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Padfield Tim: Padfield on Copyright for
Archivists and Records Managers

Padfield on Copyright for Archivists and Records Managers

The Third Generation of Cataloguing

Entity Modelling

History, Ideas, Applications

Information Science

Research, Practice and Usage

Library Catalogues as Data

Information use is changing rapidly in the digital age, leading to complex intellectual property and ownership issues. Exploring the ethical implications of this new environment, specifically as they relate to information professionals, this book offers guidance on making ethical choices.

Ethics, Information, and Technology

Charting the Discipline

The Information Literacy Handbook

Cambridge Intellectual Property and Information Law

This book focuses on music industry contracts and the contractual dynamics between composing and/or performing musicians and their primary partners in the digitised music industry, namely music publishers and record companies, taking account of the ubiquitous nature of music streaming. It focuses on the question of how the legal framework intervenes and should intervene in such contracts, both in theory and in practice. Its objective is to contribute to a level playing field that counteracts the imbalance in bargaining power between musicians and their corporate partners in a proportionate way. The book draws upon an analysis of copyright contract law at the European Union and national level, as well as relevant principles of general contract law, competition law and related applicable rules that curb business-to-business contract terms and trade practices characterised as unreasonable. The book studies the applicable legal framework in Belgium, France, Germany, the Netherlands and the United Kingdom.This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

This book focuses on music industry contracts and the contractual dynamics between composing and/or performing musicians and their primary partners in the digitised music industry, namely music publishers and record companies, taking account of the ubiquitous nature of music streaming. It focuses on the question of how the legal framework intervenes and should intervene in such contracts, both in theory and in practice. Its objective is to contribute to a level playing field that counteracts the imbalance in bargaining power between musicians and their corporate partners in a proportionate way. The book draws upon an analysis of copyright contract law at the European Union and national level, as well as relevant principles of general contract law, competition law and related applicable rules that curb business-to-business contract terms and trade practices characterised as unreasonable. The book studies the applicable legal framework in Belgium, France, Germany, the Netherlands and the United Kingdom.This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Law and Policy in the European Union and the United Kingdom

Music Contracts in the Streaming Age

A Practical Guide to Advocacy, Marketing and Promotion

Championing Your School Library

Routledge Interdisciplinary Perspectives on Literature

Teaching Text Technologies and Critical Bibliography Among the Disciplines: Objects of Study is a richly illustrated volume discussing innovative and experimental approaches to hands-on teaching with material texts.

Objects of Study

Teaching Text Technologies and Critical Bibliography Among the Disciplines

Grounded in theory, this book uses real-life case studies to illustrate how the collection, manipulation and application of data are reshaping businesses. It explains what this means for your organisation and strategies for staying ahead of this data and AI revolution.

Padfield on Copyright for Archivists and Records Managers

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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