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Hurbis-Cherrier Mick: Mastering
Screenplay Form and Style

Mastering Screenplay Form and Style

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Cinema and Cultural Exchange

Film Festivals

This book disentangles the complex processes of democratic transitions where regime change also requires a shift from a command economy to one based on private ownership. The author focuses on the liberalization of Cuba in the 21st century, and how Cuba's economic identity crisis directly affects the daily lives of its citizens.

The Democratization of Cuba

Adolf Hitler's plan to break British morale during the months after the D-Day landings in June 1944 involved the invention and implementation of the world's first rocket delivered warhead - the V1, or 'Doodle Bug' as it was christened by Londoners. Thousands were launched from their sites in the Low Countries against the British capital, killing 6,184 people and injuring 17,981. As the launch sites for the V1 were captured by Allied forces advancing through Belgium and into the Netherlands, a new, more terrifying rocket now hit London in mid-September, seemingly out of thin air - the V2. A streamlined rocket which stood as tall as a four-storey building, the V2 was highly advanced technology. Powered by a rocket engine burning a mix of alcohol-water and liquid oxygen, it blasted its way to the edge of space, before falling back to Earth at supersonic speed. Unlike the successes allied pilots and anti-aircraft crews had enjoyed shooting down the slower and more cumbersome V1, the V2 struck London almost undetected. It truly was Hitler's terror weapon made devastatingly real, causing over 30,000 casualties and leaving hundreds of thousands homeless, with the randomness of the strikes unnerving the British public even though their destructive capacity was less than the Blitz in 1940-41. But Winston Churchill's intelligence chiefs of SOE had known of the weapon weeks before it first struck the mainland as the Nazi boffins (led by Werner Von Braun who would go onto fame with the US Apollo Missions in the 1960s) tested the V2 in Eastern Europe. Away from prying eyes. Or, so they thought. In Stealing Hitler's Rocket, historian Guy Walters will reveal the true extent to how much we knew of this modern-day weapon and the operation by the Polish resistance to enable Britain and her allies to prepare for the day of reckoning.

The Incredible Mission to Smuggle a V2 out of Nazi-Occupied Europe to Britain

Stealing Hitler's Rocket

World Cinema

Departing from standard histories, this book draws on the theory of excess in film to provide a re-examination of Polish cinema history, following emancipatory impulses that emerged in Polish culture between the great crisis of 1968-marked by the expulsion of Polish Jews and persecution of students-and the conservative revolution of the Solidarity movement in the 1980s. Employing a transnational and decolonial lens, Sebastian Jagielski argues that beyond the binary of state-endorsed and official 'opposition' media, there exists a range of subversive and radical films. He provides close readings of key examples such as The Devil (Diabel)(1972), A Story of Sin (Dzieje grzechu)(1975) and The Palace (Palac)(1980), considering their depiction and transformation of emancipatory ideals born out of Western countercultural movements. He also explores the filmmaking practices of directors like Andrzej Wajda to Andrzej Zulawski, examining their use of subtext, seemingly lurid narratives and subversive embedded gestures, produced against the backdrop of Communist Poland's censorship practices. In doing so he proposes a critical revision of the normative cinema of moral anxiety. He goes on to consider how on screen depictions of sexuality intersect with various modes of difference, highlighting the impact of racism, homophobia, misogyny, and classism. Rejecting a linear narrative in favour of a fragmented history, Jagielski uncovers the untold stories of Polish cinema's subversive influences.

The Politics of Excess in Polish Cinema

Gender, Theology and Spirituality

A Theology of Incarnation from Within Dis-Abled Minds is an auto-ethnographic journey into a question that is both deeply personal and theo-therapeutic. Utilising the author's own experiences, it explores whether there can be an applied theology, rooted in the living 'tradition' of feminist and queer theology, that begins to question classical definitions of the 'sane' and 'insane'. This book offers a transgressive theology of healing and wellbeing based on radical feminist Christological understanding. Therefore, it will be of keen interest to scholars of Religion and Theology, as well as those working in Psychiatry, Mental Health and Disability Studies.

Too frequently, theology has addressed issues of mental health from a largely pastoral and detached observational perspective. This book asks whether the model of an embodied and experiential theology of disability, championed by theologians such as Nancy Eiesland, can more powerfully and insightfully apply to those who are described as suffering from severe and enduring mental health problems.A Theology of Incarnation from Within Dis-Abled Minds is an auto-ethnographic journey into a question that is both deeply personal and theo-therapeutic. Utilising the author’s own experiences, it explores whether there can be an applied theology, rooted in the living ‘tradition’ of feminist and queer theology, that begins to question classical definitions of the ‘sane’ and ‘insane’. Can certain contemporary theological models of chaos, in creation and cosmology, offer a valorised place for those whose psycho-chaos is usually deemed to be of little value in western capitalist economies, except as the recipients of ‘professional compassion’? This book offers a transgressive theology of healing and wellbeing based on radical feminist Christological understanding which speaks as much of anger, chaos, and resistance as it does of peace, healing or reconciliation. Therefore, it will be of keen interest to scholars of Religion and Theology, as well as those working in Psychiatry, Mental Health and Disability Studies.

Our wounds are not for healing

A Theology of Incarnation from Within Dis-Abled Minds

A Naval History of Britain: 1815 – 1945

The Price of Victory

A media scholar&nbsp;critically examines how US establishment media ran interference for Israel’s genocide in Gaza, with reporting that called the Flour Massacre “aid-related deaths,” and the Tent Massacre a “tragic mistake.” Over eight months, media coverage aligned with Israeli military narratives, condoning Israeli war crimes and the massacres of Palestinians as the world responded in outrage.
The Complicit Lens&nbsp;scrutinizes US media's portrayal of Israel’s war on Gaza post-October 7, 2023 Hamas attacks, contrasting it with social media reports and international news coverage. It reveals how reporting mystified Israeli bombings, used passive language to deflect blame, and repeated Israeli talking points. The analysis identifies consistent war tropes and atrocity propaganda—beheaded babies and mass rape—used to justify Israeli actions and obscure culpability.&nbsp;Israeli violence was presented as defensive and justified, either by the October 7 attacks, or by claims that Israel was targeting Hamas fighters and commanders not civilians. Later reporting included false claims that war crimes and massacres were mistakes or accidents.
The book&nbsp;documents the targeted killings of journalists and aid workers, underreported in US media, and critiques the editorial censorship that avoided terms like "genocide" and "massacre" for Palestinian deaths. As global protests against the Gaza genocide rose, the book also analyzes the biased media portrayal of these uprisings, particularly those led by young people and Jewish organizations. Examining specific incidents and language, the book exposes how media coverage facilitated the ongoing genocide in Gaza.&nbsp;

US Media Coverage of Israel's Genocide in Gaza

The Complicit Lens

This book examines climate change and the need for advertising creatives to think and create strategically in order to educate about the human role in climate adaptation.&nbsp;As more brands and organizations feel the economic and cultural effects of climate realities, there is an urgent need for the advertising industry to offer smarter, creative approaches to messaging about this phenomenon. Creatives must use their ability to translate complex issues into messages that resonate with multiple audiences while&nbsp;bridge the gap between consumers and climate understanding. The author argues that brands and corporations have a social responsibilty to provide this value, thereby fighting misinformation and emboldening citizens to work toward adaptive behaviors with understanding of basic climate science. Through the themes of complexity, creativity, and courage, this book synthesizes theory on audience engagement and discusses how to frame the climate issue effectively.

Our greatest challenge is upon us. Climate change realities call for adaptation and new ways of understanding the world. For brands and their agency advocates, this demands a courageous approach to crafting work that engages a range of audiences, people often polarized and politically divided. How can the vibrant creative industry play a leading role in helping humanity adapt to climate change? What climate science resources exist that aid in developing smart communication platforms? How does a creative strategist grow skills necessary for this most important assignment?&nbsp;Brave Work, a guide for creatives in all career stages, develops a mission statement for creative leadership in these complicated times.

A Creative's Guide to Making Compelling Advertising and Brand Messages in Complicated Times

Brave Work in the Age of Climate Change

Histories of Internationalism

This book explores how American internationalism and Eastern European social science influenced and reshaped each other in the 1930s, giving rise to the phenomenon of transnational social science. By tracing interactions between Polish and Jewish scholars and American internationalists, it reveals how politically relevant knowledge-on nations, nationalism, and migration-evolved into the area studies on Eastern Europe that emerged at American universities during the early Cold War. Following Woodrow Wilson's interest in Eastern Europe, a group of American internationalists-primarily linked to Columbia University, think tanks, and philanthropists-worked to establish a network of experts in the region. In their effort to support peace and democracy, they sought to advance social-scientific knowledge of Eastern Europe's contested borderlands. Poland and the Making of Transnational Social Science explores how interactions between scholars-Polish and Jewish intellectuals and their American counterparts-shaped interwar transnational thought on self-determination, nationalism and national indifference, anti-Semitism and racial exclusion, migration, and assimilation. This knowledge circulation played a key role in the evolution of 1930s social science and its transition into American Cold War area studies.

Eastern Europe, the US and the Wilsonian Moment

Poland and the Making of Transnational Social Science

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

1820-2025

A History of Iran-US Relations

Routledge Studies in Environmental Communication and Media

This book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Adopting a social semiotic approach, and exploring key examples including Greenpeace's "Everything is NOT Awesome" brandjacking advert, Volkswagen's "Think Blue" campaign and Unilever's "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion.

Environmental Communication is a growing area of academic enquiry. But, whilst there are key texts on environmental communication and new texts on environment-themed media, there is, as yet, no book specifically devoted to "green" (environment themed) advertising. Filling this lacuna, this book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Such environment-themed advertising with transnational reach, addressed to transnational publics and produced by global actors (from NGOs to multinationals to the United Nations to celebrities), is now a significant form of environmental communication. This book considers that form and its meanings; the "environmental imaginary" it builds in the minds of its publics, its ideological and emotional landscapes, and its limitations. Adopting a social semiotic approach, and exploring key examples including Greenpeace’s "Everything is NOT Awesome" brandjacking advert, Volkswagen’s "Think Blue" campaign and Unilever’s "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion. The first book to explore the social and symbolic significance of "green" advertising as a transnational form of environmental communication, this book will be of great relevance to scholars and students with an interest in this growing field.

New Forms of Transnational Persuasion

Environmental Advertising

Mastering Screenplay Form and Style

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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