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Murray Charles Shaar: Planet Clash

Planet Clash

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ'ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¼low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene - Balakirev, Glinka, Rimsky-Korsakov and others - much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner.  The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions. In addition, the articles provide fascinating glimpses into the composer's personality and an appreciation of his elegant literary style. The volume is not only of importance for elucidating a time when Russian musical life was developing rapidly, but also in extending an understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

Elements in Twenty-First Century Music Practice

This Element explores cross-cultural collaboration in popular music, highlighting opportunities for multiple voices and new sounds, but also challenges in technical matching and negotiating power discrepancies. The practitioner-based research field offers new knowledge and pragmatic strategies for creating pop music with culturally diverse people.

Practice-Based Research

Cross-Cultural Collaboration in Popular Music

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

The Craft of Contemporary Commercial Music

A no-holds-barred journey into the wit, comebacks, and glorious profanity of Noel and Liam Gallagher - the frontmen of Oasis, one of Britain's most outspoken bands. Welcome to&nbsp;The Little Book of Oasis Insults,&nbsp;now kindly piss off. Or stay - if you've got the backbone to handle some of the most savage, side-splitting, and downright brutal takedowns ever unleashed by Noel and Liam Gallagher. This is your one-stop shop for the funniest, most outrageous insults ever fired. Whether it's roasting pop royalty like Adele ('music for f*cking grannies'), Prince Harry ('asshole'), their old mate Gary Neville ('he looks like an estate agent'), or anyone else who dared cross the Gallagher firing line, this book captures the brothers at their sharpest - taking no prisoners and offering zero apologies. It's part wit, part war, and 100% Oasis. With more insults than Liam's had parkas, and packed with hilarious illustrations, this is the perfect gift for Oasis fans, insult enthusiasts, or anyone who appreciates the art of a perfectly delivered burn. So, crack it open, have a laugh, and then get out of here, you muppet!

A no-holds-barred journey into the wit, comebacks, and glorious profanity of Noel and Liam Gallagher - the frontmen of Oasis, one of Britain's most outspoken bands.

The hilarious and unofficial book of Gallagher Brothers' quotes

The Little Book of Oasis Insults

Walking In The Footsteps Of David

BOWIELAND

The rich, irreverent story of Britain's first youth counterculture

The rich, irreverent story of Britain's first youth counterculture

Post-War Britain and the First Youth Revolution: A Sunday Times Book of the Week

Teddy Boys

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

The heart-breaking and inspiring true story of one man and his piano during the Holocaust, for fans of The Choice and The Cut Out Girl.

A True Story of Music, Survival and Hope

The Piano Player of Budapest

A life story

Bless Me Father

'So evocative that it almost vibrates with music from the era' The i Musician, photographer and storyteller, Chris Stein defined the sound of an era, catapulting the iconic band Blondie to #1 and selling over 20 million copies of Parallel Lines. In this no-holds-barred autobiography, Stein reveals himself - not in songwriting or photography, which he's previously been known for but in words. From a Brooklyn boyhood, a move to the East Village in the late 1970s allowed Stein to tap into the explosive creativity that defined the era. It was a time when David Bowie and the Ramones were also making music, when Andy Warhol was promoting Jean-Michel Basquiat's work, when cool was defined not by where you came from but by what you could contribute to culture. UNDER A ROCK is a plunge into that vanished era, and the moments that turned the fresh sound of punk and new wave into an artistic and commercial sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.

Under A Rock

In Rethinking Elvis, popular music scholars and historians look beyond Elvis' iconography to shine a light on the branding, historical and geographic reception, heritage, and fan phenomenon that sustain his legacy. By engaging with recent disciplinary shifts and ongoing conversations within the field, Rethinking Elvis pinpoints the many reasons for Elvis' continued influence on popular culture.

Decades after his passing, Elvis Presley remains one of popular music's greatest icons. He was among the most successful, influential, socially significant, and controversial performers of the twentieth century, with a celebrity so indelible that every recent American president has negotiated its orbit. While much of the coverage of Elvis' life concerns his personal history and musical ability, Rethinking Elvis pushes beyond the familiar to address Elvis' branding, historical and geographic reception, heritage, and fan phenomenon. Using Elvis' iconography as a point of departure, popular music scholars and historians contend with issues related to the performer's whiteness, Southern identity, and gender, among others, in turn offering myriad opportunities to pursue new approaches in the emergent field of Elvis studies.

Rethinking Elvis

Planet Clash

Bibliografische Angaben

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Bibliografische Angaben

Schlagworte

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