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Encyclopedia of the Bible and Its Reception (EBR)

Pesher, Pesharim – Pontus

Palgrave Studies in the History of Subcultures and Popular Music

This book breaks new ground by exploring regional scenes beyond London during the years 1965 to 1975.&nbsp; Whilst many accounts of this era have tended to focus on the Capital, John Griffiths journeys beyond its boundaries to assess how far the cultures usually implied to be exclusive to the metropolis in fact diffused into the English counties. The book examines both the ‘swinging period’ of post-1945 history (c. 1965-1967) and the years of the counter-culture c. 1968-1975,&nbsp; examining topics such as the rise of the boutique, alternative cinema, art festivals and art labs, and regional funding for the experimental, before moving on to consider the attitudes of regional newspapers to changes in society. In its latter sections the legacy of 1968 is considered, with specific focus on the rise of Women’s Liberation and Gay Liberation movements. It concludes with an examination of student life on the regional campus.&nbsp; This book argues that, contrary to many accounts that brandedthem as cultural deserts, the 1960s saw the ‘provinces’ rebranded as ‘regions’ and were increasingly up to speed with London culture.John Griffiths is Senior Lecturer on the History Programme at Massey University, New Zealand. He is the author of several articles that have appeared in internationally recognised journals such as Social History, Journal of Social History, Urban History and Contemporary British History. He is the author of Imperial Culture in Antipodean Cities (Palgrave, 2014) and the four-volume Empire and Popular Culture (2021-2022). He is a Fellow of the Royal Historical Society.

Beyond Swinging London

Counter-Cultural Lifestyles in Regional England, 1965-1975

The Kantian Religion

The award-winning novel about the colourful and captivating life of Frida Kahlo

Frida

A memoir of good girls, obedient wives and doing the impossible

A Dutiful Daughter

Career Strategies for the Emerging Artist

The Artist's Roadmap

This is the first book to map and celebrate the overlooked history of producers, promoters and DJs from Islington that contributed to the acid house and rave scene as it developed in derelict spaces in the borough in the late 1980s, and how this paved the way for the house and jungle scenes that dominated Islington clubs during the 1990s. Blending oral history interviews with contemporaneous reports in the style press, the music press, local and national newspapers, and archival documents stored at the Islington Local History Centre, this book sheds new light upon key clubs, the music, cultural identities, and fashions. The book presents unpublished eyewitness accounts by people from Islington’s council estates that contributed to these scenes to unravel the complex and hitherto poorly understood interrelationship between gang culture, subculture and localised club culture. It argues that the backlash to the perceived unsavoury nature of clubbers&nbsp;and promoters, combined with the onslaught of gentrification in the borough in the late 1990s,&nbsp;led to the venues being closed down, and to this vital moment in the history of UK popular culture being brought to an end.Ray Kinsella is an academic researcher and writer who co-founded the Subculture Interest Group at the University of the Arts London, UK. His&nbsp;previous book, The Bebop Scene in London's Soho, 1945-1950: Post-war Britain's First Youth Subculture, was published by Palgrave Macmillan in 2022.

This is the first book to map and celebrate the overlooked history of producers, promoters and DJs from Islington that contributed to the acid house and rave scene as it developed in derelict spaces in the borough in the late 1980s, and how this paved the way for the house and jungle scenes that dominated Islington clubs during the 1990s. Blending oral history interviews with contemporaneous reports in the style press, the music press, local and national newspapers, and archival documents stored at the Islington Local History Centre, this book sheds new light upon key clubs, the music, cultural identities, and fashions. The book presents unpublished eyewitness accounts by people from Islington’s council estates that contributed to these scenes to unravel the complex and hitherto poorly understood interrelationship between gang culture, subculture and localised club culture. It argues that the backlash to the perceived unsavoury nature of clubbers&nbsp;and promoters, combined with the onslaught of gentrification in the borough in the late 1990s,&nbsp;led to the venues being closed down, and to this vital moment in the history of UK popular culture being brought to an end.

Ravers and Junglists

Clubbing Culture in Islington, 1986-1995

The Age of Liberal Revolution on Screen

The Filmmaker as Historian

Material Culture of Art and Design

Object Biographies and Identities in Motion

Material Selves

Other Possible Worlds

Paul Klee

An International and Intercultural Exploration

Bible and Film

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Creating for Playing, Learning, and Growing

Designing for Kids

Pesher, Pesharim – Pontus

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