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Gesamtkatalog

Catalogue complet

Narratives of Consent and Reproductive
Subjects

Narratives of Consent and Reproductive Subjects

Tales of Invisibility

A Memoir

Say Everything

Nafeesa T. Nichols analyzes how racialized and gendered spaces are presented in post-apartheid South African literature. Through the examination of four novels, Kopano Matlwa's Coconut (2007), Zukiswa Wanner's The Madams (2006), Niq Mhlongo's After Tears (2007), and Kgebetli Moele's Room 207 (2006), Popular Spaces in Post-Apartheid Literature highlights the interconnections between space, race, gender, and popular culture within the post-apartheid South Africa. Nichols not only explores how post-1994 literature attempts to represent the realities of the post-apartheid condition, but also reveals the innovative and radical contributions that these young authors of the early twenty-first century made within the literary world. This book mediates the dynamics and complexities of space in connection to race and gender, exemplifies the challenge of working with and in violent masculinist textual spaces, and conceptualizes the popular in connection with class, race, and gender struggles. Drawing on an interdisciplinary mix of Black feminist theory, feminist geographical perspectives, and spatial theory, Nichols provides a close reading of each of the selected texts, offering broader insights into the how Black subjects navigate various spaces of oppression. Through these novels, she shows how we are able to imagine the possibilities of liberatory spaces, celebrate local knowledge, creativity, the popular, and, most importantly, the beauty and resistance found in the everyday. In the end, this book contributes to the academic conversations that continue to take place surrounding gender, space, literature, and liberation in South Africa.

Race, Gender, and Liberation

How the Healing Happens

Theology and Medicine in Conversation

The History and Persistence of Our Deadliest Infection

Everything Is Tuberculosis

<div>Can nature be given rights?</div>

A Global Movement for the Rights of Nature

The Forest Fights Back

Revolutionary Bioethics

This collection addresses the need for bioethics to find new bioethical methods, attend to overlooked difference, respond to climate change, and chart new identities in order to realize its core commitment to justice in the twenty-first century.

Bioethical Responsibilities in Twenty-First Century Crises

Equity and Inclusion through Policy and Practice

The Lies We’ve Been Sold and the Policies That Can Save Us

How Not to Die (Too Soon)

Taut, lyrical and utterly gripping - the internationally award-winning and bestselling debut A fizzing headrush of a novel about four boys coming of age on the deprived outskirts of Oslo 'A gut punch of a debut [in] hurricane prose' Times Literary Supplement 'Raw and unfiltered, I was hooked from the very first page' Service95 Last night i got woke up by marco ringing, and he was crying, he said, he died ivor, he died, and i didnt need to hear who to know, i just hung up. Ivor and Marco have been getting high since they were thirteen, started dealing at fourteen, by fifteen they were carrying knives. At sixteen years old, they hurtle from one trip to the next, one fight to the next, always watching their backs. Ivor dreams of getting out - finishing school, becoming a lawyer, marrying the girl he loves from the corner shop - but the path he's on only leads one way. In flashes of firecracker prose, shot through with rare empathy, irrepressible wit and gut-punch pathos, Oliver Lovrenski gives voice to young men growing up in a brutal and chaotic world. WINNER of the Oslo City Artist Prize and the Norwegian Booksellers Prize SHORTLISTED for the Brage Award and the Tarjei Vesaas Debut Prize

Back in the Day

Fraud, Arrogance and Tragedy in the Quest to Cure Alzheimers

Doctored

Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

Offers an arts-based, storying, textual and visual lens on gender-based violence in the UK and Mexico. This book is a unique image-based bilingual (English and Spanish) book of textual and visual narratives of gender-based violence (GBV) in the UK and Mexico, framed with a critical commentary that sets these stories in the context of GBV in both countries. Visual and textual stories convey the 'felt' experience of GBV, engaging readers and audiences in the apparently mundane as well as the shocking. Such stories help contest the prominence of crime statistics in evidencing GBV, statistics which often distort experience and reflect and maintain exclusionary policies and practices, particularly for minoritised communities. The transnational project on which this book is based invited artists and creative writers from diverse backgrounds in the UK and Mexico to respond to lived accounts of GBV in comic stories, short stories, poems, 3D installations, fine art photography, painting and film. This book brings together these visual and textual stories and sets out a series of readings and analyses that seek to further knowledge on GBV in different cultural contexts. This book is open access under a CC BY licence.

Storying the Immobilities of Gender Violence in the UK and Mexico

Narratives of Consent and Reproductive Subjects

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