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Cousins L: Maisy's House and Garden

Maisy's House and Garden

Maisy. A Maisy Pop-up-and-Play Book

Körperarbeit und innere Balance / 30 Ideen auf Bildkarten

Bewegtes Lernen: Musikspiele, die Kindern Spaß machen

"Die Reise nach Jerusalem" ist der Klassiker unter den Musikstopp-Spielen. Das Bewegungsspiel macht nicht nur Spaß, es fördert auch Aufmerksamkeit und Motorik. Doch haben Sie schon "Ich trage heute", "Reiterausflug" oder "Osterhasenschule" gespielt? Elke Gulden und Bettina Scheer haben eine Sammlung mit musikalischen Gruppenspielen zusammengestellt, mit denen Erzieher, Pädagogen und Eltern für mehr Abwechslung beim Spielen sorgen können. Denn Musikstopp-Spiele helfen nicht nur bei Bewegungsdrang, sie stärken auch Konzentration, Koordination und das Miteinander der Kinder!
<ul>
<li>Spiele mit Musik: 30 neue Ideen für Kinder von 3 bis 8 Jahren</li>
<li>Einfache Vermittlung dank klarer Illustrationen auf der Vorderseite und detaillierter Spiel-Anleitung auf Rückseite der Karte</li>
<li>Hinhören, aufmerksam sein, Rücksicht nehmen: unterstützt zudem soziale Entwicklung der Kinder</li>
<li>Inklusive Musikdownload: Musikstücke als mp3 in drei unterschiedlichen Tempi</li>
<li>Vielseitig und spontan einsetzbar: als Bewegungsangebot in Kita, Grundschule &amp; Kinderturnen oder als Spiel auf einer Kinderparty</li>
</ul>
Bewegungsspiele für Kitas, Turnunterricht &amp; Schulkindbetreuung
Kinder lieben es, sich zur Musik zu bewegen und bei Musikstopp stehenzubleiben und ganz plötzlich einzufrieren. Danach gilt es: Gut aufpassen und die Aufgabe lösen! Ob kriechen, Hampelmann machen oder mit Chiffon-Tüchern schwingen: jedes Bewegungsspiel kann mit fünf weiteren Umsetzungsideen variiert werden. Mit dem Bildkarten-Set "30 Musikstoppspiele" kommt garantiert keine Langeweile auf!

Bewegtes Lernen: Musikspiele, die Kindern Spaß machen 
 „Die Reise nach Jerusalem“ ist der Klassiker unter den Musikstopp-Spielen. Das Bewegungsspiel macht nicht nur Spaß, es fördert auch Aufmerksamkeit und Motorik. Doch haben Sie schon „Ich trage heute“, „Reiterausflug“ oder „Osterhasenschule“ gespielt? Elke Gulden und Bettina Scheer haben eine Sammlung mit musikalischen Gruppenspielen zusammengestellt, mit denen Erzieher, Pädagogen und Eltern für mehr Abwechslung beim Spielen sorgen können. Denn Musikstopp-Spiele helfen nicht nur bei Bewegungsdrang, sie stärken auch Konzentration, Koordination und das Miteinander der Kinder!
 <ul><li>Spiele mit Musik: 30 neue Ideen für Kinder von 3 bis 8 Jahren</li><li>Einfache Vermittlung dank klarer Illustrationen auf der Vorderseite und detaillierter Spiel-Anleitung auf Rückseite der Karte</li><li>Hinhören, aufmerksam sein, Rücksicht nehmen: unterstützt zudem soziale Entwicklung der Kinder</li><li>Inklusive Musikdownload: Musikstücke als mp3 in drei unterschiedlichen Tempi</li><li>Vielseitig und spontan einsetzbar: als Bewegungsangebot in Kita, Grundschule &amp; Kinderturnen oder als Spiel auf einer Kinderparty</li></ul>Bewegungsspiele für Kitas, Turnunterricht &amp; SchulkindbetreuungKinder lieben es, sich zur Musik zu bewegen und bei Musikstopp stehenzubleiben und ganz plötzlich einzufrieren. Danach gilt es: Gut aufpassen und die Aufgabe lösen! Ob kriechen, Hampelmann machen oder mit Chiffon-Tüchern schwingen: jedes Bewegungsspiel kann mit fünf weiteren Umsetzungsideen variiert werden. Mit dem Bildkarten-Set „30 Musikstoppspiele“ kommt garantiert keine Langeweile auf!

Bewegungsspiele & mehr für Kita, Grundschule & Kinderturnen

30 Musikstoppspiele. Bildkarten für Kinder

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on 4 years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

Surveillance, Care, and the Policing of Violent Digital Images

Facing the Child

(A Gentle Picture Book About Friendship, Compassion, and Supporting a Friend Through Change - For Kids Ages 3-7)

The Boy with Flowers in His Hair

“Charming, propulsive, and emotionally gripping.” —People “[A] riveting novel of madcap adventure.” —The&nbsp;New&nbsp;Yorker A rollicking debut&nbsp;novel about a&nbsp;cautious daughter and her eccentric, estranged mother venturing west in search of buried treasure—and a way back to each other—before they run out of patience, money, and options After being fired for taking an uncharacteristic risk at her commodities trading job, Bea Macon sublets her New York apartment and books a one-way ticket to stay with her mother, Christy, a free spirit who has been living in Salt Lake City on Bea's dime.&nbsp; Usually the responsible one, Bea isn't about to admit exactly why she's suddenly decided to visit, but she isn’t the only one keeping secrets: Christy has a man. She has a map. She has&nbsp;.&nbsp;.&nbsp;. a username on a forum devoted to unearthing $1 million in buried treasure that an antiquities dealer claims to have hidden somewhere in the western U.S.? Bea is convinced this is just another one of her mother’s wild larks, an elaborate way to refuse, as she has for Bea’s entire life, to finally grow up. But Christy believes she’s onto something—and she’s arranged a rendezvous in a rural town called Mercy with the guy she’s been obsessively trading theories with online to prove it.&nbsp;Out in the desert that one woman believes to be a promised land, the other a wasteland, they find themselves barreling toward a more high-stakes, transformative escapade than either of them could have imagined. Populated with unforgettable characters and set against one of the world’s most oddly enrapturing landscapes, Scavengers is a&nbsp;funny and heartbreaking novel about old injuries, new beginnings, and the lengths to which we’ll go to find, escape, and reinvent ourselves.

“Charming, propulsive, and emotionally gripping.” —People “[A] riveting novel of madcap adventure.” —The&nbsp;New&nbsp;Yorker A rollicking debut&nbsp;novel about a&nbsp;cautious daughter and her eccentric, estranged mother venturing west in search of buried treasure—and a way back to each other—before they run out of patience, money, and options After being fired for taking an uncharacteristic risk at her commodities trading job, Bea Macon sublets her New York apartment and books a one-way ticket to stay with her mother, Christy, a free spirit who has been living in Salt Lake City on Bea's dime.&nbsp; Usually the responsible one, Bea isn't about to admit exactly why she's suddenly decided to visit, but she isn’t the only one keeping secrets: Christy has a man. She has a map. She has&nbsp;.&nbsp;.&nbsp;. a username on a forum devoted to unearthing $1 million in buried treasure that an antiquities dealer claims to have hidden somewhere in the western U.S.? Bea is convinced this is just another one of her mother’s wild larks, an elaborate way to refuse, as she has for Bea’s entire life, to finally grow up. But Christy believes she’s onto something—and she’s arranged a rendezvous in a rural town called Mercy with the guy she’s been obsessively trading theories with online to prove it.&nbsp;Out in the desert that one woman believes to be a promised land, the other a wasteland, they find themselves barreling toward a more high-stakes, transformative escapade than either of them could have imagined. Populated with unforgettable characters and set against one of the world’s most oddly enrapturing landscapes, Scavengers is a&nbsp;funny and heartbreaking novel about old injuries, new beginnings, and the lengths to which we’ll go to find, escape, and reinvent ourselves.

A Novel

Scavengers

The Famous Series

First Ferris Foster's dog got famous, and then his school did! He's ready for normal life again, that is until his new foster brother Arthur arrives:<ol><li>The boys couldn't be more different: Arthur is OBSESSED with space, whereas Ferris has more down-to-earth hobbies, like rating crisps out of 10.</li><li>Arthur's going to spend half-term at camp, giving Ferris the time (and space) to draw the best cartoon ever and win a grand cash prize that could change everything.</li><li>On top of all that, Ferris and his mums are preparing for a nerve-wracking interview which will decide if they'll finally become his foster-sister Keely's forever family.</li></ol> But when the Fosters drop Arthur off at Camp Space-Tacular, he has a SUPERNOVA of a meltdown and doesn't want Ferris to leave! Can Ferris help Arthur, draw his competition-winning comic, and convince Keely's social worker he's the perfect big brother, or are his plans just too astronomical?!

The Day My Brother Got Famous

Zwanzig Jahre lang war Jan Korte Teil des Berliner Politikbetriebs. Heute fährt er frühmorgens hinaus auf den See, leert Reusen und flickt Netze. In Der springende Fisch erzählt er, wie Macht, Öffentlichkeit und der Zwang zur Sichtbarkeit den Charakter verändern und wie er selbst dabei krank wurde. Was in der Politik zählt - Tempo, Einfluss, Aufmerksamkeit -, verliert am See jede Bedeutung. Und auch mit der Stille kehrt das Leben zurück. Aus der persönlichen Bilanz wird eine politische Frage: Warum verliert die parlamentarische Demokratie für immer mehr Menschen ihre Strahlkraft und was muss sich ändern, damit wir wieder eine gemeinsame Zukunft sehen?

Zwanzig Jahre lang war Jan Korte Teil des Berliner Politikbetriebs. Heute fährt er frühmorgens hinaus auf den See, leert Reusen und flickt Netze. In Der springende Fisch erzählt er, wie Macht, Öffentlichkeit und der Zwang zur Sichtbarkeit den Charakter verändern und wie er selbst dabei krank wurde. Was in der Politik zählt – Tempo, Einfluss, Aufmerksamkeit –, verliert am See jede Bedeutung. Und auch mit der Stille kehrt das Leben zurück. Aus der persönlichen Bilanz wird eine politische Frage: Warum verliert die parlamentarische Demokratie für immer mehr Menschen ihre Strahlkraft und was muss sich ändern, damit wir wieder eine gemeinsame Zukunft sehen?

Wie ich mich in der Politik verlor und auf einem See den Horizont wiederfand

Der springende Fisch

Eight stories. Eight writing activities. One author: YOU! This bright and quirky book shows you how to plan a story, add twists and turns, a moral message and funny, intriguing characters. You'll also learn about toilet humour, how to record observations, change the normal rules of nature in a story... and write a follow-up! Flip open your notepad. Sharpen your pencils. Those silly stories won't write themselves!

Eight Zany Tales to Inspire Your Creativity!

SILLY STORIES – And How to Write Them!

An inspiring, candid memoir of leadership in times of adversity—by the former CEO of Disney and #1 New York Times bestselling author of The Ride of a Lifetime Robert Iger was less than a year into his retirement when he got an urgent phone call from the chair of the Disney board: Would he be willing to return to his job as CEO? Finances were shaky, leadership was flagging, morale was dangerously low, and the brand was tarnished. They needed him back. It wasn’t going to be easy this time around. The entertainment industry was facing existential threats: movie theaters had suffered in the pandemic, traditional TV was fading, and audiences were moving, at alarming speed, toward streaming platforms and short-form content. It was harder to deliver profit, let alone growth. Legacy media everywhere was being split up, getting swallowed by other companies, or simply running itself into the ground. When Iger agreed to return, he did so with one goal in mind: to put the failed succession behind him and put Disney back on firm footing. To survive, the company—and Iger himself—would have to become more resilient, innovative, and, above all, creative. Iger would also have to learn to be a new kind of leader, and he would be challenged in ways he never imagined. How do you lead through periods of adversity? How do you regain the trust of employees, customers, and shareholders? Iger would have to develop a new playbook, for a new era, and he would make his share of mistakes along the way. One Last Time is the story of the sometimes bumpy, never boring journey to reconnect a great company to its core values, while building a new, lasting foundation in a highly disruptive and rapidly changing world.

An inspiring, candid memoir of leadership in times of adversity—by the former CEO of Disney and #1 New York Times bestselling author of The Ride of a Lifetime Robert Iger was less than a year into his retirement when he got an urgent phone call from the chair of the Disney board: Would he be willing to return to his job as CEO? Finances were shaky, leadership was flagging, morale was dangerously low, and the brand was tarnished. They needed him back. It wasn’t going to be easy this time around. The entertainment industry was facing existential threats: movie theaters had suffered in the pandemic, traditional TV was fading, and audiences were moving, at alarming speed, toward streaming platforms and short-form content. It was harder to deliver profit, let alone growth. Legacy media everywhere was being split up, getting swallowed by other companies, or simply running itself into the ground. When Iger agreed to return, he did so with one goal in mind: to put the failed succession behind him and put Disney back on firm footing. To survive, the company—and Iger himself—would have to become more resilient, innovative, and, above all, creative. Iger would also have to learn to be a new kind of leader, and he would be challenged in ways he never imagined. How do you lead through periods of adversity? How do you regain the trust of employees, customers, and shareholders? Iger would have to develop a new playbook, for a new era, and he would make his share of mistakes along the way. One Last Time is the story of the sometimes bumpy, never boring journey to reconnect a great company to its core values, while building a new, lasting foundation in a highly disruptive and rapidly changing world.

Managing Crisis and Building Resilience at Disney

One Last Time

Award-winning actor, comedian, musician, and artist Kate Micucci teams up with #1 New York Times bestselling author and illustrator Mo Willems as part of the Theodor Seuss Geisel Award–winning early reader series Elephant &amp; Piggie Like Reading! When Monster meets Puppet, they decide to put on a show. Puppet knows what Monster should do! Monster should tell a joke! Monster should dance! Monster should sing! But the more Monster does, the more Puppet wants MORE. What should Monster do whenThe Monster&nbsp;and Puppet Show!&nbsp;is not fun any ... MORE!?! Kate Micucci’s vibrant pop art and humorous storytelling cleverly explore themes of friendship, peer pressure, boundaries, and self-preservation. This funny beginning reader, for kids ages 4 to 8, supports early reading skill-building and is an ideal read-aloud book.

The Monster and Puppet Show!-Elephant & Piggie Like Reading!

A whimsical queer romance about two mismatched roommates whose fragile—and definitely not romantic at all—balance is upended by an impending family wedding and an otherworldly danger in the nearby enchanted wood. There are at least 100 things wrong with Meredith Schwarzwelder. In fact, keeping track of these things is the only way David Carew has managed to remain living with him for as long as he has. Meredith is an irredeemable eccentric who flirts with everyone in his path (#3 on the list), cries at anything (#35), makes the worst coffee in the world (#70), and talks to mice, or imagines he does (#50). It’s bad enough living with such a person on the edge of the Midnight Wood, but when magic starts to seep from the wood and a dark being emerges with a sinister plan involving Meredith, David decides that it’s time to leave the cottage, and his roommate, behind. Then Meredith’s brother gets engaged to the daughter of David’s boss, and David sees an opportunity: If he can insert himself into the festivities, maybe he can advance his career and get himself out of a personal rut. With wedding bells sounding and the dangers of the Midnight Wood encroaching, David realizes there’s much more hiding beneath the surface of his roommate’s seemingly carefree charm, and that perhaps his own exasperation carries more fondness than he’d like to admit. Cozy, sharp, steamy, and poignant, Into the Midnight Wood is a contemporary queer fairy tale about the masks we wear, the stories we tell, and the powerful need for true, honest connection to heal old wounds and new.

Into the Midnight Wood

Der Schmetterling Hopi Hope, das Maskottchen des Kinder- und Jugendhospizes Regenbogenland, wacht eines Morgens an einem besonderen Ort auf. Hier ist alles anders. 
Mit Hilfe eines Fuchses entdeckt Hopi die Magie des Regenbogenlands.

Tamara Robles und Dennis Bügüs haben diese Geschichte für das Kinder- und Jugendhospiz Regenbogenland in Düsseldorf geschrieben und illustriert.

Die Provision der beiden aus den Verkäufen geht zu 100 % an das Regenbogenland.

Ein neuer Tag

Maisy's House and Garden

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