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Scholfield Y: On Sundays She Picked
Flowers

On Sundays She Picked Flowers

Dark is When the Devil Comes

Poems to read, to write and to share

I don't Think I'm Straight

The Unworthy

Notes From A Late Bloomer

Paper Doll

Harry Alexander is a failing art student at a prestigious college who grew up walking past the portraits of his ancestors, the Great Alexanders, whose artistic, musical and literary achievements are celebrated around the world. Unfortunately, Harry's uncle and sole guardian has always been determined to keep Harry away from the limelight. When his uncle suddenly dies, Harry learns he's been cut from the family inheritance. His dream of joining his forebears on the portrait wall appears to be lost for ever. But then Harry receives the key to a mysterious storage unit containing the secret to his family's fortune and success, wrapped in a beautiful smile: a muse. The muse, a supernatural being trapped in oil and canvas, steps into Harry's life in the form of a handsome young man. For decades, his tutelage has caused the Great Alexanders' success. Now, he longs for freedom. Harry quickly discovers the muse is as dangerous as he is beautiful, as capricious as he is inspiring. But the closer the pair grow, the more Harry learns that muses are made, not born, and his has a dark and bloody origin. What's more, he isn't the only one who knows of the muse's existence. Enemies lengthen the shadows as Harry's light grows brighter, hungry for greatness of their own...

Man, Muse, Monster

Unti Nonfiction

Part memoir, part workbook, this new book from Nana Darkoa Sekyiamah will help you find your route to sexual freedom

African Ritual, Tradition and Sankofa in the Bedroom

Seeking Sexual Freedom

The Bewitching

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

On Sundays She Picked Flowers

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