right away!

Learn faster. Remember more

Beginners’ Brazilian Portuguese

Finish First B2 Ex-tr (Italy)

The Library of Hebrew Bible/Old Testament Studies

This volume seeks to illuminate that the metaphors featured in Ezekiel's prophetic writing are closely connected to interpretations of historical events. The authors highlight how this use of metaphor is unique and not replicated in other Old Testament texts. Whereas in most Old Testament writing metaphors describe procedures in experiencing life, the metaphors in Ezekiel are integrated into a context of interpreting history. The collection opens up new ways of understanding past events and fills a gap in existing scholarship. Although metaphor research has received a great deal of attention, the metaphors in Ezekiel have not yet received significant scholarly attention, especially with an understanding of them reflecting historical events. Case studies in this volume include an examination of nakedness and shame in Ezekiel 16, Ezekiel's oracles in Ezekiel 18 and the radical handling of metaphor in Ezekiel 23. Covering texts of terror, dynamic allegories and vivid imagery, this volume brings the prophetic text to life and illuminates the reader on deliberate literary choices which sought to highlight historical events of importance to the text's author. Contributors employ various theories to analyse the metaphors and their link to history, including conceptual metaphor theory, cognitive linguistics and the use of ancient Near Eastern iconography.

Metaphor and Interpretation of the Past in the Book of Ezekiel

History in Disguise

Allusion and Meaning in Judges and Ruth

T&T Clark International Theological Commentary

The book of Joel is held to be one of the latest prophetic witnesses; it cites other books of the book of the Twelve prophets with a density that distinguishes it from its neighbours. The concept of the "Day of the LORD" which runs throughout the Minor Prophets as a whole reaches its zenith in Joel and its co-mingling of ecological and military metaphors advances Hosea on the former and anticipates later texts on the latter. In this volume within T&amp;T Clark's International Theological Commentary Series Christopher Seitz starts from a foundation of historical-critical methodology to provide an account of Joel's place and purpose within the book of the Twelve prophets as a whole. Seitz examines the theology and background of Joel, and shows how Joel's theological function can provide a major hermeneutical key to the interpretation of the wider collection, and teases out the precise character of that role.

The book of Joel is held to be one of the latest prophetic witnesses; it cites other books of the book of the Twelve prophets with a density that distinguishes it from its neighbours. The concept of the "Day of the LORD" which runs throughout the Minor Prophets as a whole reaches its zenith in Joel and its co-mingling of ecological and military metaphors advances Hosea on the former and anticipates later texts on the latter.

In this volume within T&amp;T Clark's International Theological Commentary Series Christopher Seitz starts from a foundation of historical-critical methodology to provide an account of Joel's place and purpose within the book of the Twelve prophets as a whole. Seitz examines the theology and background of Joel, and shows how Joel's theological function can provide a major hermeneutical key to the interpretation of the wider collection, and teases out the precise character of that role.

Joel (ITC)

Reading Biblical Greek

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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