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Polemical Jewish Entertainments in
Amsterdam

Polemical Jewish Entertainments in Amsterdam

A Yiddish Manuscript of ‚Toledot Yeshu’ (Ms. Amsterdam, EH 47 A 21)

De Gruyter Studium

Die Editionswissenschaft ist eine Grundlagenwissenschaft für alle Fächer, in denen Medien der verschiedenen Art zuverlässig aufbereitet und zur Verfügung gestellt werden müssen. Entsprechend benötigen Editoren neben einem fundierten Fachwissen gute Kenntnisse in editorischer Theorie und Praxis. Da sich aber die Editionswissenschaft im wesentlichen aus der Germanistik entwickelt hat und oft noch als Hilfswissenschaft ohne großen Anspruch gilt, fehlt es an allgemeinen Richtlinien, die für alle Fächer gleichermaßen gelten können. Theoretische Überlegungen über die Fächergrenzen hinaus gibt es kaum. Das Studienbuch unternimmt den Versuch, sich nicht auf eine Disziplin und das Medium ,Text' zu beschränken. Es hat aus diesem Grund stets die anderen Fachrichtungen und Medien (Musik, Bild, Film) im Blick. Zudem geht es nicht allein um praktische Probleme, sondern ebenso um theoretische, die wiederum nicht allein Texte betreffen. Ziel ist es, die Editionswissenschaft auf eine einheitliche Basis zu stellen und so zu zeigen, dass es sich tatsächlich um ein eigenständiges Fach handelt.

Editorial studies: a fundamental intermedial discipline for all subjects which require media of various kinds to be reliably processed and made available. Besides well-founded knowledge of their subjects, editors need knowledge and skills in the theory and practice of editorship. To date, however, there has been an absence of general guidelines which can be applied to all subjects. The present textbook develops these guidelines in order to provide a unified basis for editorial studies.

Einführung in die Editionswissenschaft

Roman - »Eine Autorin, die ich ganz besonders gerne mag.« Elke Heidenreich

Denn es will Abend werden

Black History Lives

A Life in American History

Maya Angelou

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or 'othered' body and thinking through 'medieval things': such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference. This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor's area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or ’othered’ body and thinking through ’medieval things’: such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference.   This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor’s area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The Ashgate Research Companion to Medieval Disability Studies

Companion to Central and Eastern European Humanism / Hungary

A Neuroscientific Approach

The Bilingual Brain

Humanidades Digitales y Big Data en Iberoamérica / Digital Humanities and Big Data in Ibero-America

Literature, Theory and Big Data

"This extraordinary book provides a masterful survey of a notoriously baffling subject, yet does so in wonderfully accessible and engaging prose. What Is the Present? is superb scholarship but also exciting news--a captivating report from the front lines of cultural and intellectual engagement. I love this book."--Jesse Matz, author of Lasting Impressions: The Legacies of Impressionism in Contemporary Culture "A bracing, expansive, and consistently surprising meditation on the notion of the present. In an authoritative yet lucid style, Michael North animates with great panache some of the most profound and persistent questions in the history of ideas."--David James, author of Modernist Futures: Innovation and Inheritance in the Contemporary Novel

A provocative new look at concepts of the present, their connection to ideas about time, and their effect on literature, art, and culture The problem of the present—what it is and what it means—is one that has vexed generations of thinkers and artists. Because modernity places so much value on the present, many critics argue that people today spend far too much time in the here and now—but how can we tell without first knowing what the here and now actually is? What Is the Present? takes a provocative new look at this moment in time that remains a mystery even though it is always with us. Michael North tackles puzzles that have preoccupied philosophy, neuroscience, psychology, history, and aesthetic theory and examines the complex role of the present in painting, fiction, and film. He engages with a range of thinkers, from Aristotle and Augustine to William James and Henri Bergson. He draws illuminating examples from artists such as Fra Angelico and Richard McGuire, filmmakers like D. W. Griffith and Christopher Nolan, and novelists such as Elizabeth Bowen and Willa Cather. North offers a critical analysis of previous models of the present, from the experiential present to the historical period we call the contemporary. He argues that the present is not a cosmological or experiential fact but a metaphor, a figurative relationship with the whole of time. Presenting an entirely new conception of the temporal mystery Georg Lukács called the "unexplained instant," What Is the Present? explores how the arts have traditionally represented the present—and also how artists have offered radical alternatives to that tradition.

What Is the Present?

Franco Moretti and Literature

Experimental Criticism

A quietly powerful exploration of memory and forgetting, from one of France’s leading feminist public intellectuals &nbsp; In 2021, the award-winning French writer Lola Lafon was granted permission to stay overnight—alone for ten hours—in the Annex in Amsterdam where Anne Frank and her family had hidden from the Nazis between 1942 and 1944. Lafon’s visit to this space, where Anne Frank wrote her famous diary, evoked the confinement and constant danger suffered by the Franks, and the family’s ghostly presence as well. “The night was inhabited, lit by reflections,” Lafon writes. “Some urgency dwelled at the heart of the Annex, crouched there, ready to be discovered.” &nbsp; Lafon introduces a new vision of Anne Frank, not as a venerated and exploited myth but as the precocious, ambitious, and beloved girl she was, as well as a disciplined writer whose well-loved diary is in fact a carefully constructed literary work. Throughout, Lafon reflects on what it means to lose loved ones, both Lafon’s own family in the Holocaust and her childhood friend to the Khmer Rouge. A prize-winner and best-seller in France, this book asks us to consider the stories we tell ourselves about tragedy, how we grapple with loss, and why, in the face of danger and confinement, women write. Winner of France’s Grand prix des lectrices ELLE 2023, the Prix Décembre 2022, and the Prix Les Inrockuptibles 2022

Polemical Jewish Entertainments in Amsterdam

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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