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Logan Kirsty: No & Other Love Stories /
B

No & Other Love Stories

<div>“This is Burroughs’s most accessible, tightly knit work of fiction. . . . Laid out as a stripped-down movie script it’s almost as if this is the form that Burroughs has always needed.”—Kirkus Reviews Before he was gunned down in the Palace Chop House in Newark, New Jersey, in October 1935, Arthur Flegenheimer, alias Dutch Schultz, was generally considered New York’s number one racketeer. Taken to a hospital following the gangland shooting, Schultz survived for two days. His room was guarded around the clock, and a police stenographer was stationed at his bedside in the hope of learning who is assailant or assailants were. Instead, what was recorded were Dutch’s fevered fantasies, stemming from his childhood and youth, as well as his recent past. Taking these “last words” as a starting point, Burroughs has created in this work a fantasia on Dutch Schultz, a narrative that takes the form of a film script and explores themes including crime, addiction, and power. </div>

A Revised Screenplay Version of The Last Words of Dutch Schultz

Come in with the Dutchman

Virago Modern Classics

The Echoing Grove

For the Black citizens of the exclusive neighbourhood of Linden Hills, the road to hell may well be by following the white American dream. A rediscovered twentieth-century classic that blends social criticism with magical realism, this is a masterpiece by one of the giants of Black American literature.

For the Black citizens of the exclusive neighbourhood of Linden Hills, the road to hell may well be by following the white American dream. A rediscovered twentieth-century classic that blends social criticism with magical realism, this is a masterpiece by one of the giants of Black American literature.

Linden Hills

The Weather In The Streets

'A beautifully imagined novel rich in historical detail . . . Hazel Gaynor is an exciting new voice in historical fiction' KATE KERRIGAN

‘A beautifully imagined novel rich in historical detail . . . Hazel Gaynor is an exciting new voice in historical fiction’ KATE KERRIGAN

The Girl Who Came Home

The Ballad And The Source

George and Molly Palmer-Jones

The eighth and final mystery novel in the Palmer-Jones series by Ann Cleeves, winner of the 2017 CWA Diamond Dagger.

The eighth and final mystery novel in the Palmer-Jones series by Ann Cleeves, winner of the 2017 CWA Diamond Dagger.

High Island Blues

Holiday Junction is a collection of shorts that are timeless as most memories are. The tales are also as fleeting as a weekend or a vacation. Whether recalling a reunion with an old friend or following along with a first date, the scenes in this anthology reveal the sensitive moments people share when their time is spent together.

Holiday Junction

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Bronte, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

One week, every three years. Two women come together to test the endurance of their bond and to ask: what if? 2013, England. Ava and Aliya meet at university just outside of London. Ava is the quiet American who didn't come to England to meet boys in Jack Wills sweatpants with gelled hair. She's here for Emily Brontë and Brideshead Revisited. Everything disappoints her until: Aliya. Aliya is shy, earnest and this is the first time she has been away from her parents who live in Pakistan and the sense of freedom is overwhelming. When they meet, there's an immediate spark. While everyone else is getting drunk on love, life, sex, drugs, they are getting drunk on each other. They move in together, become twin-like, wife-like in their devotion. They sleep in the same bed, read out loud to each other, finish each other's sandwiches. But in their very last week, something breaks between them and Ava flies back to America alone. Three years later, Ava swishes into London with her new boyfriend, a director opening a play in London. Aliya is nervous and feels stalled in a life that used to seem full of promise. Meanwhile Ava's been at drama school and her life looks glamorous and exciting. But as the cracks start to appear in the façade, the two begin to find their fragile connection again. Will this be the year they admit their feelings for each other? Or next time? Or the time after that? What readers are saying about Sarvat Hasin: 'Heartbreaking, beautiful, epic. I loved it.' Kiran Millwood Hargrave, author of The Mercies 'Blindingly brilliant . . . I cannot wait to read everything she writes.' Daisy Johnson, author of Everything Under 'A beautiful and imaginative reinterpretation that had me spellbound.' Jennifer Saint, author of Ariadne 'A wholly original story.' Guardian

Utterly unmissable literary fiction

Strange Girls

What does power sound like? Loud? Brash? Masculine? Here's the truth: if you're a woman, a person of colour, an immigrant or queer, there's often dissonance between how you speak and how we think powerful people sound, i.e. the wealthy white men who have historically set the standard. In this witty and warm guide, speech expert Samara Bay, who has worked with the likes of Gal Gadot, Penélope Cruz and Terry Crews, as well as global leaders in business and politics, offers a new approach to asserting your power in all areas of life. Permission to Speak is packed with expert tips and easy-to-follow exercises, demonstrating that you don't have to speak like the status quo to be taken seriously.

What does power sound like? Loud? Brash? Masculine? Here's the truth: if you're a woman, a person of colour, an immigrant or queer, there's often dissonance between how you speak and how we think powerful people sound, i.e. the wealthy white men who have historically set the standard. In this witty and warm guide, speech expert Samara Bay, who has worked with the likes of Gal Gadot, Penélope Cruz and Terry Crews, as well as global leaders in business and politics, offers a new approach to asserting your power in all areas of life. Permission to Speak is packed with expert tips and easy-to-follow exercises, demonstrating that you don't have to speak like the status quo to be taken seriously.

How to Change What Power Sounds Like, Starting With You

Permission to Speak

WITH A NEW INTRODUCTION BY IRENOSEN OKOJIE 'Gloria Naylor is gifted with timeless wisdom, bottomless empathy, and limitless language. Her novels will shine a light for readers and writers for generations to come' Tayari Jones, author of An American Marriage, winner of the Women's Prize for Fiction In post-World War II Brooklyn, on a quiet backstreet, there's a little place that draws people from all over-not for the food, and definitely not for the coffee. An in-between place that's only there when you need it, Bailey's Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? Patrons include Sadie, the ladylike alcoholic with a mania for cleanliness; Sweet Esther, who caters to unspeakable appetites in a nearby 'boarding house', taking payment only in white roses; and Mariam, the Ethiopian child who may be the bearer of a miracle. Naylor's breath-taking novel is an enthralling fusion of lives whose courage, mystery and humour suggest nothing less than a blues tapestry of America. 'Gloria Naylor was one of the greatest novelists who ever lived. Every single one of her works was masterful, crafted with the kind of rare artistic brilliance that places her in extremely limited company . . . She holds a hallowed place in the canon, and also in hearts, minds, bodies, and spirits' Robert Jones, Jr., author of The New York Times bestselling novel, The Prophets

WITH A NEW INTRODUCTION BY IRENOSEN OKOJIE 'Gloria Naylor is gifted with timeless wisdom, bottomless empathy, and limitless language. Her novels will shine a light for readers and writers for generations to come' Tayari Jones, author of An American Marriage, winner of the Women's Prize for Fiction In post-World War II Brooklyn, on a quiet backstreet, there's a little place that draws people from all over-not for the food, and definitely not for the coffee. An in-between place that's only there when you need it, Bailey's Cafe is a crossroads where patrons stay for a while before making a choice: Move on or check out? Patrons include Sadie, the ladylike alcoholic with a mania for cleanliness; Sweet Esther, who caters to unspeakable appetites in a nearby 'boarding house', taking payment only in white roses; and Mariam, the Ethiopian child who may be the bearer of a miracle. Naylor's breath-taking novel is an enthralling fusion of lives whose courage, mystery and humour suggest nothing less than a blues tapestry of America. 'Gloria Naylor was one of the greatest novelists who ever lived. Every single one of her works was masterful, crafted with the kind of rare artistic brilliance that places her in extremely limited company . . . She holds a hallowed place in the canon, and also in hearts, minds, bodies, and spirits' Robert Jones, Jr., author of The New York Times bestselling novel, The Prophets

Bailey's Cafe

We Are Okay meets They Both Die at the End in this YA debut about queer first love and mental health at the end of the world-and the importance of saving yourself, no matter what tomorrow may hold. Avery Byrne has secrets. She's queer; she's in love with her best friend, Cass; and she's suffering from undiagnosed clinical depression. But on the morning Avery plans to jump into the river near her college campus, the world discovers there are only nine days left to live: an asteroid is headed for Earth, and no one can stop it. Trying to spare her family and Cass additional pain, Avery does her best to make it through just nine more days. As time runs out and secrets slowly come to light, Avery would do anything to save the ones she loves. But most importantly, she learns to save herself. Speak her truth. Seek the support she needs. Find hope again in the tomorrows she has left. If Tomorrow Doesn't Come is a celebration of queer love, a gripping speculative narrative, and an urgent, conversation-starting book about depression, mental health, and shame.

If Tomorrow Doesn't Come

No & Other Love Stories

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