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Uzarowski A: Lauren Bacall

Lauren Bacall

The Queen of Cool

A Memoir of Fandom, Publishing and Six Decades of Doctor Who history

Who Me?

Poetik, Exegese und Narrative / Poetics, Exegesis and Narrative

Der Golem geht ins Kino - und bleibt dort. Klaus S. Davidowicz spürt dem uralten Mythos des Golems auf der Leinwand nach: vom stummen Wächter Prags bis zur plastinierten Barbie - als Monster, Retter, Erinnerung, Rebellion. Ein faszinierendes Filmbuch, das tief blickt: in jüdische Mystik, kabbalistische Buchstabentänze und moderne Filmikonen wie Blade Runner oder Inglourious Basterds. In der Filmgeschichte wurde ein Wesen aus Lehm und Legende zum Spiegel jüdischer Erfahrung, kultureller Ängste und künstlerischer Visionen. Neben Klassikern analysiert Klaus S. Davidowicz auch viele fast vergessene, überraschende oder bislang übersehene Filme - kenntnisreich, fesselnd und mit einem Gespür für das Magische im Medium Film.

The Golem goes to the movies - and stays there. Klaus S. Davidowicz traces the ancient myth of the Golem across the silver screen: from the silent guardian of Prague to plastinated Barbie - as monster, savior, memory, rebellion. This is a film book that looks deeper: into Jewish mysticism, kabbalistic letter-magic, and modern cinema icons like Blade Runner and Inglourious Basterds. The Golem is more than legend - it's a way of thinking, a mirror, a question posed to creation itself. Davidowicz shows how a creature of clay and myth became a reflection of Jewish experience, cultural anxiety, and artistic vision. Alongside classics he analyzes many forgotten, surprising, or overlooked films - with insight, passion, and a sense for the magical power of cinema.

Körper aus Staub, Blick aus Licht: Der Golem im Kino

This book delves into the intricate relationship between music and identity among Indian communities in South Africa, particularly during and after apartheid. It provides an overview of existing research on music and Indian diasporic groups, highlighting the unique challenges faced by Indian South Africans in accessing and preserving their musical traditions. It explores the historical soundscapes of South Africa, detailing how restrictive conditions under apartheid influenced social interactions and music-making. The narrative examines how Indians used music as a form of political resistance, developing a distinct Indian South African sound despite severe limitations. It also investigates the evolution of popular genres like qawwali, filmi, jazz, and dance music, shaped by limited access to formal training and the overuse of technology. The book addresses the gender dynamics within the music industry, focusing on the struggles of women artists. Additionally, it discusses the role of technology in music learning and its impact on aesthetic expressions. Through interviews with musicians, the book provides a vivid account of how Indian South Africans used music to assert their identity and resist segregation. It offers valuable insights into the cross-cultural interactions and the complex ways minority groups crafted their identity in the context of apartheid politics. It is a significant resource for academicians, and music lovers interested in the culture of the Indian diaspora and the history of Indian South Africans.

Indian Voices in Apartheid South Africa (1900–1990)

Raag Mala

In December 2025, the most valuable library of stories in America went up for sale, and the cleanest bid won. Netflix had agreed to pay more than eighty billion dollars for the Warner Bros. studio and HBO. The seller's board had blessed the deal and defended it twice. The photographs of the winners touring the lot in their white sneakers looked like the last page of the story.Ten weeks later the deal was dead. The company passed instead to the bidder the board had rejected, a man whose father was among the president's closest friends, and whose offer carried something no rival could match. Folded inside the company was CNN, the news network the president had said, out loud and more than once, he wanted sold.Bought is the definitive account of the largest bidding war in the history of American media, and of the quiet machinery that decided it. It follows three men who wanted the same prize and carried three theories of power: the cost-cutter who built the company and broke it, the most trusted operator in Hollywood who won the auction on the merits, and the heir who lost it on the merits and then won it anyway, by reaching past the market to the one authority that could overrule a board, a contract, and a free market at once.What unfolds is a story about far more than a corporate sale. It is about what happens to a free press when the state decides who is permitted to own it, reconstructed entirely from the public record: the filings, the hearing testimony, the public statements, and the timeline that binds them together.This is an independent, unauthorized work of journalism and commentary. It has not been authorized or endorsed by Netflix, Paramount Skydance, Warner Bros. Discovery, or any person or company discussed within it, and it is drawn entirely from sources already in the public record.

How a Grudge, a Billionaire, and $110 Billion Decided Who Controls Hollywood

Bought

THE INSTANT SUNDAY TIMES #1 BESTSELLER'Typically exposing, brilliantly written' VOGUE'Its quick hits of wit are like sniffs from an oxygen mask' NEW YORK TIMES'Few people are willing to be as human as Lena Dunham' OBSERVER'A generational voice' FINANCIAL TIMESIn this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girlsand the bestselling author of Not That Kind of Girlasks whether fulfilling her creative ambitions has been worth the pain.For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you - as a twenty-five-year-old - are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest internet disaster. But Dunham does it - even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her - because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again - if only she could remember who that self was.As Dunham takes us through her journey, tracking her rise to fame - from selling the pilot of Girlsto the present - in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain - and begins to control your every move - being famous doesn't stand a chance against the darker corners of the human experience.In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

Famesick

Filmgeschichte kompakt

Das Musikvideo changiert zwischen Kommerz und Kult, zwischen Trash und Kunst. Seine Wurzeln liegen bereits in der Zeit des Stummfilms und seine Zukunft reicht - so ist zu hoffen - weit über die Generierung durch Künstliche Intelligenz hinaus. Die Älteren kennen es vorwiegend noch von MTV oder VIVA, die Jüngeren eher von Plattformen wie YouTube oder aus den sozialen Medien. Auf den ersten Blick sind Musikvideos Werbung für aktuelle Neuheiten in der populären Musik, auf den zweiten Blick oft anspruchsvolle künstlerische Kurzfilme. Ihre Komplexität ergibt sich bereits aus den begrifflichen Dimensionen der Worte 'Musik' und 'Video'. Dieser Band führt in die Thematik ein, indem er sowohl die filmische Tradition als auch die musikalische Fokussierung des Musikvideos betrachtet und erläutert, wie beide zusammenkommen und letztlich eine ausdifferenzierte Gattung mit vielfältigen Verbreitungsformen bilden. Die Varianten reichen vom klassischen Performance-Video, das Musiker:innen oder Bands bei der Darbietung eines Songs zeigt, bis zum parodistischen Fan-Clip.

Das Musikvideo

Few artists have seen global success close to that of K-pop boyband, BTS. Standing for Bangtan Sonyeondan, or "Bulletproof Boy Scouts", the band has rocketed into superstardom as the world has fallen in love with its seven charismatic members and extensive discography. The "BTS-effect" can hardly be understated - and its roots are many. Their catchy songs with meaningful messages and high-energy choreography are only a small part of the picture. The band's loyal fans - ARMY - worship the BTS boys for their charming and quirky personalities, genuine authenticity, and perhaps most importantly, their chemistry and relationship with each other. Packed with their best quotes, most surprising facts and hilarious moments, get to know the boys behind the band in this little book. ARMY say that you find BTS when you need them most - and now is your chance to get to know Jin, SUGA, j-Hope, RM, Jimin, V and Jungkook. Sample Content SAMPLE QUOTE: "No matter who you are, where you're from, your skin colour, gender identity: speak yourself." - RM (Kim Namjoon) SAMPLE FACT: In 2019, BTS became the first group since The Beatles to earn three No.1 albums on the "Billboard 200 Chart" in less than a year, a record held by The Beatles for 22 years.

Bulletproof: The Little Guide to BTS

TimeMust-Read Books of 2024IndependentBest Non-Fiction Books 2024MojoBooks of the Year 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" TimesCelebrated music critic Ann Powers explores the life and career of the legendary Joni Mitchell.What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it's a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice.One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself.In Travelling,celebrated music critic Ann Powers seeks to understand the paradox of Mitchell - at once both elusive and inviting - through her myriad journeys. Drawing on extensive inter­views with Mitchell's peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell's musical evolution, follows the winding road of Mitchell's collaborations with other greats and explores the loves that fed her songwriting.Kaleidoscopic in scope and intimate in detail, Travellingis a fresh and fascinating addition to the Joni Mitchell corpus - and one that questions whether an artist can ever truly be known to their fans.

On the Path of Joni Mitchell

Travelling

'"I liked the Jewish jokes," she says. "Oh, it's OK", I say. "I'm allowed to make them." Her eyes light up. And so it all begins.' When Max meets Eliana, a dazzling modern Orthodox Jewish girl, in a bar in Edinburgh one night, he never expected it to kickstart an agonising identity crisis. While their connection is instant and deep, Max discovers a devastating truth: that despite his upbringing, to millions around the world, including the girl he's fallen for, he is deemed non-Jewish. Determined to build a future with her, comedian and writer (and uncircumcised liberal Jew) Max Olesker embarks on one of the world's most demanding religious conversion processes. He attempts to navigate the dizzying complexities of Jewish law, the challenges of maintaining a relationship without physical contact, and the looming prospect of a date with a scalpel. From moving into the home of an Orthodox family for eight months to enduring gruelling interrogations by a high court of Rabbis, Max's journey is a rollercoaster of humour, heartbreak, and self-discovery. A hilarious and moving true account of one man's quest to marry the love of his life, Making the Cut will make you laugh, cry, and believe in the transformative power of love.

An Unorthodox Love Story

Making the Cut

'One of the best making-of books to hit the shelves' BooklistFor the first time, the director and co-creators of This is Spinal Tap provide the full behind-the-scenes story of the making of the groundbreaking mockumentary.Since its original release in 1984, This Is Spinal Tap has evolved from a beloved cult film into an all-time comedy classic. It pioneered the mockumentary genre and is one of the most quoted movies. Now, Reiner, Guest, McKean, and Shearer share clever and stupid tales of their famous collaboration - how the fictional band Spinal Tap came to be and how their low-budget indie film took on an unexpected life of its own.&nbsp;Featuring never-before-seen photographs, band memorabilia and personal reminiscences of their enduring creative partnership, A Fine Line Between Stupid and Clever will delight Tap heads of all ages.&nbsp;'The book is frequently laugh-out-loud funny . . . Delightful' Film Juice

The Story of Spinal Tap

A Fine Line between Stupid and Clever

All the Films

Discover the cinematic genius behind every Martin Scorsese film—from gritty urban tales to sweeping epics, this definitive book celebrates every feature film, documentary, and short by one of cinema’s greatest directors. &nbsp; Scorsese is a living legend. Over the last 50 years, he has redefined cinema, crafting stories of crime, faith, obsession, and redemption, becoming one of the most revered directors alive. Scorsese: All the Films is the ultimate deep dive into every one of his films from his early indie days with Who's That Knocking at My Door to his latest epic, Killers of the Flower Moon, plus classics such as Taxi Driver, Raging Bull and Goodfellas that are regularly cited as being among the finest films ever made. &nbsp; Covering each of the director’s 26 feature films, 17 documentary films, 7 short films, and 4 television episodes, the book draws upon years of research to tell the behind-the-scenes stories of how each&nbsp;project&nbsp;was conceived,&nbsp;cast, and produced. It explores the themes, techniques, and cultural impact of each movie, examining how Scorsese’s work evolved alongside his personal obsessions and how he has navigated Hollywood’s changing landscape. Also included are insights into his collaborations with actors Robert De Niro and Leonardo DiCaprio, editor Thelma Schoonmaker, screenwriter Paul Schrader, and many more. With more than 250 behind-the-scenes stills, photographs, posters, and ephemera, this is a definitive celebration of one of cinema’s most enduring talents. &nbsp;

The Story Behind Every Movie, Episode, and Short

Martin Scorsese All the Films

A SUNDAY TIMES SUMMER READDreamer. Bombshell. Icon.&nbsp;Featuring a wealth of unpublished material, Andrew Wilson's biography of Marilyn Monroe presents the actress in a startling new light.&nbsp;Born Norma Jeane Mortenson, she had an uncertain and unforgiving upbringing. She grew up in Los Angeles and would dream about Hollywood, believing that acting would be her one-way ticket to happiness. Her dream was so powerful that she transformed herself into the ultimate goddess of the silver screen, and her image has been branded into the collective consciousness. Men lusted after her, and women wanted to be her. All her life, she just wanted to be loved.&nbsp;Told through 100 captivating snapshots, we are thrown into the&nbsp;glamorous but dangerous world&nbsp;of old Hollywood. We see a young Marilyn navigating&nbsp;the highs and lows of the studio system&nbsp;as she attempts to free herself from the constraints of Twentieth Century-Fox.&nbsp;We also go behind the scenes of her marriages to teenage sweetheart Jim Dougherty, baseball star Joe DiMaggio and famous playwright Arthur Miller. We hear the voices of friends, lovers - and enemies.&nbsp;We hear of the friendships she formed with poets, philosophers, playwrights and political activists, and the years spent training with Lee Strasberg at the&nbsp;Actors Studio.In the concluding chapters, Andrew Wilson unpicks what happened on the night&nbsp;Marilyn died after a suspected drug overdose. Were the Kennedys involved, or was she just let down by those closest to her?&nbsp;I Wanna Be Loved By You is a revealing and nuanced portrait of the life, death and afterlife of an icon who still fascinates us today.&nbsp;

Marilyn Monroe, A Life in 100 Takes

I Wanna Be Loved By You

Lauren Bacall

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