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In striking black-and-white portraits, dozens of survivors of Michigan's cruel sentencing of children to life without parole-now free adults-are portrayed with irrepressible dignity&nbsp; 
 
The United States is the only country in the world that sentences children to serve time in adult prisons without the possibility of parole. The portrayal of children in conflict with the law, particularly children of color, as inherently threatening, dangerous, and adult-like has been key to denying these youth a second chance and foundational in justifying their cruel and excessive punishment in the criminal legal system.. 
 
In&nbsp;Morning from Now On, LaBelle, himself a survivor of childhood incarceration, cocreates astute and nuanced portraits with more than fifty of the hundreds of people in Michigan incarcerated as children. Accompanying essays provide critical context on the history of and impact on a society that locks away our children. 
 
In witnessing these survivors' yearning for freedom, the obstacles they face upon reentry, as well as the wonder and joy of being reunited with their families and communities, this collection reminds us of their unfathomable losses and calls on us to cherish&nbsp;all&nbsp;our children. 
 
With contributions by Jose Burgos, Bernardine Dohrn, Xavier McElrath-Bey, Timothy Connors, and Alison Leal Parker

Portraits of Life after Juvenile Incarceration

Morning from Now On

The first publication dedicated to the house of Chanel and its creations as reported in Vogue, featuring iconic illustrations and photography from throughout the magazine's history and across its international editions. Vogue talent-spotted the work of a young Gabrielle Chanel as early as the 1910s and continued to report on the designer through the decades, from her seminal 'little black dress' to the most luxurious haute couture creations. From 1983, Karl Lagerfeld's re-imagining of the brand also found pride of place in the lauded magazine, inspiring some of the world's greatest stylists and photographers across the international editions of Vogue. Chanel in Vogue includes two volumes: the first volume is dedicated to the era of Gabrielle Chanel, and the second focuses on the work of her successors, Karl Lagerfeld and Virginie Viard, and up to the present day. This beautifully produced publication gathers together the inspirational editorials dreamt up by world-famous fashion illustrators and photographers of the twentieth and twenty-first centuries, from Edward Steichen, Horst P. Horst, George Hoyningen-Huene, Irving Penn and Helmut Newton, to Peter Lindbergh, Ellen von Unwerth, Annie Leibovitz, Steven Meisel and many more. Featuring iconic images as well as lesser-known photography and illustration, this book is a trove of stunning visual material, granting readers unparalleled access to more than a century's worth of fashion imagery. Published as two volumes in a slipcase, this high-end, large-format package is the definitive book on the fashion of Chanel as seen through the pages of the world's most influential fashion magazine.

Chanel in Vogue

The first full-career survey of an American artist redefining contemporary landscape painting through a powerful blend of abstraction, realism, memory, and environmental experience. This landmark volume offers the most comprehensive look yet at Eric Aho (b. 1966), widely recognized as one of today’s leading painters of landscape and the natural world. Tracing four decades of artistic evolution, the book follows Aho from his luminous, enigmatic Ice Cuts—geometric openings carved into frozen ponds—to his visceral Fire Paintings, which explore destruction, renewal, and the shifting forces of the environment. His recent Wild Meadow and Firefly series capture seasonal transitions with striking immediacy and emotional depth. Rooted in the American landscape tradition, Aho’s work evokes the spiritual power of Marsden Hartley, the lyrical clarity of Fairfield Porter, the meditative abstraction of Agnes Martin, and the sweeping drama of Thomas Cole—yet remains unmistakably contemporary and wholly his own. This volume features two gatefolds and stunning reproductions that illuminate Aho’s singular approach to painting nature—its atmospheres, transformations, and unseen energies. A vivid and immersive celebration of an artist who brings new vision and vitality to landscape painting today.

The first full-career survey of an American artist redefining contemporary landscape painting through a powerful blend of abstraction, realism, memory, and environmental experience.

Eric Aho

This extraordinary book weaves a fascinating dialogue between the works of product designer Jörg Boner and the images of photographer Milo Keller (1979-2025). Over the course of 20 years, they have developed a fruitful collaboration, creating an iconic visual universe around Jörg Boner's design projects. They share a keen interest in content-related discourse and historical awareness in their respective fields of activity.Views on Things
 has two beginnings and no end-based on the personal journeys of Keller and Boner, the book can literally be read in two directions. In anecdotal dialogue about realized projects, the two artists shed light on their common cause and their individual activities. An introduction by curator and design writer Anniina Koivu and an essay by curator and publisher Bruno Ceschel round off this unique presentation of a shared vision and creative exchange that unites photography and product design.

Two beginnings and no end: the iconic visual universe of designer Jörg Boner and photographer Milo Keller

Jörg Boner & Milo Keller

Views on Things

Sofia Crespo x Anna Ridler: A Field of Collaboration
 collects, for the first time, their five joint projects produced between 2023–2025, which won them the 2025 Arab Bank Switzerland Artist of the Year Award. An interview with the artists and four critical essays provide insight on a hybrid practice where technology functions as an evolving ecology. The authors explore how the artists bridge cutting-edge machine learning with an array of photographic practices, integrate botanical study with tactile traditions, in order to show that Crespo and Ridler move beyond the digital sublime to offer a profound attentiveness to the contemporary moment.
 
 Anna Ridler is a London-based artist and writer building machine learning systems from hand-labelled datasets since 2017. Her practice uses classification, speculation and ecological time as material. Her work is held by the Whitney, V&amp;A, M+ and ZKM.
 
 Sofia Crespo is an award-winning Argentine artist whose work explores technology, biology and image-making across digital and analogue mediums. As part of Entangled Others, this extends to how living systems and artificial life interacts and evolves.

SOFIA CRESPO × ANNA RIDLER: A Field of Collaboration

'He created his own universe and became its star' David Cronenberg, Guardian Andy Warhol carried a camera with him everywhere he went and, taken from ten years of extraordinary shots, his America aspires to the strange beauty and staggering contradictions of the country itself. Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty. An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.

America

In this guide to the history, culture, and design of 30 of Manhattan's best-loved diners and luncheonettes, acclaimed photographers James and Karla Murray invite readers inside hallowed eateries where the city slows down just long enough for a plate and a story. 
 Brimming with photographs that catch the glow, grit and small rituals of everyday New York life, Counter Culture delivers an affectionate portrait of 30 diners and luncheonettes across Manhattan's neighborhoods. Crisp, new images by James and Karla Murray bring forward the atmospheres and personalities that give these businesses their singular presences. Formica counters, chrome stools, flickering neon, revolving cake stands, wall menus, and early-morning light assemble into a broader picture of a community shaped by routine, memory, and reinvention. The book covers classic establishments such as Lexington Candy Shop, Tom's Restaurant, B&amp;H Dairy, the Waverly Diner, and EJ's Luncheonette, as well as places that put cultural twists on this tradition, such as Ukrainian eatery Veselka, Thai Diner, and the Cuban-inspired Coppelia. Detailed profiles penned by journalist Emma Orlow uncover the stories behind each location, with insights from the owners. A map at the back offers an invitation to experience these iconic spaces firsthand - affirming that, in a city defined by motion, few places hold steady like these open, familiar, and enduring counters.

New York City‘s Greatest Diners and Luncheonettes

Counter Culture

Swiss artist MAYO-born 1963 in Zurich as Mayo Guy Robert Bucher-has over three decades created a wide-ranging body of work that has been exhibited internationally and garnered wide recognition. At the core of his practice is the relationship between image and space. Through painting, collage, photographic transformation, architectural interventions, and in curatorial projects, MAYO translates real places into multilayered pictorial spaces and opens new perspectives on perception and spatial experience.MAYO: The Project
 is the first major book on his art in more than 20 years. It offers an engaging cross-section of the various genres and groups of works and spans MAYO's entire career. Numerous illustrations are supplemented with essays and contributions by scholar and author Elisabeth Bronfen, curator Sabine Schaschl, architect Remo Halter Casagrande, graphic designer Ina Bucher, founder of the renowned music label ECM Manfred Eicher, and by MAYO himself.

Painting, collage, cover designs for music label ECM, photographic transformations, and architectural interventions: Swiss artist MAYO’s multifaceted oeuvre

The Project

MAYO

This lavishly illustrated book explores the origins and legacy of one of fashion's greatest innovators"Elsa Schiaparelli was more than a dressmaker; she was an image maker." -Daniel RoseberryElsa Schiaparelli sent shockwaves through the fashion establishment with her witty, ingenious, and artful designs. Lauded by Cristóbal Balenciaga as the "only real artist in couture," she infused her collections with Surrealism and collaborated on pieces with contemporaries from the art world including Man Ray, Jean Cocteau, Salvador Dalí, and Alberto Giacometti.Her garments still look fresh today and, though provocative at the time, were eminently wearable, attracting many society and celebrity clients.She caused a stir at Wimbledon by sending Lilí Álvarez to the 1931 tennis tournament in culottes; she clothed Amy Johnson for her first solo flight to Cape Town; her lobster dress made it into Wallis Simpson's trousseau, and she counted as fans Lauren Bacall, Marlene Dietrich, and Josephine Baker.Her designs appeared on the stage in productions by Ivor Novello, Nöel Coward, and Jean-Paul Sartre, and she costumed over 30 films. Today, Schiaparelli's visual vocabulary runs through Daniel Roseberry's designs for Maison Schiaparelli like a shocking pink thread.Richly illustrated throughout, the book traces Schiaparelli's enduring influence on fashion and visual culture, from the interwar years to the present day.

Elsa Schiaparelli sent shockwaves through the fashion establishment with her witty, ingenious and artful designs. This lavishly illustrated book explores the origins and legacy of one of fashion's greatest innovators.

Schiaparelli: Fashion Becomes Art (the Official V&A Exhibition Book)

Crazy About Rolex invites us on a journey into the universe of Rolex that is as knowledgeable as it is inspiring: from the beginnings to the icons. From technical brilliance to radically clear design. From stories full of adventure, innovation and style. For decades, Rolex has been synonymous worldwide with the highest level of watchmaking craftsmanship and tool watches that continue to set standards with their outstanding quality. For a design that has stood the test of time. For an aura that needs no advertising - because it explains itself through presence. In the depth of its technology as well as in the clarity of its form. Whether Submariner or Daytona, GMT-Master or Datejust - every Rolex stands for a perfected idea and tells its own story. Michael Köckritz, style-defining media maker, editor-in-chief and author, together with his ramp editorial team, invites us on a journey into the universe of Rolex that is as knowledgeable as it is inspiring: from the beginnings to the icons. From technical brilliance to radically clear design. From stories full of adventure, innovation and style to the people who stand for the brand - and are themselves inspired by it.

All the Things We Love About Rolex. And Everything Else

Crazy About Rolex

'In one short and sly book after another, [Levy] writes about characters navigating swerves of history and sexuality, and the social and personal rootlessness that accompanies both' AtlanticWho was Gertrude Stein?Avant-garde American poet and art collector who made her home in Paris, godmother of modernism, queer icon, friend to Picasso and Hemingway, self-declared genius - a writer who has baffled readers and critics for a century.And why does she matter?The narrator of Deborah Levy's latest, dazzling fiction has gone to Paris to find out. There she meets Eva with the blinding gaze, an artist in a long-distance marriage, and Fanny, a sexually adventurous financier; together they cook, walk, read and argue late into the nights.As Paris sweeps her along in its ceaseless flow, she thinks - about what we have to lose to become modern, navigating anxiety, living with uncertainty, angry fathers, making a new life in another country, art and language - how all these things looked to Gertrude Stein in the early days of the twentieth century, and how they look to her and her friends in the early twenty-first.This is a book about how we put ourselves together- an exhilarating, witty, cosmopolitan meditation on the pleasures and challenges of friendship, desire and living with other people. But it is also crashes through genre to create an inspired portrait of Stein herself: a writer who experimented fearlessly with a new way of living and who wrestled herself free from the nineteenth century to invent a brand-new way of looking at the world.SHORTLISTED FOR THE AMERICAN LIBRARY IN PARIS BOOK AWARD 2026

A Fiction

My Year in Paris with Gertrude Stein

Helen Frankenthaler: The Moment and the Distance documents an exhibition of the artist’s large-scale paintings made between 1960 and 1992. This catalogue documents an exhibition of large-scale paintings by Helen Frankenthaler made between 1960 and 1992, opening in spring 2026 at Gagosian’s West 21st Street gallery. Throughout her career, Frankenthaler pushed beyond the boundaries of easel painting to create extraordinary, monumental works, some of which occupied the entire expanse of her studio floor. This exhibition explores the artist’s use of scale across four decades of painting. The title is derived from a 1975 review by poet and critic Barbara Guest, where she remarks on Frankenthaler’s “astonishing combination of freedom with restraint, extravagance with discipline, suggestion and definition,” concluding, “the moment becomes the distance.” The book includes a new essay by art historian Ara H. Merjian that discusses the works in the show in the context of Frankenthaler’s Surrealist and Abstract Expressionist influences. Helen Frankenthaler (1928–2011) has long been recognized as one of the great American artists of the twentieth century. A member of the second generation of New York-based postwar abstract painters, she is widely credited with expanding the possibilities of abstraction through her invention of the soak-stain technique, and her highly personal references to figuration and landscape.

The Moment and the Distance

Helen Frankenthaler

Photography

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