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The Human Cost of Our Digital World

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Routledge Studies in Environmental Communication and Media

Environmental Communication and the Media provides readers with a framework for understanding the process of creating and interpreting media messages about environmental topics. The book includes both practical and theoretical information about persuasion, diffusion, audience analysis and adaptation, intercultural and international communication, and media effects.

Environmental Communication and the Media provides readers with a framework for understanding the process of creating and interpreting media messages about environmental topics. The book includes both practical and theoretical information about persuasion, diffusion, audience analysis and adaptation, intercultural and international communication, and media effects.

Environmental Communication and the Media

Fault Lines

In this fully updated second edition of their masterful history, leading historians and best-selling authors Kevin M. Kruse and Julian E. Zelizer uncover the origins of our current moment, answering the question: When-and how-did America become so polarized? It all starts in 1974 with the Watergate crisis, the OPEC oil embargo, desegregation, busing riots in Boston, and the wind-down of the Vietnam War. What follows is the story of our own lifetimes. It's the story of ever-widening historical fault lines over economic inequality, race, gender, and sex norms firing up a polarized political landscape. It is also the story of the profound transformations of the media and our political system fueling the fire. The new edition includes a brand-new chapter, "American Carnage," on the Trump administration; a new epilogue on the Biden administration and the 2024 general election; and significant updates throughout.

A History of the United States Since 1974

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

A Creative Guidebook

Documentary Photography

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Participation programs have certainly been introduced to a number of museums and as this book will show, some have been tremendously successful. Yet, for the most part, participation has been limited and the bulk of engagement has tended to be around new forms of publication from within rather than discussions with diverse audiences. Based on research conducted with international museums over the past 6 years, this book explores three key areas: engagement, participation, and co-creation as the keystones for understanding the value of the "social" museum. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. This book develops models for new partnerships, based on critical analysis of both the impact of social media and evaluations of some of the most successful examples in the sector to date. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

SUNY series, Horizons of Cinema

"Situates the remake as one of the primary responses to Bollywood's globalization and corporatization"--

Nation, Gender, and Genre in Bollywood Remakes of Hollywood Cinema

Déjà-Viewed

Regina Lawrence¿s new text argues that many films explicitly or implicitly portray aspects of power¿the central concept in the study of politics¿in patterned, predictable, and often problematic ways. By introducing a multi-faceted framework for thinking about the political nature of films, Lawrence explores three ways film can be studied by political scientists and scholars of political communication: the power of film to portray political reality, how films allocate resources, and the nature of film¿s portrayals of power.

Portraying Power follows the recent trend toward using popular culture and entertainment as a vehicle for explaining politics by pushing the line of inquiry into the study of film, the form of entertainment least explored by scholars of political communication. Film studies rooted in film theory and critical cultural approaches have a long and venerable history, but political science has thus far contributed very little to nor drawn much upon it. Regina Lawrence’s new text argues that many films explicitly or implicitly portray aspects of power—the central concept in the study of politics—in patterned, predictable, and often problematic ways. By introducing a multi-faceted framework for thinking about the political nature of films, Lawrence explores three ways film can be studied by political scientists and scholars of political communication: the power of film to portray political reality, how films allocate resources, and the nature of film’s portrayals of power. Covering a typology of film in terms of general form—from documentaries to "based on a true story" narratives to the purely fictional—and their political content—from explicit to implicit—Lawrence analyzes a broad array of films. This will be the only text on the market written by an expert on political communication that truly synthesizes the scholarly insights of political science, communication studies, and film studies. A companion website will includes basic background on film theory and technique, links to film clips and interviews with filmmakers, and other support materials for the text.

Film and Politics in the New Media Age

Portraying Power

How the Internet Hijacked Our Health

Bad Influence

Monteverdi and His Constellation

Key Ideas in Criminology

This agenda-setting book argues that Trial by Media is redefining the meaning and nature of justice in a multi-media world. Through a multi-disciplinary analysis of the anatomy, production, consumption, impact, and normative and legal boundaries of this new form of media justice, Trial by Media develops an original framework for examining the moral politics of crime, control and criminal justice in the post-trust society.

Trial by Media is a form of interactive, mediatised justice in which individuals and institutions are accused, tried, judged and sentenced in the ‘court of public opinion’. This agenda-setting book argues that Trial by Media is redefining the meaning and nature of justice in a multi-media world. First, the authors map the neoliberal transformations and cultural dynamics that have given rise to this new form of media justice. Then, systematically analysing the anatomy, production, consumption, impact, and normative and legal boundaries of trial by media, they examine the proliferation of high-profile celebrity trials, press campaigns in the name of crime victims, the exposure of transgression, scandal and cover-up by powerful individuals and institutions, and the growing influence of media justice on criminal justice policy and practice. Drawing from a diversity of multi-disciplinary resources, Trial by Media looks beyond mainstream understandings of crime and media to develop an original framework for examining the moral politics of crime, control and criminal justice in the post-trust society.

Trial by Media

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