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O'Hagan Andrew: On Friendship

On Friendship

From the author of the Sunday Times bestseller Caledonian Road

A fiercely intelligent, funny, and much-needed reality check&nbsp;on the state of heterosexual women. The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a woman is straight implies nothing about how conventional or submissive she is. It does not mean she wants to be accommodating to men generally. Using that simple definition as its launching point, the book moves to the history of women’s desire for men, and how it is ultimately separate from much of the history of marriage. Phoebe then turns to the sexual revolution of the late 1960s, and to second-wave feminist critiques of heterosexuality—a pattern that repeated itself when early-2000s sex positivity gave way to post-#MeToo reticence. One sees men’s desires pitted against women’s need for safety, with women’s own lusts all but forgotten. She examines the ways everyone from queer theorists to evolutionary psychologists has cast doubt on the authenticity of women’s interest in men, as well as the frustratingly widespread notion that female sexuality is fundamentally about wanting others to find you attractive. She makes sense of a society where many young adults are 2SLGBTQI+ but a lot of the women so identifying lead effectively heterosexual lives. Is it men these women have gone off, or just the confining gender roles associated with being a straight lady? The Last Straight Woman offers a way forward for straight women. In lieu of the sexy woman men are gazing at, why not be the woman too busy gazing at sexy men to have bothered with her own looks? Phoebe offers not a self-improvement PowerPoint, but rather an assortment of characters from 1990s British sitcoms, a rare world where the frumpy but horny straight lady had her day. She does not demand that 21st century women model themselves after supporting characters from long-forgotten television shows but rather merely consider the possibility that straight women are all one argyle sweater-vest away from true liberation.

A fiercely intelligent, funny, and much-needed reality check&nbsp;on the state of heterosexual women. The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a woman is straight implies nothing about how conventional or submissive she is. It does not mean she wants to be accommodating to men generally. Using that simple definition as its launching point, the book moves to the history of women’s desire for men, and how it is ultimately separate from much of the history of marriage. Phoebe then turns to the sexual revolution of the late 1960s, and to second-wave feminist critiques of heterosexuality—a pattern that repeated itself when early-2000s sex positivity gave way to post-#MeToo reticence. One sees men’s desires pitted against women’s need for safety, with women’s own lusts all but forgotten. She examines the ways everyone from queer theorists to evolutionary psychologists has cast doubt on the authenticity of women’s interest in men, as well as the frustratingly widespread notion that female sexuality is fundamentally about wanting others to find you attractive. She makes sense of a society where many young adults are 2SLGBTQI+ but a lot of the women so identifying lead effectively heterosexual lives. Is it men these women have gone off, or just the confining gender roles associated with being a straight lady? The Last Straight Woman offers a way forward for straight women. In lieu of the sexy woman men are gazing at, why not be the woman too busy gazing at sexy men to have bothered with her own looks? Phoebe offers not a self-improvement PowerPoint, but rather an assortment of characters from 1990s British sitcoms, a rare world where the frumpy but horny straight lady had her day. She does not demand that 21st century women model themselves after supporting characters from long-forgotten television shows but rather merely consider the possibility that straight women are all one argyle sweater-vest away from true liberation.

On Desiring Men

The Last Straight Woman

We vow for richer for poorer. We sacrifice for our children, we give back to our parents. Because in true love and family matters, money's irrelevant and it would be terrible to suggest otherwise. Right?

We vow for richer for poorer. We sacrifice for our children, we give back to our parents. Because in true love and family matters, money's irrelevant and it would be terrible to suggest otherwise. Right?

The Modern Money Questions That Could Save Your Relationships

Yours or Mine?

Draw fun faces and figures with over 100 easy art prompts explore character design, improve drawing skills, and spark creativity in this engaging activity book for all ages.

Easy Prompts to Find Joy Through Creativity

Draw Happy: People and Faces

(Re)Defining Singapore paints a portrait of the country through a collection of essays contributed by 26 notable voices. An improbable nation that succeeded beyond anyone's imagination, Singapore is widely recognised as an economic miracle. Yet, as its founders and pioneers give way to technocrats in the digital age of AI, how much of the old is still relevant? With younger Singaporeans considering themselves citizens of the world, would they still be loyal and hold dear to the values that made their nation what it is?

Through powerful stories told by personalities that have contributed to Singapore's unique success, this book takes stock of its evolution and considers the way ahead. Thought-provoking analyses are mixed with deeply personal, inspiring narratives around pillars such as politics, education and culture. Together, they serve as a bridge between generations, encouraging readers to remember their roots and see nation-building not as a done deal, but as an enduring, shared responsibility.

(Re)defining Singapore

Revelations from Adoptees, Birth Parents, Adoptive Parents, and Allies

Adoption Unfiltered

Mo Willems, a #1 New York Times bestselling and award-winning author and illustrator, delivers a personal, philosophical, and pragmatic look at the art of writing for children. From the creator of The Pigeon, Elephant &amp; Piggie, Knuffle Bunny, and other beloved children's characters comes a collection of essays chronicling Mo Willems' early life through his award-winning career in children's television, theater, art, and books. Willems delivers an in-depth study of his writing process, explores his philosophy on writing for children, and dissects one of his picture books-cover to cover-to give readers a behind-the-scenes look at his creative process. Essays include art, photos, and memorabilia from Willems' sketchbooks and personal archives.Comprised of over twenty-five essays-some writing about stories, others stories about writing-Willems breaks down approaches to the art of storytelling, offers surprising insights and helpful tactics, and answers his most frequently asked question, "Where do you get your ideas?" From Willems' foundational years working at Sesame Street to his groundbreaking debut picture book Don't Let the Pigeon Drive the Bus! to his expansion into exhibits, comedy shows, musicals, and theater, readers go behind the pages and discover how a persistent sketchbook doodle launched a billion "NOs!"

Writing about Stories, Stories about Writing

Words and Pictures by Mo Willems

INSTANT NEW YORK TIMES BESTSELLER 36 ways to improve your writing Two writers show you how to turn a worthy sentence into a memorable one. Starting where The Elements of Style leaves off, Good Writing can improve your book, your essay, your memo, your blog post, speech, or script. These essential rules for persuasive language work on any type of writing, and anyone can learn them quickly. Each rule is accompanied by examples and a lively pair of essays, the first by Neal Allen, who developed the list of tips over the course of his journalism and corporate careers; the second by his wife, Anne Lamott, acclaimed author of Bird by Bird and nineteen other nonfiction works and novels. The authors don’t always agree on the specifics, but they are passionate about making better sentences. As Neal writes, “These rules economize, favor the plainspoken and the specific, keep the reader’s attention sharp, and in other ways show respect for the audience’s time and desire for novelty.” Some rules are fundamental: Use strong verbs. Remove the boring stuff. Twist clichés. Some are more subtle: Draw on all five senses. Give your sentence a finale. Along the way, Good Writing addresses practicalities such as finishing projects despite challenges, trusting editors, and knowing when to break the rules to serve your story. Whether you're a novice writer or a seasoned author, this entertaining guide will revolutionize your approach to crafting sentences.

36 Ways to Improve Your Sentences

Good Writing

And Other Male Failures

Broken Biscuits

'Expertly crafted' AMELIA DIMOLDENBERG'A beautiful siren song to anyone who has ever felt ashamed of their own taste' SCARLETT CURTIS'An ode to both fearless critique and visceral fandom' BILLIE JD PORTERA deep dive into the joy and power of personal pleasures, quirks, obsessions and bad taste, from zine royalty, Ione Gamble.Most of us consider taste to be a primal instinct. We like the things we like and everything we choose to consume, covet or loathe in our day-to-day lives is dictated by this unknowable force ... But at some point, we learn to not fully trust our own taste. We accept that there are people who have better taste than us, so we stop following the flutter of our hearts and attempt to finetune our brain to fall in line with what others consider to be 'good'.The Polyester Book of (Bad) Tasteis an antidote to this ever-creeping homogeneity and bland tastefulness. Edited and introduced by Polyester editor-in-chief, Ione Gamble, this book gathers influential writers from the pages of Polyester to take on the monumental task of defining taste for a generation battling algorithmic content suggestions and ever shortening trend cycles. It is a bible on how to navigate our own likes, dislikes, apathies and adorations.In a world constantly vying for our attention, having faith in your own (bad) taste is more than a small subversion - it's a rallying cry to live our lives unapologetically.CONTRIBUTERS: Ione Gamble, Rene Mati¿, Lauren O'Neill, Catherine Cohen, Seth Bogart, Zarina Muhammad, Tavi Gevinson, Gina Tonic, Misha MN, Katy Cutbirth, Yomi Adegoke, Angela Hui, Sabrina Brier, Kieran Yates, Annie Lord, Nicola Dinan and Ramisha Sattar.

The Polyester Book of (Bad) Taste

Welcome to the world of beige parenting, where newborns are swaddled in taupe blankets and toddlers play only with wooden toys. In Dress Your Baby in Sage and Taupe, Hayley DeRoche, known online as @sadbeige, delivers a witty, illustrated satire of the perfectly monochromatic curated lifestyle embraced by some parents. This guide walks new parents through every step of the sad beige parenting journey, from decorating the nursery (take care to choose a suitably existential theme such as the Vastness of the Universe), all the way to the milestone that is the first birthday party (be sure to eschew plastic party bag contents in favour of hand-whittled wooden toys). Along the way, she gently encourages new parents to realise that they are already the ideal caregiver for their unique little person. With illustrations by Julia Emiliani, this heartfelt blend of humour and social commentary is a breath of fresh air for both overwhelmed parents and those striving for Instagram perfection.

A Handbook for the Sad Beige Parent

Dress Your Baby In Sage and Taupe

Florida Humanities Partnership Publications

Writers spanning genre and geography come together to show the strength and diversity of Florida’s literary landscape today In recent years, a rising generation of Florida writers has joined forces with established legends to create a literary renaissance. All This Beauty introduces this community, making the case that Elizabeth Bishop’s “state with the prettiest name” is also one of the best at producing and nurturing talent. This book demonstrates the depth and extent of Florida’s literary genius. Edited by Kristen Arnett and P. Scott Cunningham, this expansive anthology brings together poems, short fiction, and essays from 66 writers. Yael Valencia Aldana, Derrick Austin, Frankie de la Cretaz, Patricia Engel, Dionne Irving, Amy Suzanne Parker, Avni Vyas, and many others conjure widely varying experiences of the state, from Gulf beaches to South Florida nightlife, from muscadine grapevines to college gamedays and Major League Baseball. Together, they present a Florida that is more than the stereotypes of “weird” or “wild”—it is messier, deeper, and far more compelling. This anthology shows that between the headlines, Florida writers continue to affirm the beauty, complexity, and culture that make the state unique. In these pages, people who truly love Florida claim the privilege of defining it. All This Beauty invites readers to see Florida as its contributors do: a place of contradiction and connection, alive with imagination and possibility. Funding for this publication was provided through a grant from Florida Humanities with funds from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this publication do not necessarily represent those of Florida Humanities or the National Endowment for the Humanities.

An Anthology of Contemporary Florida Writers

All This Beauty

A bold and brilliant new collection of essays by one of our most important writers of life in America today This new collection gathers together for the first time sixteen essays by one of our most revered chroniclers of life in America, a landmark commentary on family, faith, community, and the threats of modernization. Ranging from the devastating effects of war on children to the endless problems of industrialism and the ubiquitous need for connection and community, Dispatches From Rural America captures a country isolated from its land and beginnings, too focused on mass production and output, and perilously estranged from the spiritual centers that make up the foundation of our lives.&nbsp; On the cusp of the fiftieth anniversary of Berry’s seminal book The Unsettling of America, Dispatches From Rural America is urgent and vital reading in this time of political chaos from one of our most important writers.

A bold and brilliant new collection of essays by one of our most important writers of life in America today This new collection gathers together for the first time sixteen essays by one of our most revered chroniclers of life in America, a landmark commentary on family, faith, community, and the threats of modernization. Ranging from the devastating effects of war on children to the endless problems of industrialism and the ubiquitous need for connection and community, Dispatches From Rural America captures a country isolated from its land and beginnings, too focused on mass production and output, and perilously estranged from the spiritual centers that make up the foundation of our lives.&nbsp; On the cusp of the fiftieth anniversary of Berry’s seminal book The Unsettling of America, Dispatches From Rural America is urgent and vital reading in this time of political chaos from one of our most important writers.

Sixteen Essays

Dispatches from Rural America

On Friendship

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