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Live At Rockpalast (Berlin 1996)

Nach 9 Jahren ist er wieder zurück! Der Graf und Unheilig kündigten 2025 ihre Rückkehr an und feiern diese im Zuge des 15. Jubiläums ihres erfolgreichsten Studioalbum 'Grosse Freiheit', ihrem neuen Studioalbum 'Liebe Glaube Monster', sowie der kürzlich gestarteten 'Er ist wieder zurück' Tour! Die Comeback-Konzerte 2025/2026 bilden dabei eine emotionale Brücke zwischen der Vergangenheit und der Gegenwart - eine Reise in die 'guten alten Zeiten', bei welcher Fans die Chance erhalten, die Lieder ihrer Herzen noch einmal live mitzuerleben. Diese Reise inkludiert prägende Phasen der Bandgeschichte - vom kommerziellen Durchbruch mit 'Grosse Freiheit' (2010) über 'Lichter der Stadt', ein Album, das es, im Gegensatz zu seinem Vorgänger, nur knapp nicht auf den 1. Platz der Jahres-Album-Charts schaffte, bis zum achten Studioalbum 'Gipfelstürmer' (2014), mit welchem Der Graf seinen Abschied erstmalig ankündigte und emotional verarbeitete. Wir freuen uns, dass im Zuge des Combacks 'Lichter der Stadt' und 'Gipfelstürmer' auf 2CD DeluxeVarianten auf den deutschen Musikmarkt zurückkehren werden

Gipfelstürmer (Deluxe Edition)

Faust

BOWIE IS STILL OUT THERE... Following open heart surgery, poet and writer Peter Carpenter was given one instruction - 'Walk, if you want to stay on this planet'. And so when his hero and inspiration David Bowie died in 2016, he knew what he had to do. The man who was to so many a companion and guide had left no shrine, no focal point of understanding. To reconnect with Bowie, he would take a walk into the past, to the streets, towns and places where David Jones became something more. Walking to recover, to stay alive, Peter realised he was also recovering his lost hero. Leaving behind Heddon Street and Brixton, well-known Bowie shrines, he moved out through South London edgelands and suburbia to remoter Bowie haunts: Croydon, Aylesbury, Pett Level, Southend-on-Sea. Finding the windows Bowie had stared out from in Clareville Grove; the streets in Beckenham where he'd scurried by. He sifted through debris on a patch of waste ground in Tunbridge Wells where Bowie's parents first met. He turned the handle and entered Shirley Parish Hall to find the same stage where a young Davy Jones and the Kon-Rads set up to play back in 1962; and travelled to Berlin, to emerge from the S-Bahn to gape at the ruined portico of the Anhalter Bahnhof and asked 'What is this?' In Bowieland, Carpenter's peripatetic trampings seem to echo Bowie's own wandering creative spirit, the walks often uncovering hidden layers, and making fresh connections to key Bowie stories, uncovering and influences conscious and subconscious. Through walking, an understanding is reached of where Bowie sits in the culture, his place among the poets, painters, artists and musicians who came before him, who inhabited the same spaces and in doing so passed on their wisdom to Bowie. Through Carpenter's travels these suburban lands became a new, very real place, that anyone can visit if they take the time... Welcome to 'Bowieland'

'Fabulous... What a ghost story! A ripping read.' IAIN SINCLAIR, author of London Orbital 'Vividly celebrates Bowie as not just a chameleonic visionary, but a nomadic one, a creature informed by place and circumstance" STUART MACONIE BOWIE IS STILL OUT THERE... Following open heart surgery, poet and writer Peter Carpenter was given one instruction - 'Walk, if you want to stay on this planet'. And so when his hero and inspiration David Bowie died in 2016, he knew what he had to do. The man who was to so many a companion and guide had left no shrine, no focal point of understanding. To reconnect with Bowie, he would take a walk into the past, to the streets, towns and places where David Jones became something more. Walking to recover, to stay alive, Peter realised he was also recovering his lost hero. Leaving behind Heddon Street and Brixton, well-known Bowie shrines, he moved out through South London edgelands and suburbia to remoter Bowie haunts: Croydon, Aylesbury, Pett Level, Southend-on-Sea. Finding the windows Bowie had stared out from in Clareville Grove; the streets in Beckenham where he'd scurried by. He sifted through debris on a patch of waste ground in Tunbridge Wells where Bowie's parents first met. He turned the handle and entered Shirley Parish Hall to find the same stage where a young Davy Jones and the Kon-Rads set up to play back in 1962; and travelled to Berlin, to emerge from the S-Bahn to gape at the ruined portico of the Anhalter Bahnhof and asked 'What is this?' In Bowieland, Carpenter's peripatetic trampings seem to echo Bowie's own wandering creative spirit, the walks often uncovering hidden layers, and making fresh connections to key Bowie stories, revealing influences conscious and subconscious. Through walking, an understanding is reached of where Bowie sits in the culture, his place among the poets, painters, artists and musicians who came before him, who inhabited the same spaces and in doing so passed on their wisdom to Bowie. Through Carpenter's travels these suburban lands became a new, very real place, that anyone can visit if they take the time... Welcome to 'Bowieland'

Walking In The Footsteps Of David

BOWIELAND

Changes

Krautrock Discovery - A Journey from Jazz to Prog

33 1/3

John Cale's enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In this vivid, wide-ranging book, Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.

John Cale’s enigmatic masterpiece, Paris 1919, appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn’t do that without scaring up others. Paris 1919 was the result.
 
 In this vivid, wide-ranging book, Mark Doyle hunts down the ghosts haunting Cale’s most enduring solo album. There are the ghosts of New York – of the Velvets, Nico, and Warhol – that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale’s life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved.

John Cale's Paris 1919

Nach fast zehn Jahren Pause feierte der Graf 2025 eines der emotionalsten Comebacks des Jahres. Das neue UNHEILIG-Album LIEBE GLAUBE MONSTER stieg direkt auf Platz 1 der Offiziellen Deutschen Albumcharts ein und wurde bereits vier Monate nach Veröffentlichung mit Gold ausgezeichnet. Mit der LIEBE GLAUBE MONSTER WINTER EDITION bedankt sich der Graf für dieses außergewöhnliche Jahr. Die erweiterte Ausgabe enthält sechs brandneue UNHEILIG-Songs, darunter die Single Meilenweit, sowie die Songs, die der Graf bei Sing meinen Song - Das Tauschkonzert interpretierte. Mit dem Schneemannslied ist zudem ein winterlicher Song über Geborgenheit, Wärme und das Nachhausekommen enthalten.

Liebe Glaube Monster - Winter Edition

Nicht zynisch werden?! (Reissue)

Falco 3 (Deluxe Version)

Cunegonde

The legendary artist and musician as seen through the most comprehensive collection of his drawings ever published. A significant figure in outsider, lo-fi, and alternative scenes, Daniel Johnston inspired musicians and listeners for decades. From his origins in the Austin scene in the mid-1980s, where he performed at local venues while working at McDonald’s, to his appearance on MTV and championing by Kurt Cobain, to eventual world fame, Johnston’s singular compositions and raw lyrics earned him lifelong fans. Predating his interest in music and continuing alongside it, art was Johnston’s longest-running passion. This publication presents drawings spanning four decades of Johnston’s production, including many rare and previously unseen pieces. The artist’s brightly colored illustrations, incorporating figures from pop culture, devils, and heroes, blended with his own original characters, range from his iconic “Jeremiah the Innocent Frog” to surrealist landscapes. With the support of Johnston’s family and estate, the first comprehensive project since his passing includes remembrances from his brother, musicians, and artists, and benefits the Hi, How Are You Project.

The legendary artist and musician as seen through the most comprehensive collection of his drawings ever published.

Daniel Johnston

Lichter der Stadt (Winter Edition)

Live At Rockpalast (Berlin 1996)

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