Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Sharygin G: Māyājāla – sūtra–a Unique
Text of the Gilgit Dīrghāgama

Māyājāla – sūtra–a Unique Text of the Gilgit Dīrghāgama

A Critical Edition, Translation and Study

De Gruyter Studium

Die Editionswissenschaft ist eine Grundlagenwissenschaft für alle Fächer, in denen Medien der verschiedenen Art zuverlässig aufbereitet und zur Verfügung gestellt werden müssen. Entsprechend benötigen Editoren neben einem fundierten Fachwissen gute Kenntnisse in editorischer Theorie und Praxis. Da sich aber die Editionswissenschaft im wesentlichen aus der Germanistik entwickelt hat und oft noch als Hilfswissenschaft ohne großen Anspruch gilt, fehlt es an allgemeinen Richtlinien, die für alle Fächer gleichermaßen gelten können. Theoretische Überlegungen über die Fächergrenzen hinaus gibt es kaum. Das Studienbuch unternimmt den Versuch, sich nicht auf eine Disziplin und das Medium ,Text' zu beschränken. Es hat aus diesem Grund stets die anderen Fachrichtungen und Medien (Musik, Bild, Film) im Blick. Zudem geht es nicht allein um praktische Probleme, sondern ebenso um theoretische, die wiederum nicht allein Texte betreffen. Ziel ist es, die Editionswissenschaft auf eine einheitliche Basis zu stellen und so zu zeigen, dass es sich tatsächlich um ein eigenständiges Fach handelt.

Editorial studies: a fundamental intermedial discipline for all subjects which require media of various kinds to be reliably processed and made available. Besides well-founded knowledge of their subjects, editors need knowledge and skills in the theory and practice of editorship. To date, however, there has been an absence of general guidelines which can be applied to all subjects. The present textbook develops these guidelines in order to provide a unified basis for editorial studies.

Einführung in die Editionswissenschaft

“This book revises our understanding of what it means to describe an author as ‘minor’, peripheral, or secondary. Najarian’s study &nbsp;presents its insights through an artful blending of close, detailed, attention to the formal and affective properties of a range of literary works by late Romantic writers &nbsp;with an assured sense of the history of the nineteenth-century publishing marketplace.” – Mark Sandy, Professor of English, Durham University,UK“Minor Literature in Late Romanticism: English Literature in Late Romanticism makes a significant contribution to the ongoing discussion of literary minorness and the scholarly revaluation of late Romanticism, traditionally dismissed as a transitional period between Romanticism and Victorianism. It also provides useful introductions to little-known authors such as Hood, Praed, and Mitford and insightful and informative readings of neglected texts.” &nbsp;– William Brewer, Professor of English, Appalachian State University,USAThis book intervenes in the current discussion concerning so-called "minor" English literature of the late 1820s and early 1830s. Writing in the late Romantic period, this study charts the declining economic market for individual poetry volumes as other markets were developing. It examines selected authors over a short time period who consciously placed their works as minor, arguing that "minor" is not only a category that has been used to classify the literary reputation of authors long after their deaths, but a position that authors adopt themselves. Minor poets turn from long ambitious works to shorter lyrics on a limited number of subjects. They respond to the Romantic ideology and its emphasis on individual vision, achievement and reputation, but choose instead the minor. This book explores the work of Charles Lamb, as a theorist of the minor, as well as Thomas Hood, Felicia Hemans, Winthrop Mackworth Praed and Mary Mitford, as exemplars of this style. It links their work to literary Romanticism and yet responds to it in a strategically self-limited way, by posing as ancillary.&nbsp;James Najarian&nbsp;is Associate Professor of English at Boston College, USA and Editor of&nbsp;Religion and the Arts. He is author of&nbsp;Victorian Keats: Manliness, Sexuality, and Desire&nbsp;(Palgrave Macmillan, 2003).&nbsp;

This book intervenes in the current discussion concerning so-called "minor" English literature of the late 1820s and early 1830s. Writing in the late Romantic period, this study charts the declining economic market for individual poetry volumes as other markets were developing. It examines selected authors over a short time period who consciously placed their works as minor, arguing that "minor" is not only a category that has been used to classify the literary reputation of authors long after their deaths, but a position that authors adopt themselves. Minor poets turn from long ambitious works to shorter lyrics on a limited number of subjects. They respond to the Romantic ideology and its emphasis on individual vision, achievement and reputation, but choose instead the minor. This book explores the work of Charles Lamb, as a theorist of the minor, as well as Thomas Hood, Felicia Hemans, Winthrop Mackworth Praed and Mary Mitford, as exemplars of this style. It links their work to literary Romanticism and yet responds to it in a strategically self-limited way, by posing as ancillary.&nbsp;

Minor Literature in Late Romanticism

Críticos, lectores, receptores

El discurso crítico-literario en el siglo XIX hispánico

Untersuchungen zur antiken Literatur und Geschichte

Per la storia del testo di Marziale

DLAschriften/DLAwritings (ehemals: marbacher schriften. neue folgen)

Who decides what good literature is? And in which spaces are these decisions made in a digitized world?

Literary judgement is the starting point for the evaluation, selection and even canonization of a literary work. In the 18th century, educated citizens exchanged ideas, formed public opinion, and promoted common narratives in debates about literature. Today, criticism is shaped in many diverse public spheres and sub-spheres, operating in an economy regulated by attention and in a globalized book market. What does this mean for the roles of critic, author, and reader?
»Literary Judgement and the Fora of Criticism« addresses questions relating to the forms, functions, and significance of literary judgement; the conditions and consequences for criticism in the current media landscape; the medialization of criticism as review and its rhetorical and generic effects; the ascription and dissemination of literary value for a growing but&nbsp;diverse global readership; the implications and consequences for writer, critic, and reader of the digitization of criticism.
With contributions by: Amit Chaudhuri, Phillipa Chong, James English, Florencia Garramuño, Richard Jacquemond, Mats Jansson, Christopher Odhiambo Joseph, Rebecka Kärde, Daniel Kehlmann, Zóltan Kulcsár-Szabó, Camille Laurens, B. Venkat Mani, Laura McGrath, Mark McGurl, Ronya Othmann, Irina Prokhorova, Sandra Richter, Lionel Ruffel, Gisèle Sapiro, Zeruya Shalev, Galin Tihanov, Juan Gabriel Vásquez, Magnus William-Olsson and Xu Xi.

Der Band erscheint vollständig in englischer Sprache.

Literary Judgement and the Fora of Criticism

Yoga Nidra I

Modernist Latitudes

Modernist Poetry and the World of Work

Stitch, Unstitch

This book explores the relationship between Anne Brontë’s work and the life and writings of Lord Byron. Byron’s influence on the other Brontë siblings is well-documented but absent in Anne’s history. Building on recent discourses of rich intertextuality in Anne’s work, Jessica Lewis reveals her relationship with the poet as significantly different from that of her siblings. Instead of trying to emulate Byron or derive inspiration from the concept of ‘mix’d essences’ or elemental affinity, Anne’s relationship with him is grounded in their shared Calvinistic upbringing and a rejection of its stringent principles, which propels both writers to positions of contemporary religious controversy.&nbsp; This volume reappraises Anne Brontë and her work in light of significant Byronic influence, and provides new readings of her novels and poetry.Dr Jessica Lewis works as a part-time lecturer in English Literature at the University of South Wales, UK. Her research interests broadly lie in Victorian fiction with particular emphasis on Brontë studies, but always include the more macabre elements of Victorian literature including disease, death, medicine and surgery and slum fiction. She is also interested in tales of the ecological, botanical and zoological Gothic.

Lost Echoes of Influence

Anne Brontë and Lord Byron

Als Yogalehrerin oder -lehrer machst du mehr, als anzuleiten und sicher in die Asanas zu führen – du kreierst eine ganzheitliche und inspirierende Yogaerfahrung. Stimme und Sprache sind dabei zentrale Werkzeuge!
Wie du beides wirkungsvoll einsetzt, zeigt dir Renate Weber. Sie vermittelt dir essenzielles Wissen über Anatomie, Lautlehre, Intonation und treffendes Wording. Darüber hinaus lernst du, warum es so wichtig ist, die Menschen in deinen Kursen zu kennen und eine klare Botschaft für jede Stunde zu haben. Damit du die perfekte Atmosphäre schaffen kannst, hat die Yogalehrerin und Germanistin Übungen entwickelt, mit denen du sowohl deine rhetorischen als auch deine stimmlichen Fähigkeiten trainierst und stärkst. So begegnest du deinen Teilnehmenden mit Sicherheit, Empathie und genau dem richtigen Ton. Für mehr Persönlichkeit und Nähe in deinem Yogaunterricht!

Wie du Stimmlage, Betonung und Wortwahl gezielt einsetzt, um deine Yogaschüler mit Klarheit und Persönlichkeit zu führen. Mit Stimmübungen

Die Kraft der Sprache im Yoga

Sarah Danielle Allison illuminates the collective creation of celebrity by tracing unexpected connections within the anarchic nineteenth-century literary marketplace.

Māyājāla – sūtra–a Unique Text of the Gilgit Dīrghāgama

Weitere Titel zum Thema