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El discurso crítico-literario en el
siglo XIX hispánico

El discurso crítico-literario en el siglo XIX hispánico

Críticos, lectores, receptores

The Routledge Philosophers

Jean-Paul Sartre was one of the greatest philosophers of the Twentieth century. This comprehensive, clear introduction unpacks and explains Sartre's philosophy, covering all the key topics. An indispensable introduction to Sartre's philosophy, and also useful to those in related disciplines such as politics, sociology, literature, religion and French studies.

Jean-Paul Sartre was one of the greatest philosophers of the Twentieth century. This comprehensive, clear introduction unpacks and explains Sartre's philosophy, covering all the key topics. An indispensable introduction to Sartre's philosophy, and also useful to those in related disciplines such as politics, sociology, literature, religion and French studies.

Sartre

Handbooks of English and American Studies

Interdisciplinarity has gained increasing prominence as a general guiding principle for innovative research over the past decades. However, few works have attempted to provide a comprehensive survey of the phenomenon from the specific vantage point of literary and cultural studies. The handbook aims to fill this lacuna. It explores interdisciplinarity in the fields of contemporary literary and cultural scholarship and provides a guide to key debates on (current) forms, theories, and practices of interdisciplinarity. Beyond central systematic questions, the handbook pays special attention to the actual disciplines that engage in forms of cross-disciplinary exchange. It portrays established as well as emerging fields of interdisciplinary collaboration and responds to the substantial acceleration of the differentiation within single academic disciplines and subjects illustrated by the emergence of an increasing number of ‘turns’ (e.g. the cultural, ethical, spatial turn) and ‘studies’ (e.g. environmental studies, sensory studies, disability studies etc.). It tackles current research challenges ranging from pandemics to climate change, thus, not only presenting an overview, but a timely intervention in interdisciplinary research.

Handbook of Interdisciplinarity

Conditio Judaica

Kritische Gesamtausgabe

In diesem Band wird erstmals die teils nur noch fragmentarisch erhaltene Korrespondenz Gronemanns rekonstruiert und dadurch sein extensives Beziehungsnetzwerk erschlossen. Unter den Korrespondenzpartnern befanden sich bedeutende Politiker, Schriftsteller und Künstler, darunter u.a. bekannte Zeitgenossen wie die Zionisten Theodor Herzl, Max Nordau, Heinrich Loewe, Chaim Weizmann und David Ben-Gurion, oder die Schriftsteller Arthur Schnitzler, Richard Beer-Hofmann, Kurt Tucholsky, Else Lasker-Schüler, Arnold Zweig, und Shaul Tchernichovsky. Außerdem stand er in Kontakt mit den Künstlern des jiddischen Avantgardetheaters Wilnaer Truppe sowie des späteren hebräischen Nationaltheaters Habima, zu deren erfolgreichen Werdegang Gronemann maßgeblich beitrug. 
 
 Die Kommentare der vorliegenden Ausgabe erschließen das bisher unveröffentlichte Archivmaterial kritisch und kontextualisieren es in der zeitgenössischen und geisteswissenschaftlichen Rezeption.

Sammy Gronemann (1875–1952) is considered one of the foremost Zionist writers of German. This volume is the first to explore Gronemann's correspondence and, through it, his far-reaching network of relationships. His correspondents included important politicians, writers, and artists, such as contemporaries Theodor Herzl, Richard Beer-Hofmann, Albert Einstein, and Theodor Heuss.

Briefwechsel

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

Routledge Corpus Linguistics Guides

Research and Practice

Corpus Linguistics for Forensic Linguistics

Routledge Advances in Spanish Language Teaching

teoría y metodología

Vocabulario y enseñanza del español

Eighteenth-Century Political Biographies

A Political Biography of Mary Wollstonecraft

John Gay was a dramatist and poet, best-known for writing The Beggar's Opera. Through his membership of the Scriblerus Club, Gay developed lasting friendships with Alexander Pope, Jonathan Swift and John Arbuthnot, all of whom influenced his writing. The study will be invaluable to scholars of eighteenth-century literature and political history.

John Gay was a dramatist and poet, best-known for writing The Beggar's Opera. Through his membership of the Scriblerus Club, Gay developed lasting friendships with Alexander Pope, Jonathan Swift and John Arbuthnot, all of whom influenced his writing. The study will be invaluable to scholars of eighteenth-century literature and political history.

A Political Biography of John Gay

The Selected Writings of David Williams Vol 1

The Selected Writings of David Williams Vol 4

Trends in Medieval Philology

"Entangled Displacements" offers a new way of exploring medieval cultures through the refugees they create. The book examines lyrical texts, romances and epics from Western, Northern and Southern Europe of the ninth to the thirteenth centuries to uncover a literary discourse of displacement. Early medieval poetry in particular allows us to glimpse how individual refugees negotiated their place in textual and political communities. From their solitary efforts at belonging, the book moves to shared forms of displacement and queries the possibilities of being-in-common in exile. While bands of destitute outlaws experiment with alternative forms of communal life in isolation, exiled warlords develop imperial ambitions through aggressive conquests and crusades. Both individual and collective experiences imagined in medieval literature reveal how crucially displacement intersects with other critical interests such as authorship, textual form, gender, and postcolonial perspectives. As the book's comparative, multilingual corpus shows, exile is not a marginal concern, but lies at the very heart of the medieval textual cultures we have reconstructed.

"Entangled Displacements" offers a new way of exploring medieval cultures through the refugees they create. The book examines lyrical texts, romances and epics from Western, Northern and Southern Europe of the ninth to the thirteenth centuries to uncover a literary discourse of displacement. Early medieval poetry in particular allows us to glimpse how individual refugees negotiated their place in textual and political communities. From their solitary efforts at belonging, the book moves to shared forms of displacement and queries the possibilities of being-in-common in exile. While bands of destitute outlaws experiment with alternative forms of communal life in isolation, exiled warlords develop imperial ambitions through aggressive conquests and crusades. Both individual and collective experiences imagined in medieval literature reveal how crucially displacement intersects with other critical interests such as authorship, textual form, gender, and postcolonial perspectives. As the book’s comparative, multilingual corpus shows, exile is not a marginal concern, but lies at the very heart of the medieval textual cultures we have reconstructed.

Exile and Medieval European Literature

Entangled Displacements

A new compass for global reading: looking at the world from the far southern latitudes A northern viewpoint is most often the default, while the south—the far southern latitudes occupied by Australia, New Zealand, Argentina and southern Africa, among others—seems far away and ignorable. In Southern Imagining, Elleke Boehmer offers an alternative perspective, using literary, scientific and cultural material to explore how we look at the world from the south. Reading, she argues, is a transformative means of reversing our usual planetary perspective and rearranging our perceptual geography. Boehmer examines writing from across southern continents and islands, considering how we imaginatively inhabit the farthest reaches of our planet. Writers ranging from the Portuguese epic poet Luís de Camöes to Samuel Taylor Coleridge, Charles Darwin, Katherine Mansfield, Jorge Luis Borges and ancient Indigenous scribes, Boehmer finds, capture the edgy and austere experiences of the far south. Boehmer argues that imaginative work stimulates and shapes our phenomenological understanding. Southerners often see themselves as if far away from where things count, as outsiders, internalising the wider global sense of their relative insignificance. Conversely, when northerners read or hear legends, narratives, songs and poems from the south, it is as if they are located in the south, at least for the duration of the reading or listening. Boehmer suggests that the south-tilted world map, re-centred through song and story, invites us to claim a more involved sense of belonging to our planet, both its north and its south. The writers of the south disrupt conventional ways of seeing and invite us to inhabit our globe differently.

A Literary and Cultural History of the Far Southern Hemisphere

Southern Imagining

El discurso crítico-literario en el siglo XIX hispánico

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