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Gesamtkatalog

Catalogue complet

Hurbis-Cherrier Mick: Mastering
Screenplay Form and Style

Mastering Screenplay Form and Style

Historical Dictionaries of Asia, Oceania, and the Middle East

Historical Dictionary of Azerbaijan

Bloomsbury Writer's Guides and Anthologies

A Writer's Guide and Anthology

Short-Form Creative Writing

KINO - The Russian and Soviet Cinema

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

A History of the Highest State

Colorado

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

The Politics of Defeating Hitler

Allies at War

The Bloomsbury Introduction to Creative Writing

Feminist Lessons From Five Revolutionary Women

Red Valkyries

1758 to 1772

Thomas Paine Collected Writings, Volume 5

Luftgummireifen sind allgegenwärtig, doch welche Rolle spielte Kautschuk in der Medizin und bei der Körperpflege? Als elastisches und undurchlässiges Material wurde Kautschuk durch die Entdeckung der Vulkanisation in den 1830er Jahren für medizinische und hygienische Anwendungen interessant. Samuel Eleazar Wendt beleuchtet die Aneignung dieses ursprünglich in Mittelamerika und am Amazonas genutzten Rohstoffs in Europa, wo er seit dem späten 18. Jahrhundert zunehmend in körperliche Praktiken integriert wurde. Dabei fokussiert er sich auf die Geschichte des Berliner Unternehmens C. Müller Gummiwaren AG (1875-1948), das entsprechende Artikel erstmals für den Massenmarkt produzierte.

Die C. Müller Gummiwaren AG und der Beginn des Massenmarkts, 1875-1948

Körper, Kautschuk, Kolonien

Encounters with Empire

A History of the Fedon Rebellion

Nafeesa T. Nichols analyzes how racialized and gendered spaces are presented in post-apartheid South African literature. Through the examination of four novels, Kopano Matlwa's Coconut (2007), Zukiswa Wanner's The Madams (2006), Niq Mhlongo's After Tears (2007), and Kgebetli Moele's Room 207 (2006), Popular Spaces in Post-Apartheid Literature highlights the interconnections between space, race, gender, and popular culture within the post-apartheid South Africa. Nichols not only explores how post-1994 literature attempts to represent the realities of the post-apartheid condition, but also reveals the innovative and radical contributions that these young authors of the early twenty-first century made within the literary world. This book mediates the dynamics and complexities of space in connection to race and gender, exemplifies the challenge of working with and in violent masculinist textual spaces, and conceptualizes the popular in connection with class, race, and gender struggles. Drawing on an interdisciplinary mix of Black feminist theory, feminist geographical perspectives, and spatial theory, Nichols provides a close reading of each of the selected texts, offering broader insights into the how Black subjects navigate various spaces of oppression. Through these novels, she shows how we are able to imagine the possibilities of liberatory spaces, celebrate local knowledge, creativity, the popular, and, most importantly, the beauty and resistance found in the everyday. In the end, this book contributes to the academic conversations that continue to take place surrounding gender, space, literature, and liberation in South Africa.

Race, Gender, and Liberation

Mastering Screenplay Form and Style

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