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L'innovationologie en action. Transformer les systemes, les savoirs et les societes

Chartwell Deluxe Spredges Editions

Step into a world of beautiful botanicals and enchanting florals with this lushly designed coloring book featuring sprayed edges and a foil-detailed cover. Frolic through fields of eye-catching flower petals and delight in luscious plant gardens with the Botanical Blooms Coloring Book. Featuring over 150 designs to choose from, enjoy a relaxing moment and express your creativity as you color the gorgeous floral and botanical images inside.&nbsp; This luxe designer coloring book includes: <ul><li>More than 150 flower and plant designs</li><li>Back-of-the-page meditative patterns to color</li><li>A beautifully illustrated full-color introduction</li><li>A gorgeous cover with foil, embossing, rounded corners, and sprayed edges for a continuous design on the front, edges, and back, making this a book you’ll want to take with you—or gift to others</li></ul> This lovely collectible coloring book will not only bring hours of entertainment but will also make a stunning addition to your home library. Other Chartwell Deluxe Spredges Editions include:Butterflies, Bees &amp; Dragonflies Coloring Book, Calm and Serene Coloring Book,&nbsp;Christmas Magic Coloring Book,&nbsp;Dark Delights and Demons Coloring Book, and Wildflowers in Bloom Coloring Book.

Over 150 Pages of Enchanting Florals to Color

Botanical Blooms Coloring Book

A riotous and raunchy novel about a woman whose search for Romy Haag, one of David Bowie's former lovers, is sidelined when she falls into a deep obsession with a musician, who is often compared to Bowie,&nbsp;in pursuit of stardom “Lean Cat, Savage Cat is the book that’s been missing from my reading habits: classically glamourous, timelessly seductive. Lauren J. Joseph is a wit and an assassin from one sentence to the next” —Torrey Peters, author of Detransition, Baby Alone at a party, sipping her celery sour, Charli knows she’s in a rut. Kicking around with the rest of London’s bohemian dropouts, she has no idea what to do with her arts degree and her research project on Romy Haag—the transsexual disco singer and long-time lover of David Bowie—has all but stalled out. But her life takes a turn when she bumps into the mysterious Alexander Geist. Androgynously, glamorously handsome, he feels something like a soul mate, another love once lost and now found. Naturally, when he leaves for Berlin, Charli follows. There, at the center of the city’s febrile party scene, Charli and Alexander embark on their great project: turn Alexander into the greatest pop star since David Bowie. But Alexander is elusive, mercurial; Charli is in over her head before she realizes just how self-destructive her life has become under his spell. Lean Cat, Savage Cat is Isherwood one-hundred years on, it's Nancy Mitford in the dark room, Bret Easton-Ellis amongst a raft of European low-lives scrabbling for success. It is the story of setting out in search of one thing and finding yourself in possession of something quite different, a book about obsession and excess, doppelgängers and disassociation, fame and fandom, the tyrannical return of unprocessed grief, and the terrible things we do to feel loved.

A Novel

Lean Cat, Savage Cat

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • FINALIST FOR THE EDMUND WHITE AWARD FOR DEBUT FICTION AND THE VERMONT BOOK AWARD • LONGLISTED FOR THE DUBLIN LITERARY AWARD AND THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

“An exhilarating debut novel” (R.O. Kwon, The New York Times Book Review) about the daughter of Afghan refugees and her year of self-discovery—a portrait of the artist as a young woman set in a Berlin that can’t escape its history A girl can get in almost anywhere, even if she can’t get out. SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • A BEST BOOKS OF THE YEAR: Time, Elle, Electric Lit, The Skinny “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic, full of style and soul.”—Raven Leilani “Aber writes with . . . masterful precision.”—Leila Lalami, The Atlantic "Once in a blue moon a debut novel comes along, announcing a voice quite unlike any other, with a layered story and sentences that crackle and pop, begging to be read aloud. Aria Aber’s splendid Good Girl introduces just such a voice . . . Aber, an award-winning poet, strikes gold here, much like Kaveh Akbar did in last year’s acclaimed Martyr!"—Los Angeles Times In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

Good Girl

Find David Lynch and more in eight of his iconic movie and TV worlds. &gt; On each page, David Lynch hides amongst the characters that inhabit his dream-like cinematic worlds, ready for the eagle-eyed reader to spy him among the crowds. These huge illustrations capture eerie external (and internal) landscapes of Twin Peaks, the decaying suburbia of Blue Velvet, the neo-noir anxiety of Mulholland Drive, and more! This book is bursting with super-super-fan references, and the ultimate gift for any David Lynch fan.

A search and find adventure through the surreal worlds of David Lynch

Where's David Lynch?

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

Star Wars and Fifty Years of Hollywood Mythmaking

Rebels and Empires

The stunning new companion to the bestselling and million-copy-selling Powerless series!Experience the epic and sizzling fantasy romance series like never before in The Official Powerless Colouring Book. With forty-six stunningly beautiful original black and white colouring pages, accompanied by your favourite quotes from the novel, you can relive the twists and turns of Pae, Kai and Kitt's tale, and bring them to life with your own colour!From sticky buns on Loot to epic battles in the bowl, prepare for an immersive journey into Powerless.Whether you're looking to unwind with a relaxing activity or want to re-create the drama of Powerless, this colouring book is a must-have for any Lauren Roberts fan.Follow Lauren Roberts on TikTok and Instagram @LaurenRobertsLibrary*Powerless was UK YA number 1 on TCM w/e 1st June 2024Praise for the Powerless series:&nbsp; 'Nothing short of epic'&nbsp;Rosie Talbot, bestselling author of Sixteen Souls 'A thrilling fantasy with the most delicious slow-burn romance' M.A. Kuzniar, bestselling author of&nbsp;Midnight in Everwood '[A] titillating debut' Publishers Weekly 'A masterpiece'&nbsp;Goodreads Reader Review 'Everyone needs to read it' TikTok Review 'The BEST book I've read'&nbsp;NetGalley Reader Review 'A sizzling slice of fantasy romance'&nbsp;Booksellers Review

The stunning new companion to the bestselling fantasy romance series

The Official Powerless Colouring Book

A young girl clings fiercely to the damaged love of her mother—a taciturn farmworker cast out by her family and scorned by her village—in this devastating and lyrically rendered novel from a French-Italian maverick. Marie lives with her mother, Genie, in a ramshackle house by a willow-lined river in rural France. Every morning, Genie walks to the neighboring farms to do what work there is to be done. When farmers and villagers greet her, she says nothing, and keeps walking. Once, she was a lighthearted girl from the best family in the valley; now they all call her “Crazy Genie.” While her mother works, Marie waits, yearning for her mother to notice her, longing for the moment when they will be back in their lonely house by the river. Told in Marie’s ingenuous, straightforward voice, Crazy Genie is the second novel by Inès Cagnati, who grew up in poverty in rural France in the 1940s, the child of Italian immigrant agricultural workers. Rich in observation and detail, and devastating in its portrayal of a child’s unconditional love and of society’s callous prejudices, Crazy Genie, together with her first novel, Free Day, confirms Cagnati's astonishing power as a writer.

A young girl clings fiercely to the damaged love of her mother—a taciturn farmworker cast out by her family and scorned by her village after giving birth out of wedlock—in this devastating and lyrically rendered novel from a French-Italian maverick. Marie lives with her mother, Genie, in a ramshackle house by a willow-lined river in rural France. Every morning, Genie walks to the neighboring farms to do what work there is to be done. When farmers and villagers greet her, she says nothing, and keeps walking. Once, she was a lighthearted girl from the best family in the valley; now they all call her “Crazy Genie.” While her mother works, Marie waits, yearning for her mother to notice her, longing for the moment when they will be back in their lonely house by the river. Told in Marie’s ingenuous, straightforward voice, Crazy Genie is the second novel by Inès Cagnati, who grew up in poverty in rural France in the 1940s, the child of Italian immigrant agricultural workers. Rich in observation and detail, and devastating in its portrayal of a child’s unconditional love and of society’s callous prejudices, Crazy Genie, together with her first novel, Free Day, confirms Cagnati's astonishing power as a writer.

Crazy Genie

A paradigm-shifting textbook that teaches graduate students in economics how to use economic models to interpret data. Offering a new pedagogical paradigm, this textbook delivers a ready-made economics course covering the general concepts that unify different approaches to bringing economic models to data. Jesse Shapiro presents core ideas in quantitative economics as an abstract, cohesive whole and introduces canonical models that can be used across a wide range of applications. This course-in-a-book exposes students to stylized applications of these models that illuminate their foundations as well as recent research articles demonstrating the models’ broad applicability. <ul><li>Provides a coherent, generalized approach to making model-based inferences in empirical economics</li><li>Introduces central concepts and canonical models in quantitative economics</li><li>Features applications of modern research topics</li><li>Suits self-paced learning and classroom use alike</li></ul>

A paradigm-shifting textbook that teaches graduate students in economics how to use economic models to interpret data. Offering a new pedagogical paradigm, this textbook delivers a ready-made economics course covering the general concepts that unify different approaches to bringing economic models to data. Jesse Shapiro presents core ideas in quantitative economics as an abstract, cohesive whole and introduces canonical models that can be used across a wide range of applications. This course-in-a-book exposes students to stylized applications of these models that illuminate their foundations as well as recent research articles demonstrating the models’ broad applicability. <ul><li>Provides a coherent, generalized approach to making model-based inferences in empirical economics</li><li>Introduces central concepts and canonical models in quantitative economics</li><li>Features applications of modern research topics</li><li>Suits self-paced learning and classroom use alike</li></ul>

Introduction to Quantitative Economics

A stylish, seductive new novel from Rebecca Sarah Ley, winner of a Betty Trask Prize and the Guardian's Not the Booker Prize'A stylish and gripping take on the campus novel - witty, incredibly sharp, and compulsively readable' Sophie Mackintosh, author of The Water Cure'I loved it: a bleakly funny, off-kilter examination of the dynamics of power and attraction. I raced through it' Rebecca Wait, author of I'm Sorry You Feel That WaySofie Muller can make you into a better writer.That's why Alice and Walt are desperate to be in her creative writing class. She can spot talent and apply pressure, hone you - if you're good enough, if you want it enough - into something more elegant, original, daring.Alice wants it. She wants Sofie's hand guiding hers to greatness, then the book deal, then the prizes and the plaudits.Still, there is gossip. Sofie will kill your darlings. Sofie will drive you too hard. Sofie's boundary-pushing is not just professional, it is personal. By the time Alice realises the rumours may be true, is it too late to wriggle free? And if not, is it worth it to get what she always dreamed of?BAD FICTION is a timely, brilliant novel about fame and mentorship, betrayal and submission, from one of Britain's brightest young writers.

Bad Fiction

A bold and brilliant new collection of essays by one of our most important writers of life in America today This new collection gathers together for the first time sixteen essays by one of our most revered chroniclers of life in America, a landmark commentary on family, faith, community, and the threats of modernization. Ranging from the devastating effects of war on children to the endless problems of industrialism and the ubiquitous need for connection and community, Dispatches From Rural America captures a country isolated from its land and beginnings, too focused on mass production and output, and perilously estranged from the spiritual centers that make up the foundation of our lives.&nbsp; On the cusp of the fiftieth anniversary of Berry’s seminal book The Unsettling of America, Dispatches From Rural America is urgent and vital reading in this time of political chaos from one of our most important writers.

A bold and brilliant new collection of essays by one of our most important writers of life in America today This new collection gathers together for the first time sixteen essays by one of our most revered chroniclers of life in America, a landmark commentary on family, faith, community, and the threats of modernization. Ranging from the devastating effects of war on children to the endless problems of industrialism and the ubiquitous need for connection and community, Dispatches From Rural America captures a country isolated from its land and beginnings, too focused on mass production and output, and perilously estranged from the spiritual centers that make up the foundation of our lives.&nbsp; On the cusp of the fiftieth anniversary of Berry’s seminal book The Unsettling of America, Dispatches From Rural America is urgent and vital reading in this time of political chaos from one of our most important writers.

Sixteen Essays

Dispatches from Rural America

In this poignant, magical tale by the acclaimed author of Eventown, two girls find themselves dropped into each other’s world—and must face down dragons they’ve only imagined. Auden “Denny” Greene is happiest with her friend Runa, creating stories set in their imaginary land of Sorrowfeld, where princesses rule and cursed dragons are a constant danger. But now that they are turning twelve, Runa seems ready to give up on the magic of Sorrowfeld just when Denny needs it the most…Princess Auden is the last remaining princess of Sorrowfeld—and on her twelfth birthday, she will be expected to vanquish the dragons that took her family. Only, when a swarm attacks her birthday celebration, all she can do is run…But suddenly. Auden is in Denny’s world. And Denny is in Auden’s.The two Audens have switched places. No one but them has any idea. And now, each girl must come into her own power in order to fight the other’s dragons.&nbsp;The magical beasts of Impossible Creatures meet the body-swap of Freaky Friday, set in a world as fantastical as Wicked’s Oz!&nbsp;

The Ordinary and Extraordinary Auden Greene

L'innovationologie en action. Transformer les systemes, les savoirs et les societes

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