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Pitshou Moleka

L'innovationologie en action. Transformer les systemes, les savoirs et les societes

A searing personal account of the so-called troubled teen industry, this graphic memoir exposes and humanizes the harrowing experience of so many young people in behavioral correction facilities. When she was just thirteen years old, Sofia was taken—by two people she had never seen before—to a “therapeutic wilderness program” three states away. Her own mother, terrified that Sofia was spiraling out of control, had enrolled her in an institution for “troubled teens.” But instead of finding healing, Sofia found herself trapped. Trapped inside an unregulated industry that used promises of intervention and reform to prey upon panicking parents and kids with court orders. Over the next two years, Sofia would cycle through four different residential programs. In these places, school hours were a privilege, not a right. Contact with the outside world, including her mother, was strictly monitored. Teenage inmates were encouraged to call one another out. Still a child—ripped from her home, stripped of basic freedoms, and severed from her family and friends—Sofia struggled to understand who she really was beneath the crushing weight of the label BAD KID. &nbsp; A darkly funny and intimate coming-of-age tale, this graphic memoir exposes the harrowing realities of adolescence in and out of the "troubled teen" industry of the early 2000s. And in doing so, Bad Kid explores the lasting impact of the labels we’re given—and how making art can help transmute them.

My Life as a "Troubled Teen"

Bad Kid (a Graphic Memoir)

Shortlisted for the James Tait Black Prize 2026 A Finalist in the Nota Bene Prize 2026'Casually magisterial' Guardian'Endlessly intriguing' Observer'A marvel of a novel' Ali Smith'Jane Eyre by way of Patricia Highsmith' BBC Radio 4'Puts Stevens in the class of Sarah Waters' Financial Times 'There was a painting my family set on fire. It burned to ashes, and then it came back.'Oxfordshire, 1899. Grace Inderwick grows up on the peripheries of a once-great household, an unwanted guest in her uncle's home. She has unusual skills and unusual predilections: for painting, though faces elude her; for lurking in the shadows; for other girls. &nbsp; Then a letter arrives, postmarked Saint Helena. After years missing at sea, Grace's cousin Charles is ready to come home. When Charles returns, unrecognisable and uncanny, a rift emerges between those who claim he is an imposter and Grace's aunt, who insists he is her son. And Grace, whose intimate knowledge of forgeries is her own closely-guarded secret, must decide who and what to believe in, and what kind of life she wants to live. &nbsp; Deftly-plotted and shimmering with Nell Stevens's distinctive intelligence, style and wit, THE ORIGINAL is a novel about the value of authenticity in art and in love, and what it means to be a true original. 'What a bewitching book this is. A sinuous, thrilling meditation on fakes and forgers, with echoes of Daphne du Maurier and Sarah Waters and an audacity that is totally original to Nell Stevens herself' Olivia Laing, author of THE GARDEN AGAINST TIME 'Deliciously engaging and wildly intelligent. I adored this novel about art, authenticity and desire and am a devoted fan of Nell Stevens' Ay¿egül Savä, author of THE ANTHROPOLOGISTS 'A delightful, playful puzzle of a novel, and a brilliant twist on the nineteenth century orphan-makes-good story. THE ORIGINAL asks whether, sometimes, faking it is the right thing to do' Claire Fuller, author of UNSETTLED GROUND 'A wonderful novel about identity, creativity, money and belonging. It's so witty and propulsive you will forget how brilliantly constructed it is, this tale that brims with the beauty of art, of how to triumph in a difficult world. I absolutely loved it' Jessie Burton, author of THE MINIATURIST

'Puts Stevens in the class of Sarah Waters and even du Maurier herself' Financial Times

The Original

Experience KPop Demon Hunters like never before with this official look behind the scenes, including over 500 pieces of concept art, in-progress stills, and final designs, plus creator commentary.Developed by Nucleus Studios in collaboration with the creatives behind the global phenomenon, The Art of KPop Demon Hunters is the ultimate celebration of the record-breaking, award-winning, demon-smashing film. This authorized backstage tour, penned by veteran author, editor, and production professional Tracey Miller-Zarneke, features a stunningly curated collection of pre-production artwork, in-progress animation frames, and insights from the collaborators who made them: writers, directors, artists, animators, and more!

The Art of KPop Demon Hunters

American painter James Howell found the subject of his art in the color gray. He explored the color's sensual variety diligently over decades. In 2022, the Josef Albers Museum in Bottrop dedicated an exhibition to Howell presenting his work in the context of Albers' paintings. This catalogue documents this remarkable artistic encounter and explores Howell's work in all its conceptual depth, transcending the seemlingly monothematic of the color gray. His paintings are meditations on the relationship between color and light, based on a refinement of painterly means that, despite their extreme reduction, allow for a paradoxical emphasis on expression.
 
 JAMES HOWELL (1935-2014) was an American artist who dedicated over five decades of his life to working with infinite gradations of gray. From 1968, he mainly created abstract paintings and exhibited them regularly on the West Coast of the United States. In 1983, he moved into a studio located on San Juan Island, WA, where he was surrounded by the continiously shifting grays in the sky, water, and light. This environment undoubtedly influenced his artistic production. In 1992, he moved to New York, where his signature style emerged in the 1990s with his 
 Series 10
 . This series explores gradations of gray, his interests in mathematics, physics, and philosophy. The artist's work transcends mere color and speaks to the interconnectedness of all things.

American painter James Howell found the subject of his art in the color gray. He explored the color’s sensual variety diligently over decades. In 2022, the Josef Albers Museum in Bottrop dedicated an exhibition to Howell presenting his work in the context of Albers’ paintings. This catalogue documents this remarkable artistic encounter and explores Howell’s work in all its conceptual depth, transcending the seemlingly monothematic of the color gray. His paintings are meditations on the relationship between color and light, based on a refinement of painterly means that, despite their extreme reduction, allow for a paradoxical emphasis on expression.
 JAMES HOWELL (1935–2014) was an American artist who dedicated over five decades of his life to working with infinite gradations of gray. From 1968, he mainly created abstract paintings and exhibited them regularly on the West Coast of the United States. In 1983, he moved into a studio located on San Juan Island, WA, where he was surrounded by the continiously shifting grays in the sky, water, and light. This environment undoubtedly influenced his artistic production. In 1992, he moved to New York, where his signature style emerged in the 1990s with his 
 Series 10
 . This series explores gradations of gray, his interests in mathematics, physics, and philosophy. The artist’s work transcends mere color and speaks to the interconnectedness of all things.

James Howell: Painting | Malerei

Anne Taintor

Enjoy some sass from Anne Taintor's saucy ladies every month of the year with this wickedly funny wall calendar. &nbsp; Anne Taintor's vintage ladies serve up wicked wit, dark humor, and just the right dose of bad behavior. This hilarious 2027 wall calendar provides irreverent quips for each month of the year. 24-page 12 x 12 inch month-by-month calendar

Anne Taintor 2027 Wall Calendar

'A damned masterpiece' Sunday Times 'An almost dangerously immersive reading experience that will completely take over your life... utterly captivating' Martin MacInnesLondon. 1985. A city rife with possibility and desire. One young man who wants it all.Kristian Hadeland, newly arrived in the city, seethes with ambition and contempt. His family in Norway never understood him; his fellow photography students bore him. But he knows he and his art are destined for more.Then he meets Hans, an eccentric artist. Hans makes the future Kristian yearns for feel tangible. But success comes at a price. And when Kristian does the unthinkable, will he be prepared to pay it?'Addictive and eerie' Guardian'Engrossing, dark and amusing' Rachel Kushner'Mysterious, unsettling, thought provoking, unpredictable and darkly entertaining' Colin Barrett'Dark and precise about the underside of human desire and connection. . . painfully funny' Megan Nolan

The School of Night

Jack Warr

EVERY DETECTIVE MUST CHOOSE A PATH: FOLLOW THE LIGHT OR STEP INTO THE DARK . . . The thrilling final book in the Sunday Times bestselling Detective Jack Warr series. Detective Jack leads Scotland Yard's fledgling art fraud unit, its survival hinging on exposing a suspected forgery - a multimillion-dollar masterpiece. When his informant, gallerist Ester Langton, is brutally murdered, Jack's hunt spirals into obsession. Clues point to Adam Border, a reclusive genius hiding in a decayed Sicilian villa haunted by Mafia ties and violent secrets. As Jack abandons family and duty to pursue him, he's drawn into a world where brilliance and madness collide, masterpieces mask psychosis, and death stalks every shadow. In chasing the truth, Detective Jack Warr must decide which side of the law he's on . . . once and for all. PRAISE FOR LYNDA LA PLANTE: 'The UK's most celebrated female crime author' - DAILY MAIL 'DC Jack Warr is clearly destined for higher things, and I look forward to following his progress' - PETER ROBINSON, bestselling author of the DCI Banks series 'A compelling, clever plot with a brilliant cast of diverse characters. Utterly riveting' - RACHEL ABBOTT 'Lynda La Plante practically invented the thriller' - KARIN SLAUGHTER

The brand-new nail-biting 2026 crime thriller from the multi-million selling author

Sacrifice

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht

Die Washingtoner Prinzipien von 1998, fordern die Signatarstaaten zu "gerechten und fairen Lösungen" im Umgang mit "NS-Raubkunst" auf. Das Vereinigte Königreich setzte diesen Appell im Jahr 2000 mit Einrichtung des "Spoliation Advisory Panel" (SAP) um, das seither einen Streitbeilegungsmechanismus bietet, um auf die Ansprüche Berechtigter zu reagieren. Dieser Band nimmt die 22 Empfehlungen in den Blick, die das Panel bislang ausgesprochen hat. Die Entscheidungen werden vor dem Hintergrund der englischen Rechtstradition und -praxis sowie der historischen Rolle des Vereinigten Königreichs analysiert, systematisiert und einem abstrakten Regelwerk zugeführt. Die so sichtbar gemachte Entscheidungslinie des SAP kann als Diskussions- und Vergleichsgrundlage für die Restitutionspraxen anderer Staaten herangezogen werden.

Die Washingtoner Prinzipien von 1998, fordern die Signatarstaaten zu "gerechten und fairen Lösungen" im Umgang mit "NS-Raubkunst" auf. Das Vereinigte Königreich setzte diesen Appell im Jahr 2000 mit Einrichtung des "Spoliation Advisory Panel" (SAP) um, das seither einen Streitbeilegungsmechanismus bietet, um auf die Ansprüche Berechtigter zu reagieren. Dieser Band nimmt die 22 Empfehlungen in den Blick, die das Panel bislang ausgesprochen hat. Die Entscheidungen werden vor dem Hintergrund der englischen Rechtstradition und -praxis sowie der historischen Rolle des Vereinigten Königreichs analysiert, systematisiert und einem abstrakten Regelwerk zugeführt. Die so sichtbar gemachte Entscheidungslinie des SAP kann als Diskussions- und Vergleichsgrundlage für die Restitutionspraxen anderer Staaten herangezogen werden.

Der Umgang mit „Nazi-looted art“ im Vereinigten Königreich

"Fair and just?"

What does it mean to be governed and what does it mean to resist? Examining how communities form amidst social and political turbulence, this open access book presents four case studies that demonstrate the power of organic social formations over imposed order. Understanding this formation of community in terms of 'ungovernability' and a 'poetics of resistance',Ungovernable Spaces charts a movement from oppression, through transformation, into imagining, and finally emergence. Throughout the book, the authors engage methods of situated practice and related modes of writing and image-making to consider a range of global case studies: the destruction of the Mecca apartment building in Chicago's South Side in 1952, following a decade of resistance from the building's predominantly African American occupants; M.K. Gandhi's practices of social activism including the Salt March protest of 1930, and the daily practice of spinning and intermittent fasts; the Ciudad Abierta (Open City), a radical pedagogical experiment started by a poet and an architect in Valparaíso, Chile in 1970; and, finally, the urban ecologies developing on either side of Belfast's 'peace walls' in the wake of the Troubles and 1998's Good Friday Agreement. Structured via four spatial configurations - the grid, the charkha, the constellation, and the cluster -each case study explores community formation through artistic and aesthetic practices that resist and unsettle forms of hegemonic order. A truly interdisciplinary work at the intersection of poetry, art and spatial practice, Ungovernable Spaces argues for the importance of ethics, aesthetics, imagination and ecology in developing, of necessity, a new poetics of 'us.' The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI. AHRC Techne Doctoral Training Partnership Award [grant number AH/L503940/1].

Community Formation and the Poetics of Resistance

Ungovernable Spaces

Murder is an art . . . and she's the next masterpiece.From the bestselling author of Win Lose Kill Die and Keep Your Friends Close comes an addictive killer-thriller with a horror twist, following an aspiring crime journalist's investigation into a case of copycat murders seemingly connected to a 'cursed' painting. Perfect for fans of Jennifer Lynn Barnes' The Naturals series and Bill Wood's Let's Split Up.Don't miss out on the limited edition pink sprayed edge!'A thriller author to watch!' Karen M. McManus, international bestselling author of One of Us Is LyingWhen aspiring crime journalist Fliss Keller uncovers a disturbing self-portrait of a man at an estate sale, her Art History professor dad buys it, despite how unsettled Fliss feels. The portrait has been lost for decades and completes a set of four existing paintings of women by the same artist already hanging in the town's gallery.That evening, the portrait falls to the floor, revealing paperwork inside the frame that suggests the artist was a serial killer and that the women depicted were his victims. Despite her alarm, Fliss vows to investigate and uncover the truth.But when a series of gruesome murders rock the community, and some think the resurrection of the self-portrait has unleashed a curse, Fliss knows better than to believe them. There are shocking similarities between the poses of the modern-day murders and the painted women, and she's sure there's a copycat killer on the loose.Racing against time, can Fliss unravel the clues before she becomes the murderer's next muse?PRAISE FOR PAINT ME LIKE YOUR DEAD GIRLS:'A wickedly brilliant masterpiece from the queen of YA thrillers. Deliciously dark and addictive, this is Cynthia Murphy's best - and scariest - book yet.' Kathryn Foxfield, author of Good Girls Die First'Dark and unsettling, Murphy delivers an original, suspenseful thriller driven by richly drawn characters, where the horrors of the past refuse to stay buried. Perfect for fans of twisty crime!' Jennifer Pearson, author of Drop Dead Famous'A delicious mystery full of clever twists and shocking turns.' Jessica Goodman, author of They Wish They Were Us'I couldn't put it down. A really original concept and such a fun read.' Kelly McCaughrain, author of Just Another Dead Boy'Sharp, thrilling and darkly riveting. Paint Me Like Your Dead Girls kept me on the edge of my seat!' Alexis Henderson, author of When I Was Death'Slick and twisted. A pulse-pounding thriller that held me captive all the way to the blistering finale! Prepare for a one-sit read.' Kat Ellis, author of Harrow Lake'A propulsive thriller that's both wickedly funny and deviously dark' Veronica Bane, author of Difficult Girls'Dark, thrilling and so creepy. An enthralling world of art, obsession and murder' Amy McCaw, author of Mina and the UndeadPRAISE FOR CYNTHIA MURPHY:'Bold, thrilling, and wickedly addictive. Your next obsession.' Karen M. McManus, author of One of Us is Lying'An intricately crafted YA thriller that I cannot wait to read again.' Bill Wood, author of Let's Split Up'Twists, turns and heartstopping tension, Cynthia Murphy is a thriller author at the top of her game.' Benjamin Dean, author of How to Die Famous

Paint Me Like Your Dead Girls

Phaidon Compacts

A breathtaking celebration of flowers spanning centuries, cultures, and continents - now available in a compact format Flower invites readers to explore the endless ways artists and image-makers have employed floral motifs throughout history. Now available in a sleek compact format, this critically acclaimed survey showcases more than 300 gorgeous large-scale images representing a range of styles and media - from fine art, botanical illustrations, and sculptures to floral arrangements, film stills, and fabric designs.Curated by an international panel of art historians, museum curators, botanists, florists, horticulturalists, and more, the wide variety of works are each accompanied by a brief, enlightening description. Pages follow a visually stunning sequence, with unexpected pairings that create connection and contrast. Readers will discover van Gogh's sunflowers next to a twentieth-century photograph, a delicate Victorian-era diamond bodice ornament juxtaposed with a baroque oil still life, and other surprising spreads, making leafing through this book a joy for anyone who appreciates the beauty of blooms.Advisory panel: Lugene B. Bruno, Dr James Compton, Shane Connolly, Anne-Pierre d'Albis-Ganem, Celia Fisher, Susan M. Fraser, Victoria Gaiger, Elizabeth Hammer, Daisy Helman, Catherine Hess, Pascale Heurtel, Dr Lisa Hostetler, Lyndsey Ingram, Professor Dr Hans Walter Lack, Dr Fred G. Meijer, Colleen Morris, Polly Nicholson, Lynn Parker, Anna Pavord, Gill Saunders, Lindsey Taylor, Anatole Tchikine and Betsy Wieseman Additional texts: Giovanni Aloi, Louise Bell, Lugene Bruno, Shane Connolly, Clare Coulson, Louisa Elderton, Celia Fisher, Diane Fortenberry, Victoria Gaiger, Daisy Helman, Pascale Heurtel, Lyndsey Ingram, Hans Walter Lack, Fred G. Meijer, Alison Morris, Colleen Morris, Polly Nicholson, Michele Robecchi, Rebecca Roke, Gill Saunders, James Smith, Lindsey Taylor, David Trigg and Martin Walters

Exploring the World in Bloom

Flower

Harriman House Essentials

The Illusion of Choice

L'innovationologie en action. Transformer les systemes, les savoirs et les societes

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