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A pathbreaking history of how the Netherlands became a centre of neoliberalism.

Oudenampsen M: No Nonsense

No Nonsense

A History of the Dutch Neoliberal Turn

The Story of Doctor Who

Exterminate/Regenerate

Penguin International Writers

Backlight

A radical new perspective of the relationship between the city and slum: from the researchers and architects behind the groundbreaking design practise URBZ.

Reclaiming the Metropolis For Those Who Use It

The Homegrown City

An explosive exhibition of art by a celebrated cartoonist chronicling America's march toward right-wing authoritarianism. Museum of Degenerates&nbsp;invites you to a delirious display of art by one of contemporary America's most original and incendiary political cartoonists. Eli Valley's extraordinary work is a scathing indictment of the entire American polity, with a particular focus on the issues of Israel and Judaism at a time when these have moved to the center of public debate and action. In these pages, Valley tips a homburg to German expressionists such as George Grosz and Otto Dix who featured in "The Exhibition of Degenerate Art," a 1937 Munich show that sought to ridicule the work of artists critical of Hitler's fascist regime. In an aesthetic that is strikingly original, Valley also draws on early twentieth-century American Yiddish cartoons and the work of artists who created the helter-skelter exuberance of&nbsp;MAD&nbsp;comics in the 1950s. Valley's own art, accompanied here by extensive descriptions of its genesis and context, is a howl of protest against the political, cultural and media elites driving America into an authoritarian abyss. Here is anger, pure and hot, expressed in exquisite detail and, often, disturbingly funny.

Museum of Degenerates is a lush showcase of Eli Valley’s critically-acclaimed art capturing America in a state of ongoing cataclysm and&nbsp;making the provocative case that the entire political class has been complicit in the reactionary waves currently overwhelming the country. Unlike&nbsp;most political cartoons, Valley’s art is a howl of rage against the political, cultural and media elites driving America into an authoritarian abyss.
Inspired in equal measure by early 20th&nbsp;century Yiddish cartoon art, Weimar-era expressionist woodcuts, and the free-for-all lunacy of early MAD comics, Valley’s distinctive style has energized the left and enraged the most worthy targets of our time. No single artist has captured our new era in all its horror and grotesquerie quite like Valley, whose comics have served as both mirror and lightning rod for a country in crisis.
Museum of Degenerates&nbsp;highlights Valley’s art, both black and white and full-color masterworks, from the past seven years of American strife. Including rare works and art appearing in print for the first time, the collection will be framed by notes on individual drawings as well as a lengthy introduction in which Valley explores his personal artistic vision in a time of unprecedented national crisis and links his work to earlier periods of antifascist art.&nbsp;Museum of Degenerates will feature some of the most indelible images from any artist working today, available in one place for the first time.

Portraits of the American Grotesque

Museum of Degenerates

One Man’s Battle to Bring Nazis to Justice

The Prosecutor

What a Liberal Society Could Be

Freedom for All

Karl Lagerfeld, Chanel's iconic Creative Director for thirty-five years, was a cultural luminary like no other. Larger than life, Lagerfeld was legendary not only for reinventing Chanel but also for his idiosyncratic personal style and captivating life, which featured a cast of the world's most famous, fabulous and fascinating people. Not least his cat, Choupette, who herself became a fashion icon. Journalist and author William Middleton spent years working in Paris for Women's Wear Daily, W, and Harper's Bazaar. During his time there, he interviewed and socialized with Lagerfeld, coming to to see a side the elusive designer kept private from the world. In this deliciously entertaining book, Middleton takes us inside the most exclusive rooms in the fashion industry, behind the catwalk, and into a world of brilliantly talented artists, stylish socialites, and famous stars-some of the most elusive and unforgettable figures of fashion's inner circle for the past four decades.

The Extraordinary Life of Karl Lagerfeld

Paradise Now

How the country that came to elect Obama could also elect Trump &nbsp; How did Americans come to elect Barack Obama—and then Donald Trump? Those choices capture what Paul Starr calls the American contradiction. &nbsp; The whole truth about America, Starr argues in this new history of the United States since the 1950s, has never been contained in one consistent set of values or interests. Our nation was born in the contradiction between freedom and slavery. Today it is beset by a contradiction between a changing people and a resisting nation, a nation with entrenched institutions that have empowered those who fear the changes and look to restore an old America of their imagining. &nbsp; Starr tells this history from the dual standpoints of the progressive movements that changed the American people and of the movements that emerged in response. Black Americans, he argues, served as a model minority, setting in motion America’s twentieth‑century revolutions in gender as well as race and rights. With industry’s decline and the rise of economic inequality, millions of Americans have felt dispossessed and want the old America back. Trump is their revenge. American Contradiction tells the story of how 1950s America became the almost unrecognizable America of the 2020s.

Revolution and Revenge from the 1950s to Now

American Contradiction

The Basics

Middle East Conflicts: The Basics is an accessible and balanced introduction to the various conflicts which have plagued the Middle East since the Second World War. It examines the cultural, social and geographical dimensions of the region to identify the fundamentals fuelling tension in the region to explain to start and evolution of its major conflicts. It examines such events as:<ul> <li>The Arab-Israeli Conflict</li> <li>Proxy wars between the United States and Soviet Union</li> <li>The invasion of Kuwait by Iraq</li> <li>The War on Terror</li> <li>The Arab Spring</li> </ul>With case studies of conflicts, maps of the region, a glossary of key terms and tables of comparative features, Middle East Conflicts: The Basics provides a firm foundation for all those approaching the study of conflicts in the Middle East for the first time.

Middle East Conflicts: The Basics is an accessible and balanced introduction to the various conflicts which have plagued the Middle East since the Second World War. It examines the cultural, social and geographical dimensions of the region to identify the fundamentals fuelling tension in the region to explain to start and evolution of its major conflicts. It examines such events as:<ul> <li>The Arab-Israeli Conflict</li> <li>Proxy wars between the United States and Soviet Union</li> <li>The invasion of Kuwait by Iraq</li> <li>The War on Terror</li> <li>The Arab Spring</li> </ul>With case studies of conflicts, maps of the region, a glossary of key terms and tables of comparative features, Middle East Conflicts: The Basics provides a firm foundation for all those approaching the study of conflicts in the Middle East for the first time.

Middle East Conflicts: The Basics

Rembrandt wurde zu Lebzeiten als Genie verehrt und hat seitdem Generationen von Künstlern und Kennern fasziniert. Sein Markenzeichen, die raue, pastose Pinselschrift, die einzigartige Lichtführung und Sensibilität wiesen nicht nur der Porträtkunst neue Wege. Der Band präsentiert den Großmeister des Goldenen Zeitalters der niederländischen Malerei.

Rembrandt wurde zu Lebzeiten als Genie verehrt und hat seitdem Generationen von Künstlern und Kennern fasziniert. Sein Markenzeichen, die raue, pastose Pinselschrift, die einzigartige Lichtführung und Sensibilität wiesen nicht nur der Porträtkunst neue Wege. Der Band präsentiert den Großmeister des Goldenen Zeitalters der niederländischen Malerei.

Rembrandt. Die Gemälde. 45th Ed

The Corruption, Lies, and Ignorance that Fueled the Flames

Washington Is Burning

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958). Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.

1946-59

Post-war Adaptations

No Nonsense

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