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Burns A: Mostly Hero

Mostly Hero

The News from Dublin

From the acclaimed author of Beasts of a Little Land and City of Night Birds, an exquisite, globetrotting story collection about humans in precarious balance with the natural world.

From the acclaimed author of Beasts of a Little Land and City of Night Birds, an exquisite, globetrotting story collection about humans in precarious balance with the natural world Spanning multiple locales and epochs, and rendered in fine detail and vivid color, this transportive collection shows what it means to live as human inhabitants on our one miraculous planet. Lyrical, at times hilarious, and always heartfelt, each of these ten stories is a reflection of individual choice in the face of man-made apocalypse: in a near-future Seoul, where air pollution has become so fatal that the city has been encased in a translucent biodome, a civil engineer charged with its upkeep contemplates an arranged marriage. A painter, disenchanted with New York City, travels to the South of France and falls into a dalliance with an entrepreneur who claims to have invented a new color. And on an island where the Indian and Pacific Oceans meet, upon which other countries have relegated their waste to form a mountain of landfill, a local boy facing daily privation gets internet famous for his K-pop-inspired dances.&nbsp;With the clear-eyed reverence of Richard Powers and the sparkling sincerity of George Saunders, Juhea Kim’s first story collection views our broken world—and broken hearts—from breathtaking heights. A Love Story from the End of the World delivers an impassioned reminder that we are human—but without nature, we are nothing at all.

Stories

A Love Story from the End of the World

The prose short story arrived in Bengal in the wake of British colonizers, and Bengali writers quickly made the form their own. By the twentieth century a profusion of literary magazines and journals meant they were being avidly read by millions. Writers responded to this hunger for words with a ferocious energy which reflected the turmoil of their times: these stories covered land wars, famine, the caste system, religious conflict, patriarchy, Partition and the liberation war that saw the emergence of the independent country of Bangladesh. Across these shifting geographical borders, writers also looked inward, evolving new literary styles and stretching the possibilities of social realism, political fiction and intimate domestic tales. A first in English, this anthology gathers together a century's worth of extraordinary stories. From a woman who eats fish in secret to the woes of an ageing local footballer, from the anxieties of a middle-class union rep to a lawyer who stumbles upon a philosopher's stone, this is a collection that celebrates making art of life, in all its difficulty and joy.

The Penguin Book of Bengali Short Stories

The Quantity Theory of Morality

Every One Still Here

Lost Souls Meet Under a Full Moon

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable. In A Hundred Voices, celebrated novelist Sergei Lebedev draws together one hundred of the finest Russian-speaking writers from across the centuries. From Alexander Pushkin and Nikolai Gogol, Leo Tolstoy and Vladimir Nabokov, to Nadezhda Mandelstam and Olga Slavnikova, Natalya Meshchaninov and Alla Gorbunova, the new, fresh voices of Russia today rub shoulders with the greats of the past. Together these hundred writers, their hundred voices, sing out together to create a glorious chorus of three centuries of Russian short stories. Reviews for Sergei Lebedev: 'One of Russia's most interesting young novelists' Anne Applebaum 'Lebedev is arguably the best of Russia's younger generation of writers' New York Review of Books 'One of modern Russia's finest writers' Philippe Sands

An anthology of Russian short stories, from the 19th century to today, selected by Sergei Lebedev.

Mostly Hero

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