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O God beyond all praising

Topics in Musical Theatre

Short introductory books on significant theories, concepts, forms, and elements of musical theatre. Latinidad in Musical Theatre offers an accessible exploration of the substantial contribution of Latinx culture, specifically via music, dance, and choreography to the last century of the American Musical from Carmen Miranda to Lin-Manuel Miranda. Latinx artists, music and dance have been influencing musical theatre since the early 1900s, but it’s only in the last 50 years or so that Latinx artists have been able to fully contribute to the art form, not just via appropriation or stereotype, but by owning their own narrative, creatively and intellectually. This volume takes a survey approach that builds on case studies ranging from classic musicals The Pajama Game,West Side Story and Bye, Bye, Birdie through to the contemporary musicals In The Heights and Hamilton. As well as considering the shows themselves it also unpacks the careers and contributions of Latinx artists such as Chita Rivera and Graciela Daniele. Published in Methuen Drama's Topics in Musical Theatre series, this volume is perfect for students of musical theatre and those wishing to deepen their appreciation of the artform.

Latinidad in Musical Theatre

Cello Time

for cello duet Cello Time Duets is an exciting and attractive collection for cellists of all ages by the award-winning educational composers Kathy and David Blackwell. The duets progress from pieces suitable for established beginners through to repertoire ideal for students at approximately Grade 4 and beyond.

30 progressive duets for cello

Cello Time Duets

Star Carol

In the deep

The Lake Isle of Innisfree

Songbird

Fingernail Moon

for upper voices, SATB, and piano or chamber ensemble This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

Get Set! Piano

A new audio edition of the popular instruction book. Get Set! Piano is an exciting beginner piano course for children that inspires, entertains and builds confidence from the start.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and demo tracks.

Get Set! Piano Tutor Book 1

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

In the 1790s, the music of Gothic novels and plays was celebratory, calming rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort, and unease. This Element shows Melodrama brings about this change which had long-lasting effects on the music of the Gothic in fiction and poetry, on the stage and the screen.

The Music of the Gothic 1789–1820

for SSA and piano Andrew Steffen's setting of Christina Rosetti's poem Echo is both contemplative, yet passionate. With lyricism at its heart, this piece moves between unison, canon, and homophonic harmony, guiding the listener through the emotional ebbs and flows of longing, nostalgia, and lost love.

In the Silence of the Night

Bloomsbury Studies in Black Religion and Cultures

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, 'one-size-fits-all' historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. This book is structured around three main themes-context, culture and conservation-and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, ‘one-size-fits-all’ historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. 

This book is structured around three main themes—context, culture and conservation—and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

Reclaiming its African Caribbean Pentecostal Roots

Black Gospel Music in Britain

Revelations on Stage

Bliss and Dance

Routledge Library Editions: Medieval Culture, Society, & Religion

Originally published in 1972, Medieval Song assembles the whole tradition of early European poetry, from the writings of the late Roman Empire to the time of the Hundred Years War. It covers a vast range of languages and cultures, beginning with the Latin of pagan song and ending with the Middle English ballads of Chaucer's time.

An Anthology of Hymns and Lyrics

Medieval Song

O God beyond all praising

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