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Edge Magazine: Playmakers

Playmakers

The Making of the Most Influential Videogames of All Time

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

A concise run-through of the key stages in type design, through the telling of ten engaging stories.

The development of typography through ten stories

A Brief History of Type

How to Master the Moment

The Art of Street Photography

A Cultural History

The Italian Renaissance

Sonic the Hedgehog Super Awesome Journal offers fun activities and adventures inspired by everyone's favorite hedgehog! This official active journal features dozens of writing prompts, coloring pages, and projects, letting you join your favorite heroes, such as Sonic, Tails, Knuckles, Amy, Shadow, and more, as they power up, learn and grow, and have the adventures of a lifetime. You'll collect as many accomplishments as you do Rings in this fun, one-of-a-kind interactive journal! 
 
DOZENS OF UNIQUE AND FUN ACTIVITIES: Sonic the Hedgehog Super Awesome Journal is filled with fun projects, creative activities, paper crafts, and thought-provoking prompts inspired by the world of Sonic! 
 
DELIGHTFUL ART: Featuring fun illustrations and sturdy binding, this active guided journal makes a perfect companion for a year of personal growth, discovery, and adventure. 
 
FUN FACTS GALORE: Learn and relate to new and exciting facts behind your favorite Sonic characters and their stories. You're learning and growing together!

Sonic the Hedgehog Super Awesome Journal

Game Histories

Balls, Walls, and Bodies in Games and Play

Bounce

The official in-universe guide to the lore and legend behind the phenomenally successful indie game. Vampire Survivors is the genre-defining reverse bullet hell game that went from early access on Steam to winning the Best Game and Best Game Design awards at the BAFTA Game Awards.

Vampire Survivors: The Grimoire

Overlord New World

Overlord New World 1

This entirely new collection of essays picks up from the 2005 Latin American Fashion Reader to explore ideas of rupture and repair in the past and present of Latin American fashion.

The New Latin American Fashion Reader

The Art of Collecting Books

Tsundoku

Rethinking Art's Histories

Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland-Lithuania's roots in the supposedly 'Oriental' land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation. The book reveals how artefacts began to signify as vernacular idioms in the first place, often through obscuring their non-local origin and tainting subsequent discussions of the imagined purity of national culture as a result.

Transcultural Things and the Spectre of Orientalism in Early Modern Poland-Lithuania

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Playmakers

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