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Jenkins Jennifer: Music Copyright,
Creativity, and Culture

Music Copyright, Creativity, and Culture

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

“Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture.” –VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York–based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco’s two new albums—their first in four years—and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York–based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco’s visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

Analyzes the relationship between Charles Manson, music, and 1960's counterculture.

How We Can Harness Its Therapeutic Power

Music as Medicine

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

A life story

Bless Me Father

A Life in Music

To Be Or Not To Be

Transnational Studies in Jazz

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records. Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label. It had organised its recording, marketing and distribution practices around a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand. This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

GRP Records

Jazz and the Digital Revolution

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

2018 will mark the 800th anniversary of the consecration of the Abbey of St BenoÃ®t-sur-Loire - or Fleury Abbey - the previous home and namesake of the Fleury Playbook, a collection of 10 medieval music-dramas that has long held been a source of fascination, and not a little perplexity, for scholars in a variety of disciplines: history, music history, literary studies, art history in particular. The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene.  In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. The first three chapters introduce and then explore the issues raised by the collection: following an introduction, chapter 2 is devoted to the history and traditions of the Abbey, making a persuasive argument for that institution as the original home of the collection, and perhaps the venue in which the plays were first performed. Chapter 3 discusses medieval saints’ cults, placing the dramas, and particularly the four devoted to St Nicholas, in this context. The remaining chapters are devoted to a close musical and dramatic analysis of the 10 plays themselves.

The Fleury Playbook in Context

Medieval Music-Drama

Be More

Dance-floor-filling bangers, complete and radical optimism, killer style - we'd all love to be a bit more Dua Lipa. Since her breakout smash-hit 'New Rules', Dua Lipa has been churning out zeitgeisty dance tracks that have swept the world. From her mermaid cameo in Barbie to her critically-acclaimed book club, she is a multi-faceted popstar who constantly challenges and surprises her audience. With this gorgeously illustrated guide to Be More Dua, channel your inner pop queen, and find advice on how to live, dance, party and love like Dua.

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

Music Copyright, Creativity, and Culture

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