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O God beyond all praising

Sam Beam, the Grammy-nominated singer-songwriter behind Iron &amp; Wine, has captured the emotion and imagination of listeners with his distinctly cinematic songs.

A Collection of Lyrics, Photos, Art, and Ephemera from Iron & Wine

Love and Some Verses

Songbird

Beyond the Sea

Cello Time

for cello duet Cello Time Duets is an exciting and attractive collection for cellists of all ages by the award-winning educational composers Kathy and David Blackwell. The duets progress from pieces suitable for established beginners through to repertoire ideal for students at approximately Grade 4 and beyond.

30 progressive duets for cello

Cello Time Duets

Church Music Society

Two Eucharistic Motets

Get Set! Piano

A new audio edition of the popular instruction book. Get Set! Piano is an exciting beginner piano course for children that inspires, entertains and builds confidence from the start.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and demo tracks.

Get Set! Piano Tutor Book 1

Routledge Library Editions: Medieval Culture, Society, & Religion

Originally published in 1972, Medieval Song assembles the whole tradition of early European poetry, from the writings of the late Roman Empire to the time of the Hundred Years War. It covers a vast range of languages and cultures, beginning with the Latin of pagan song and ending with the Middle English ballads of Chaucer's time.

An Anthology of Hymns and Lyrics

Medieval Song

Elements in Twenty-First Century Music Practice

This Element explores ELT songs from the authors' insider perspective as songwriters. It describes the relationship between music and lyrics in songs, what this means for using songs in the language classroom, the historical developments through which ELT songs emerged, and the contexts in which they are written, listened to, and made.

Songs for the Language Classroom

More Than Words

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

Latinidad in Musical Theatre

Elements in Religion and Monotheism

What connects the phenomenon of music as an art with the belief in one indivisible God? What has music, a non-linguistic medium, to say about the personal, loving, communicative God of Scripture and the Prophets, or the omniscient, omnipotent, omnipresent, transcendent God of the Philosophers and can it bring these 'concepts of God' together? To answer these questions, this book takes divine Creation as its starting point, that the God of monotheism must be the Creator of all that is. It thus argues that anything which instantiates and facilitates communication within the created realm has been enabled to do so by a God who communicates with His Creation, and who wishes that His Creation be communicative. Indeed, it will argue that the communication allowed by music, and aesthetic experience in general, is the very raison d'être of Abrahamic monotheism and might thus allow an opportunity for dialogue between monotheistic faiths.

Music and Monotheism

Voice Junction

for SSATB unaccompanied 
With a text by Thomas H. Troeger, this deeply expressive piece explores the notion of companionship and resilience through difficult times. The comforting, lyrical melody is set over a bed of rich harmonies, perfectly complimenting the text's description of the courage, faith, and confidence nurtured in a loving community.

The Landscape of Your Heart

"The first collection to show the full range of ways in which the Bible was mediated through both popular and elite music in nineteenth-century Britain"--

Scripture and Song in Nineteenth-Century Britain

O God beyond all praising

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