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Literature, Cultural and Media Studies (R0)

Owen Eagan

Oscar Buzz and the Influence of Word of Mouth on Movie Success

&lt;div&gt;1. Introduction.- 2. The Enduring Appeal of Movies.- 3. Risks &amp; Rewards.- 4. Film Festivals.- 5. The Influence of Film Critics.- 6. Movie Buzz &amp; Information Cascades.- 7. The Influence of Word of Mouth.- 8. Oscar Campaigns.- 9. Insights from the Experts.- 10. Closing Thoughts.&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;

All the Films

Discover the cinematic genius behind every Martin Scorsese film—from gritty urban tales to sweeping epics, this definitive book celebrates every feature film, documentary, and short by one of cinema’s greatest directors. &nbsp; Scorsese is a living legend. Over the last 50 years, he has redefined cinema, crafting stories of crime, faith, obsession, and redemption, becoming one of the most revered directors alive. Scorsese: All the Films is the ultimate deep dive into every one of his films from his early indie days with Who's That Knocking at My Door to his latest epic, Killers of the Flower Moon, plus classics such as Taxi Driver, Raging Bull and Goodfellas that are regularly cited as being among the finest films ever made. &nbsp; Covering each of the director’s 26 feature films, 17 documentary films, 7 short films, and 4 television episodes, the book draws upon years of research to tell the behind-the-scenes stories of how each&nbsp;project&nbsp;was conceived,&nbsp;cast, and produced. It explores the themes, techniques, and cultural impact of each movie, examining how Scorsese’s work evolved alongside his personal obsessions and how he has navigated Hollywood’s changing landscape. Also included are insights into his collaborations with actors Robert De Niro and Leonardo DiCaprio, editor Thelma Schoonmaker, screenwriter Paul Schrader, and many more. With more than 250 behind-the-scenes stills, photographs, posters, and ephemera, this is a definitive celebration of one of cinema’s most enduring talents. &nbsp;

The Story Behind Every Movie, Episode, and Short

Martin Scorsese All the Films

Von 1967 bis 2025

Wilder Westen made in Hollywood Vol. 4

From the author of Enemy Feminisms and Abolish the Family, an original diagnosis of femmephobia in our culture, and a vision of a life-giving femme feminism for all. 
 
To be femme is to embody a dispossessed femininity, to be freighted with freedom, to refuse to be made proper or institutionalized. To love it is to embrace love for women (be they butch or not) in the broadest sense. In Femmephilia, Sophie Lewis makes the case for the vital importance of politicized femme-ness: a feminism that is self-consciously artificial, extravagant in its erotic and political appetites, and staunchly anti-work, abolitionist, and utopian. Femme labors deserve our care, respect, and support, but instead face dismissal from masculinist antagonists and feminist allies alike. 
 
Where neoliberal women's empowerment has failed to combat the eruption of right-wing, anti-trans, and anti-feminist attacks, Lewis argues that femmephilia can help us imagine a radical future. In essays on the high femme genius of Marilyn Monroe and trans yearning in the myth of Apollo and Daphne; on octopuses and girlbosses, reluctant heterosexuals, lesbian separatists, and anti-work cats; and on a mother on strike from maternity, Femmephilia offers a new logic of liberation for all feminized people.

Love Letters to Trans Mermaids, Queer Mothers, and Marilyn Monroe

Femmephilia

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon.Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Screen People explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion.In ten chapters, each themed around an element of entertainment—from “The Producers,” who edit our reality, to “The Extras,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture.Like The Anxious Generation but about our media diet, Screen People shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

An eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back, from the popular and award-winning staff writer for The Atlantic.Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Screen People explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion.In ten chapters, each themed around an element of entertainment—from “The Producers,” who edit our reality, to “The Extras,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture.Like The Anxious Generation but about our media diet, Screen People shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

How We Entertained Ourselves Into a State of Emergency

Screen People

Christopher Isherwood Inside Out

This open access book is a cultural history of lawsuits that explains the development of French performance rights from la Belle Époque, via the roaring Twenties, and into Post-War France. It does so by analysing the ways in which performers, composers, and playwrights used French court rooms, newspaper scandals, and international conferences to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. Towards the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre, the rise of modern celebrity culture and mass media, to the French governments' management of radio entertainment in the interwar period, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime, while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emerging of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

A thrilling history of how we fell in and out of love with a technology that changed not just the world, but changed us. 'Science and technology never seem more exciting than when James Gleick is writing about them' - Elizabeth Kolbert, author of The Sixth Extinction 'Forces you to see the world with new eyes. Blending expertise with a thrilling narrative . . . I loved it!' - Alice Loxton, author of Eighteen and Eleanor 'Charts our distance-compressing, time-shifting telephonic adventure with exceptional brio and subtlety' - Stacy Schiff, author of The Revolutionary: Samuel Adams A supernatural instrument bringing voices from afar, the telephone burst onto the world stage 150 years ago, a triumphant story of individual ingenuity and vision. Instantly, the ability to speak across vast distances began to transform every part of life: from business organization to military tactics, from news gathering to sex work. But the story of The Telephone is also one of corrupt scheming and ruthless tactics; the race to the patent office, to make money, a contest replete with bribery, fraud and speculation. And no one, not even its inventors, realised what the telephone was good for or how ubiquitous it would become. As the telephone settled into the background - in offices and on streets, on bedside tables and kitchen walls - people forgot how they ever lived without it. Now, as landlines, telephone books and telephone boxes vanish into the past, bestselling author James Gleick shows how this commonplace object irreversibly changed not only the world but who we are as human beings. 'Gleick does what only the best science writers can do: take a subject of which most of us are only peripherally aware and put it at the center of the universe' - Time

A New History

The Telephone

From the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today. Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - them? In Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history. Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.

Dekonstructing the Kardashians

Film

Die italienische Emigrationserfahrung ist Teil des kollektiven Gedächtnisses und findet in einem breiten Spektrum populärkultureller Praktiken ein starkes Echo. Film, Fernsehen, Musik und Literatur erzählen von dieser Utopie der Moderne: Von der Suche nach Glück, Freiheit und Selbstbestimmung, aber auch von Not, Elend und Armut, die zur Emigration führten und bis heute die kollektiven Vorstellungs- und Erinnerungswelten prägen. Vor allem das Kino verleiht dieser imaginären Topographie Gestalt. Antonio Salmeri erkundet cineastische Landschaften des Unbewussten und lotet ihre filmischen Potenziale aus.

Die italienische Emigrationserfahrung ist Teil des kollektiven Gedächtnisses und findet in einem breiten Spektrum populärkultureller Praktiken ein starkes Echo. Film, Fernsehen, Musik und Literatur erzählen von dieser Utopie der Moderne: Von der Suche nach Glück, Freiheit und Selbstbestimmung, aber auch von Not, Elend und Armut, die zur Emigration führten und bis heute die kollektiven Vorstellungs- und Erinnerungswelten prägen. Vor allem das Kino verleiht dieser imaginären Topographie Gestalt. Antonio Salmeri erkundet cineastische Landschaften des Unbewussten und lotet ihre filmischen Potenziale aus.

Entzauberungs- und Imaginationsarbeiten

Emigration im italienischen Kino

A MOST ANTICIPATED BOOK OF 2025 IN THE INDEPENDENT, GQ, NEW STATESMAN, FINANCIAL TIMES AND BBC CULTURE 'Graydon Carter is a brilliant raconteur of his own life...it's a real yarn of a lost world' Marina Hyde, The Rest is Entertainment When the Going Was Good is Graydon Carter's lively recounting of how he made his mark as one of society's most talented editors and shapers of culture. Carter arrived in New York from Canada with little more than a suitcase, a failed literary magazine in his past and a keen sense of ambition. He landed a job at Time, went on to work at Life, co-founded Spy magazine and edited The New York Observer before catching the eye of Condé Nast chairman Si Newhouse, who tapped him to run Vanity Fair. With his inimitable voice and raconteur's quip, Carter brings readers inside the drawing rooms of the great and not-always-good of America, Britain and Europe. He assembled one of the best-ever stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure that Vanity Fair during his 25-year run cemented its place as the epicentre of art, culture, business and politics. Charming, candid and brimming with humour, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.

An Editor's Adventures During the Last Golden Age of Magazines

When the Going Was Good

New York Times bestselling author of Tinseltown and Bogart offers the first definitive account of the Black Dahlia murder—the most famous unsolved true crime case in American history. The brutal murder of Elizabeth Short—better known as the Black Dahlia—in 1947 has been in the public consciousness for nearly eighty years, yet no serious study of the crime has ever been published. Short has been mischaracterized as a wayward sex worker or vagabond, and—like the seductive femme fatales of film noir—responsible for and perhaps deserving of her fate. William J. Mann, however, is interested in the truth. In his masterful, critically acclaimed biography, Mann humanizes Elizabeth Short like never before. Hailed by the Los Angeles Times as “a meticulous and thorough retelling, five years in the making, that resists the sensationalism of the infamous crime to restore dignity back to this young woman’s image,” The Black Dahlia is the definitive study about the most famous unsolved case in American history.

Murder, Monsters, and Madness in Midcentury Hollywood

Black Dahlia

USA Today Bestseller What would you do with a second chance at your first time? Following a bad breakup, Willow Lewis tackles a re-do list with the help of her brother’s best friend in this sweet and sexy&nbsp; romance. Willow experienced all her big firsts with her high school sweetheart. Now, reeling from their very public breakup, she wants to get a re-do on those important moments. While dog-sitting for her brother during his deployment, she has a chance to start over and spending time with his best friend gives her the confidence to start checking items off her “Re-Do list.” Deacon promised his best friend two things when Cruz left for a deployment: that he’d look out for Willow, and that he’d keep his hands off Cruz’s baby sister. “Operation Re-Do” is innocent enough at first: Deacon likes Willow and he’s willing to help her out any way he can. But when the list of firsts turns from a first dance to first kisses and more, Deacon can’t deny the connection he feels to Willow. As Deacon’s and Willow’s firsts turn to seconds, thirds, and fourths, this pair can’t get enough of each other—and they support each other through new challenges. But they are both aware there’s an end date to Willow’s time in town… and even if she were to stay, Deacon doesn’t know how to choose between his loyalty to his closest friend and the woman he’s fallen in love with. With no more romantic moments on her list for them to re-do, can these two still find a way to stay together?

Re-Do List

Oscar Buzz and the Influence of Word of Mouth on Movie Success

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