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Michael Benson: Nanocosmos

Nanocosmos

Journeys in Electron Space

"A richly illustrated history of the glittering world of queer artistic life in the 1920s and '30sIn Queer Modernism, Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized.In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the Gallery of Extraordinary Portraits, an installation of photos of his favorite celebrities-Black and white, clothed and nude. For his Carnival of Venice, he took portraits of more than a hundred friends-including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings-posed in front of a backdrop of Saint Mark's Square.Like a character from a story by F. Scott Fitzgerald, Ewing joined the party and then died tragically, unable to accept the end of his era or the lost dream of a new way of living. His story sheds new light on modernism and an artistic milieu that was ahead of its time"--

A richly illustrated history of the glittering world of queer artistic life in the 1920s and ’30s In Queer Moderns, Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and ’30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903–1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, “queer space,” and experimentation that shone brightly before being swept away by the Depression. It is a remarkable story that reveals that the history of modernism is more queer and more Black than previously recognized. In the 1920s, Ewing became part of an international coterie of artists led by Carl Van Vechten and Muriel Draper. In Europe, he was entertained by Gertrude Stein, met Stravinsky, and took a road trip with Romaine Brooks and Natalie Barney. In 1928, in a closet in his apartment, Ewing created the Gallery of Extraordinary Portraits, an installation of photos of his favorite celebrities—Black and white, clothed and nude. For his Carnival of Venice, he took portraits of more than a hundred friends—including Paul Robeson, Berenice Abbott, Isamu Noguchi, Agnes de Mille, and E. E. Cummings—posed in front of a backdrop of Saint Mark’s Square. Like a character from a story by F. Scott Fitzgerald, Ewing joined the party and then died tragically, unable to accept the end of his era or the lost dream of a new way of living. His story sheds new light on modernism and an artistic milieu that was ahead of its time.

Max Ewing's Jazz Age New York

Queer Moderns

William Wegman Favorite Models 2026 Wall Calendar

Teresita Fernández / Robert Smithson 

Celebrating Australias Magnificent Wildlife is a celebration of Daryl Dicksons beautiful work and passion for conservation. The stunning animals around Dickson have informed her work for over 40 years. From black-winged stilts to brushtail possums, see the variety and colour of Australian wildlife contained in one large-format, gorgeous book.

The art of Daryl Dickson

Celebrating Australia's Magnificent Wildlife

Extraordinary Chickens 2026 Wall Calendar

Mastering animal anatomy is fundamental to creating dynamic,&nbsp;believable animal drawings. Whether sketching from life to&nbsp;capture realistic depictions or designing creatures from the&nbsp;imagination, an understanding of the animal form is essential.Authoritative and accessible, Animal Anatomy for Artists will&nbsp;equip you with the knowledge, tools, and reference material&nbsp;you need to take your animal drawings to the next level.&nbsp;Introductory chapters by artist and instructor Joe Weatherly&nbsp;focus on a structural approach to drawing, exploring core topics&nbsp;including gesture, rhythm and posing, construction, anatomy&nbsp;basics, proportions, and more. This is followed by the visual&nbsp;reference library, an expansive collection of stunning animal&nbsp;photography with detailed overlaid illustrations showing the&nbsp;skeletal structure, musculature, and contour forms of a wide&nbsp;variety of animals, illustrated by artist Shannon Beaumont. The&nbsp;library also contains numerous pose sketches, both stationary&nbsp;and mid-action, of each animal. Whether you are an oil painter,&nbsp;traditional sculptor, or digital concept artist, the informative&nbsp;resources within this book will help you to improve the quality&nbsp;and accuracy of your art.With an enlightening foreword from artist and teacher Marshall&nbsp;Vandruff, Animal Anatomy for Artists is a key resource for artists&nbsp;of any skill level who seek to capture animals realistically, or aim&nbsp;to exaggerate the animal form to create fantastical creatures&nbsp;and characters. The clear presentation and incredible details&nbsp;provide a keepsake resource that will enable you to create&nbsp;anatomically correct images for years to come.

A visual guide to the form of mammals, reptiles, fish, and birds

Animal Anatomy for Artists

Hokusai, one of the greatest masters in the history of art and a huge influence on modern-day manga, is celebrated by current artists in this extraordinary book. The featured artists, including the hugely popular Kelogsloops, Canadian artist Janice Sung, and Norweigen fantasy artist Mona Finden, have created thoughtful reimaginings of drawings from Hokusai's The Great Picture Book of Everything and share beautiful insights into the inspiration that Hokusai has provided them. Choosing works such as Palm tree and Myna bird and Daoist master Zhou Sheng ascends a cloud-ladder to the moon, the contributors explain their creative choices, show development images, and display the final exclusive piece in their individual project chapter. They apply their own style and approach, while staying true to the original narrative and composition of Hokusai's drawing.Hokusai Reimagined&nbsp;also includes written contributions from experts on the great artist, with discussions on the undeniable impact he made on the world of art, and manga in particular. For lifelong Hokusai admirers or those new to his influence, this book is an essential addition to any art-book collection.

14 art projects inspired by the icon's Great Picture Book of Everything

Hokusai: An Artists' Tribute

<ul><li>MAJESTIC FAVORITES: Here are twelve months of incredible eagles photographed in their natural habitats, pictured at rest, at play, and on the hunt. </li><li>GORGEOUS VARITETY: Celebrate different species including white-tailed eagles, harpy eagles, wedge-tailed eagles, golden eagles, Steller's sea eagles, and of course, bald eagles. </li><li>LOVELY GIFT: Birdwatchers and nature fans will love this mini 7" x 7" calendar that's perfect for cubicles, lockers, and other small spaces. </li><li>NOW PLASTIC-FREE!: Workman wall calendars are completely plastic-free! Now printed with an extended paper flap closed with a fully recyclable seal—no more shrink-wrap! </li></ul>

Audubon Eagles Mini Wall Calendar 2026

Fifty years after first publication, one of the most important photobooks of the 20th century returns, offering an intimate glimpse into the daily lives of the Roma community in the 1960s and 1970s. Josef Koudelka's Gypsies remains one of his best-known series, offering a unique survey of the lives of the Roma community across then-Czechoslovakia, Romania, Hungary, France and Spain between 1962 and 1971. Originally published in 1975, five years after Koudelka left Prague following the Soviet Union's invasion, Gypsies is a classic of documentary photography. Now returning in its original, hardback format, this timely new edition is as much a pioneering photoessay as it is a lesson in book making. Carrying only his equipment, a rucksack and sleeping bag, Koudelka journeyed between different village and encampments. His nomadic existence, defined by a sense of displacement, allowed him to gain the trust of the Roma communities he encountered. The resulting series eschews the often-derogatory depictions of the community to instead provide unparalleled insight into their world, shining a light on their traditions, struggles and routines. The Roma in these images were photographed mostly in a state that no longer exists, ruled by a regime that dissolved in 1989. With such few historical depictions, Gypsies is not only a testament to the beauty of photography, but a vital historical document of a community often relegated to the shadows. Arriving at a moment of contemporary unrest and social marginalization, Gypsies is a poignant reminder of the often bleak reality of the disenfranchised, and the power of photography to bear witness.

Gypsies

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch's star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today's audiences to Ruysch's achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch's intricate paintings, the essays touch upon Ruysch's career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch's work, which feature both native and nonnative species. Rachel Ruysch (1664-1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch’s star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today’s audiences to Ruysch’s achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch’s intricate paintings, the essays touch upon Ruysch’s career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch’s work, which feature both native and nonnative species. Rachel Ruysch (1664–1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

Rachel Ruysch: Nature into Art

The Photography Workshop Series

In the seventh installment of The Photography Workshop Series, Catherine Opie--well known for dynamic portraits and landscapes that speak to identity and community--offers insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. Aperture Foundation works with the world's top photographers to distill their creative approaches to, teachings on, and insights into photography--offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

In the seventh installment of The Photography Workshop Series, Catherine Opie—well known for her dynamic portraits and landscapes that speak to identity and community—offers her insight into creating photographs that navigate the contemporary landscape, as well as the landscape of the body and constructed identity. 







Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Catherine Opie shares her creative process and discusses a wide range of issues, from representing subcultures and marginalized communities, to making confrontational work that reimagines and subverts expectations.

Catherine Opie: The Photography Workshop Series

The second title in Aperture's Vision &amp; Justice Series, Coreen Simpson's first major publication is a long-overdue celebration and introduction to a singular, creative force who interweaves photography, design, and explorations of identity. Coreen Simpson has done it all, from photography, to writing, to jewelry design. Before turning to photography, she pursued a career as a freelance writer, working for magazines such as Essence and Unique New York, from the early 1980s onward. Dissatisfied with the work of the photographers assigned to illustrate her stories, she decided to learn how to make her own, taking lessons in darkroom processing at the Studio Museum in Harlem and studying with jazz photographer Frank Stewart. Similarly, as a jewelry designer, when Simpson discovered that she couldn't find a cameo of a woman of color, she designed her signature Black Cameo, which has since been worn by everyone from Rosa Parks to Iman. 	For more than five decades, Simpson's wide-ranging photographic work has covered fashion, local political figures, and the New York art world, including Just Above Midtown gallery, an essential space for Black artists. Among the work featured in Coreen Simpson: Monograph is the artist's celebrated B-Boys series, begun in the 1980s. These portraits of young people at the Roxy club coming of age within the early years of hip-hop characteristically explore the subjects' poise and self-possession and how they expressed themselves through dress. As Deborah Willis writes, "all of Simpson's portraits stress pride and dignity." This book, the artist's first major publication, offers a long-overdue celebration and introduction to Simpson's story as singular, creative force who interweaves photography, design, and explorations of identity.

Vision & Justice

Coreen Simpson: A Monograph

Nanocosmos

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