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Young Francis: Magic in Merlin's Realm

Magic in Merlin's Realm

A History of Occult Politics in Britain

Heidegger's Metaphysics explores how Heidegger continued the project of Being and Time, developing a new kind of metaphysics through a critique of Kantian transcendental philosophy. Drawing on Heidegger's published work, lecture courses, drafts, and correspondence from the late 1920s, it reconstructs the philosophical justification for this project, its implications for Heidegger's phenomenology of time, and his understanding of philosophical concept formation. Daly proposes that Heidegger's project neither failed nor remained indebted to a Kantian transcendental framework, and challenges the widespread interpretation of Heidegger as a critic of metaphysics. This work examines a wide range of themes that have been largely neglected in discussions of Heidegger's work, including a phenomenology of the mythical world (in dialogue with Ernst Cassirer's work), the origin of religious concepts, the development of a temporality of thrownness, and Heidegger's critique of Kantian transcendentalism. It finishes by challenging the separation of Heidegger's philosophy from his politics and asks what we can retrieve from his project today.

The Overturning of 'Being and Time'

Heidegger's Metaphysics

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

SUNY series in Religious Studies

Music, Mysticism, and the Enchantment of Modern America

Counterpoints of Ecstasy

Mass-Observation Critical

1930s to the Present

The Historical Contexts and Contemporary Uses of Mass Observation

A haunting tale of ancient evil and long-buried secrets in an isolated Irish community from the author of hit horror novel The Watchers.

Magic in Merlin's Realm

Bibliografische Angaben

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