Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Unsere Funktionen

Nos fonctions

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

El discurso crítico-literario en el
siglo XIX hispánico

El discurso crítico-literario en el siglo XIX hispánico

Críticos, lectores, receptores

Understanding the source of our current political and social malaise through our emotional responses to it We are in an explosive cultural moment. Whatever explanation for this is offered—inequalities, disaffection of political institutions, traumatic memory, woke culture, the rise of populism, the dominance of technology—it is the inescapable fact that we are in a period of palpable malaise. In Explosive Emotions, sociologist Eva Illouz explores the source of our discontent through a number of key emotions. Hope, disappointment, envy, resentment, jealousy, anger, fear, anxiety, shame, nostalgia, jealousy, and love are all embedded in the institutions of social life. These institutions—corporations, the consumer market, the university, the nation-state, marriage, and sexuality—shape our emotional lives. Illouz argues that hope was the emotional foundation of modernity—shaping ambition and promising improvement. But today, this hope has morphed into disappointment, envy, anger, or nostalgia—because, she contends, advanced techno-capitalism has overseen both a series of transformations in modern democracies and the decay of nationalism. Drawing on the insights of literature and philosophy, Illouz outlines the psychological structure of these emotions; mobilizing data from sociology and political science, she examines how and why they are deployed in society. Unbeknownst to us, she explains, emotions contain and enact the key ingredients of society. Norms, rules, social structures, and cultural guidelines are the invisible yet burning magma of emotions, the heart of their energy. Emotions continue the work of society inside the self. Mapping our epochal malaise, Illouz shows how and why all our previously established structures are unraveling.

How Modern Society Shapes What We Feel

Explosive Emotions

Environmental Cultures

Scottish Literature, Borders and the Environmental Imagination

IMAGINES – Classical Receptions in the Visual and Performing Arts

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

This book breaks the silence on systemic violence against women in French society and showcases various forms of actual and/or literary rebellion. Blending auto-ethnography with the analysis of contemporary autofiction by French women writers and drawing portraits of other victims/rebels, Michèle Bacholle addresses physical, symbolic, cultural, institutional, and psychological forms of gender violence across different social spheres and within an intersectional framework (i.e., age, class, immigration, race). She engages with established authors (Nina Bouraoui, Sophie Chauveau, Chloé Delaume, Virginie Despentes, Annie Ernaux, Camille Laurens, Linda Lê, Léonora Miano, Delphine de Vigan) and emerging voices in French literature (Mathieu Deslandes and Zineb Dryef, Rokhaya Diallo, Laure Gouraige, Bebe Melkor-Kadior, Samira Sedira), and bridges personal and scholarly discourse in an innovative manner. #MeToo and its repercussions, as well as current social movements provide hope for deeper societal change, short of which, following Adèle Haenel's lead, French women may have to "stand up and split."

“We stand up and we split”

Violence and Rebellion in Contemporary French Women’s Autofiction

Ecocriticism and Turkey

Humanidades Digitales y Big Data en Iberoamérica / Digital Humanities and Big Data in Ibero-America

Literature, Theory and Big Data

Black Lives

The origins and influence of Jim, Mark Twain’s beloved yet polarizing literary figure &nbsp; “Astute. . . . Sheds new light on a much-studied character.”—Publishers Weekly &nbsp; Mark Twain’s Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain’s alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers. &nbsp; Eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim’s many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction.

The Life and Afterlives of Huckleberry Finn's Comrade

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

Politics, Poetics and Modernity

Occidentalism and the Egyptian Novel

Essays on imagining a better world in dark times, from one of our most esteemed scholars of fairy tales &nbsp; Fairy tales take us to a world where magic is commonplace, where wishing works, where the conflicts in our hearts are literalized in the world around us. The living, vibrant, democratic genre of the fairy tale draws stories from people and places all over the globe, and spreads them just as broadly. Yet in a world exhausted by war, famine, climate devastation, and political strife, are these tales still valid? Are they merely an escape, or are they something more? The eminent folklorist Jack Zipes argues here that fairy tales remain relevant and powerful, that they still speak truth to power. Indeed, he writes, we cannot do without them. &nbsp; In this collection of essays on such beloved tales as “Hansel and Gretel” and “Puss in Boots”; on the authors L. Frank Baum, E. T. A. Hoffmann, and the Brothers Grimm; and on the dubious influence of Disney, Zipes introduces readers to the history of the fairy tale and explores why the stories retain such a fierce hold on our imagination. He argues vigorously for the fighting utopian spirit the tales uphold—something our world sorely needs.

El discurso crítico-literario en el siglo XIX hispánico

Autres titres sur ce thème