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Sweeney C: Lake Effect

Lake Effect

*Shortlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

"SCREAMING, CRYING, THROWING UP! Cry Havoc is a fever worth catching, a gloomy and gorgeous pleasure." — Maggie Thrash, author of Rainbow BlackA humorous dark academia novel, set in a failing English girls’ school in the 1980s, in which a teen running from her past becomes immersed in a dangerous and intriguing mystery involving a shady new teacher and a strange contagion afflicting her classmates.Fleeing Scotland after a humiliating family scandal, sixteen-year-old Ida Campbell secures a scholarship at a failing girls’ boarding school situated on the remote south English coast. Her new Headmistress—an eccentric woman obsessed with the Cold War and nuclear annihilation—seems surprised that the young woman accepted her offer, but Ida feels that St. Anne’s could be a refuge—until she discovers that her roommate, the infamous Louise Adler, is a potential arsonist and hardened outcast.Ida barely has time to make a good impression (or figure out what Louise’s deal is) when Matthew Langfield, a new teacher, arrives. While the girls are all desperately intrigued to find out everything about him – after all, who takes a job at&nbsp;St. Anne’s? - the school’s geography teacher, Eleanor Alston, has an uneasy feeling that he is not who he says he is. And things only get worse when a mysterious sickness starts to spread throughout the school, causing strange limb jerks and seizures among the pupils.What is happening to the girls of St Anne's? Are some of the girls faking these fits? Could someone be poisoning them? Is Matthew Langfield a smooth-tongued liar? Will Louise set the school on fire, or push a girl out of a window. . . again? And is Ida’s past going to catch up with her, despite doing everything to keep it secret?Expertly melding the cloying atmosphere and eerie mystery of The Secret History, Ninth House, and The Fever with the sharp wit and delightful absurdity of Derry Girls, Cry Havoc is a dazzling literary introduction to a whip smart, clever, and elegant writer.

"SCREAMING, CRYING, THROWING UP! Cry Havoc is a fever worth catching, a gloomy and gorgeous pleasure." — Maggie Thrash, author of Rainbow BlackA humorous dark academia novel, set in a failing English girls’ school in the 1980s, in which a teen running from her past becomes immersed in a dangerous and intriguing mystery involving a shady new teacher and a strange contagion afflicting her classmates.Fleeing Scotland after a humiliating family scandal, sixteen-year-old Ida Campbell secures a scholarship at a failing girls’ boarding school situated on the remote south English coast. Her new Headmistress—an eccentric woman obsessed with the Cold War and nuclear annihilation—seems surprised that the young woman accepted her offer, but Ida feels that St. Anne’s could be a refuge—until she discovers that her roommate, the infamous Louise Adler, is a potential arsonist and hardened outcast.Ida barely has time to make a good impression (or figure out what Louise’s deal is) when Matthew Langfield, a new teacher, arrives. While the girls are all desperately intrigued to find out everything about him – after all, who takes a job at&nbsp;St. Anne’s? - the school’s geography teacher, Eleanor Alston, has an uneasy feeling that he is not who he says he is. And things only get worse when a mysterious sickness starts to spread throughout the school, causing strange limb jerks and seizures among the pupils.What is happening to the girls of St Anne's? Are some of the girls faking these fits? Could someone be poisoning them? Is Matthew Langfield a smooth-tongued liar? Will Louise set the school on fire, or push a girl out of a window. . . again? And is Ida’s past going to catch up with her, despite doing everything to keep it secret?Expertly melding the cloying atmosphere and eerie mystery of The Secret History, Ninth House, and The Fever with the sharp wit and delightful absurdity of Derry Girls, Cry Havoc is a dazzling literary introduction to a whip smart, clever, and elegant writer.

Cry Havoc

'Original and compelling to the extreme - I raced through it' Debbie Howells YOU CAN HEAR HIS EVERY THOUGHT... BUT HE CAN HEAR YOURS TOO. When Elijah suggests celebrating their ten-year anniversary by visiting OneMind, Anna is hesitant about getting the implant that will allow them to hear each other's thoughts. Yet, eager to please him and compensate for what she cannot give him, she reluctantly agrees to take this step towards ultimate intimacy. At first, everything seems perfect. Anna feels closer to her husband, and the novelty of mind-to-mind communication is exhilarating. But soon, she starts experiencing a strange side effect: dreams that aren't dreams, but memories - memories that don't belong to her. If Anna is now seeing Elijah's memories, what of he can see hers? Desperate to keep her hidden truths from her husband, Anna finds her mind becoming a prison she can't escape. How long can she keep the traitorous thoughts at bay before she drives herself mad? 'Fantastic ... I can't remember feeling this on edge' Natalie Chandler 'Like a OneMind chip, Always on my Mind got under my skin and refused to let me rest until the story's end' Amy Beashel

Always on My Mind

“Haunting, fast-paced, and unforgettable.” — Karin Slaughter, #1 New York Times bestselling author of We Are All Guilty Here“A lush, moody mystery. Darkrooms is gripping and atmospheric, as two women wrestle with guilt and injustice.” — Flynn Berry, New York Times bestselling author of Northern SpyTwo unforgettable women investigate the disappearance of a missing girl in a small Irish town brimming with secrets—in this haunting debut from a new crime writing talent, perfect for fans of Tana French and Flynn Berry.What secrets lurk in the Hanging Woods? On the night of the Summer Solstice in 1999, nine-year-old Roisin O’Halloran marched into the Hanging Woods, the mysterious copse that had inspired fear in decades of children in the small Irish town of Bannakilduf. She was never seen again. Twenty years later, two women are drawn together to discover the truth of what happened to Roisin: Roisin’s older sister Deedee, a rookie cop who’s barely hanging on to the appearance of keeping it all together, and Roisin’s childhood best friend Caitlin, a petty criminal who was the last person to see the young girl before she disappeared, now returned to her hometown after her mother’s death. With old wounds made fresh after decades of mistrust, Caitlin and Deedee must reckon with their shadowy pasts, the monsters that still haunt them, and the role they each may have played in Roisin’s disappearance. The secrets of that long-ago summer rise to the surface, and they will expose the truth that many in the small town are desperate to keep buried. The siren of the Hanging Woods rings out once more. After all, nothing can stay hidden forever.

“Haunting, fast-paced, and unforgettable.” — Karin Slaughter, #1 New York Times bestselling author of We Are All Guilty Here“A lush, moody mystery. Darkrooms is gripping and atmospheric, as two women wrestle with guilt and injustice.” — Flynn Berry, New York Times bestselling author of Northern Spy Two unforgettable women investigate the disappearance of a missing girl in a small Irish town brimming with secrets—in this haunting debut from a new crime writing talent, perfect for fans of Tana French and Flynn Berry. What secrets lurk in the Hanging Woods? On the night of the Summer Solstice in 1999, nine-year-old Roisin O’Halloran marched into the Hanging Woods, the mysterious copse that had inspired fear in decades of children in the small Irish town of Bannakilduf. She was never seen again. Twenty years later, two women are drawn together to discover the truth of what happened to Roisin: Roisin’s older sister Deedee, a rookie cop who’s barely hanging on to the appearance of keeping it all together, and Roisin’s childhood best friend Caitlin, a petty criminal who was the last person to see the young girl before she disappeared, now returned to her hometown after her mother’s death. With old wounds made fresh after decades of mistrust, Caitlin and Deedee must reckon with their shadowy pasts, the monsters that still haunt them, and the role they each may have played in Roisin’s disappearance. The secrets of that long-ago summer rise to the surface, and they will expose the truth that many in the small town are desperate to keep buried. The siren of the Hanging Woods rings out once more. After all, nothing can stay hidden forever.

Darkrooms

The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof. When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical decision: to buy a home and live together—not as lovers, not as roommates, but as chosen family.Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice.With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

The Bestselling Korean Memoir

Two Women Living Together

If you're ready to stop surviving and start moving forward, this study guide helps you apply Anthony O'Neal's proven system to your daily life so you can build margin, eliminate debt, and experience real financial freedom.You've read the plan. Now it's time to live the plan. The Stop Living Paycheck to Paycheck Study Guide is the practical, step-by-step companion that helps you apply Anthony O'Neal's proven system to your everyday life so you can get organized, gain control, and finally move forward with confidence.This study guide gives you the tools and encouragement you need to<ul><li>identify the beliefs and behaviors keeping you stuck;</li><li>stabilize your finances and clarify the goals that matter most;</li><li>eliminate all consumer debt using a simple, step-by-step plan;</li><li>build and protect your emergency fund;</li><li>start investing with confidence and momentum; and</li><li>create a long-term vision for the generational wealth you want to build.</li></ul> As you work through each section, you'll build the habits and discipline needed to stop the paycheck-to-paycheck cycle and step into lasting financial freedom. This is the hands-on support you need to take your first step and keep going until you break the cycle for good.

The Proven Path to Break Free from Debt, Build Real Wealth, and Live Free on Any Income

Stop Living Paycheck to Paycheck Study Guide

Moving and chilling, The Hill in the Dark Grove is a story about a lost way of life and the terrifying lengths we go to to protect what we know. 'Eerie. Dangerous. I loved it' - Claire Fuller, author of Unsettled Ground 'Evocative, tender, terrifying . . . Superb' - Kiran Millwood Hargrave, author of The Mercies 'A not-to-be-missed novel' - The Sunday Times 'Do not read this creepy tale in an isolated cottage' - The Times Carwyn and Rhian - the last in a long line of sheep farmers - are living out a brutal year on their hillside farm, deep in the mountains of North Wales. When Carwyn discovers a buried prehistoric ruin in one of the fields on their land, his curiosity quickly descends into obsession. His wife, Rhian, meanwhile, is confronted with the growing realization that the man with whom she shares her life and home is becoming a frightening stranger. As the harsh winter closes in, Rhian finds herself alone with her increasingly unrecognizable husband, and the mountains, and the looming megalithic stones. 'Powerful, inventive and gripping to the very end' - Ian McGuire, author of The North Water 'A hypnotic tale of twisted folklore that won't let go' - Scott Preston, author of The Borrowed Hills 'Vibrates with unease' - Anthony Shapland, author of A Room Above a Shop

The Hill in the Dark Grove

A ground-breaking look at the science of love and connection - and an urgent corrective to some of our most fundamental assumptions about attraction. 'In a world saturated with cynical advice about dating and gender, this book is a revelation.' DANIEL H. PINK, author of Drive and The Power of Regret 'One of the most joyfully uplifting antidotes to 21st-century gloom.' THE TIMES --------------------- We're told that what men and women desire from relationship is different - he's looking for novelty, she's looking for commitment; he's concerned with looks, she's concerned with status. We're told that we live in a hierarchy of romantic inequality - where some are 10s and others are 2s; where some people are marriage material and others are wired for promiscuity. But this narrative is unscientific. Such ideas have their roots in a branch of science called evolutionary psychology, and over the past few decades its ideas have permeated our culture and fuelled a narrative that inspires despair and anxiety - and, in its most extreme form, these ideas have been hijacked in the service of misogyny and violence. But the truth about human attraction - and the way evolution plays out in our romantic lives - is much more interesting and optimistic. Bonded by Evolution offers a radical new picture of the roots of enduring chemistry. Distilling evolutionary biology, anthropology and psychology and informed by his pathbreaking research and original experiments at the Attraction and Relationships Research Laboratory in California, psychology professor Paul Eastwick reveals how attraction is best depicted as a process of finding - and, often, creating - a compatible relationship. Once we understand how ancestral humans sought compatible partners in small networks, we can build a clearer - and brighter - picture of how attraction, sex and relationships really work. --------------------- More praise for Bonded by Evolution: 'Profound and pragmatic, suggesting an entirely different approach to the study - and pursuit - of love.' ERIC KLINENBERG, co-author of Modern Romance 'Rarely have scientific rigor and exuberant optimism been such congenial companions . . . Bonded by Evolution presents an optimistic new paradigm, one that provides clear guidance for romantic success.' ELI FINKEL, author of The All or Nothing Marriage

What We’ve Got Wrong About Love and Connection

Bonded by Evolution

Signature Editions

Jane Austen's first published novel, generally acclaimed as a masterpiece of nineteenth-century literature, now freshly repackaged for the Union Square &amp; Co. Signature Editions line.&nbsp; Marianne Dashwood can’t understand her sister. How could the attractive, witty, and charming Elinor fall for the quiet, self-effacing, and rather dull Edward Ferrars? Meanwhile, Elinor worries that Marianne’s heart-first approach to life will hurt her, especially when it comes to the dashing John Willoughby. Meanwhile, both Edward and Willoughby harbor secrets that will force these women to doubt their philosophies, their judgment, and their chances for happiness. &nbsp;  &nbsp; A compelling story with finely drawn characters, Sense and Sensibility remains one of Jane Austen’s best-loved novels and reflects Austen’s own uncertainty about whether sense or sensibility should ultimately triumph.&nbsp;

Sense and Sensibility

"A glamorous, intriguing novel" (New York Times) about a jaded movie star and the two differently conflicted women in his orbit.Some people you meet them and you imagine this movie together. The two of you make a kind of movie and then it’s over. Other people, what you imagine isn’t a movie, because it keeps going. It’s television . . . If you can’t see how romantic television is, you’re blind.An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art.Told in their alternating, intricately linked perspectives, Television is a funny, philosophically astute novel about phenomenal luck, whether windfall or chance encounter. Like Joan Didion’s classic Play It as It Lays, but speaking to a since irrevocably changed Hollywood, it portrays a culture in crisis and the disparities in wealth, beauty, talent, gender, and youth at the heart of contemporary American life. In this glittering but strange new world, lit up by social media and streaming services—what, if not love, can be counted in your favor?With plays in chronology, bright, nimble dialogue, and a profoundly modern style, Lauren Rothery’s debut novel is an arresting feat of literary impressionism, and marks the arrival of a significant new talent to the landscape of American fiction.

"A glamorous, intriguing novel" (New York Times) about a jaded movie star and the two differently conflicted women in his orbit.Some people you meet them and you imagine this movie together. The two of you make a kind of movie and then it’s over. Other people, what you imagine isn’t a movie, because it keeps going. It’s television . . . If you can’t see how romantic television is, you’re blind.An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art.Told in their alternating, intricately linked perspectives, Television is a funny, philosophically astute novel about phenomenal luck, whether windfall or chance encounter. Like Joan Didion’s classic Play It as It Lays, but speaking to a since irrevocably changed Hollywood, it portrays a culture in crisis and the disparities in wealth, beauty, talent, gender, and youth at the heart of contemporary American life. In this glittering but strange new world, lit up by social media and streaming services—what, if not love, can be counted in your favor?With plays in chronology, bright, nimble dialogue, and a profoundly modern style, Lauren Rothery’s debut novel is an arresting feat of literary impressionism, and marks the arrival of a significant new talent to the landscape of American fiction.

A Novel

Television

The Broken Ring: This Marriage Will Fail Anyway

The Broken Ring: This Marriage Will Fail Anyway, Volume 2

A profound exploration of the art and magic of writing by New York Times bestselling author Isabel Allende. In this deeply personal and insightful book, Isabel Allende delves into her creative process, reflecting on nearly half a century of writing that has captivated millions of readers worldwide. For Isabel, writing is more than a craft. It is an addiction, a means of preserving memory, and a way to make sense of life. She offers readers an intimate glimpse into her creative world, where stories take shape through intuition, discipline, and a deep connection to the human experience. It is also a glimpse into the life of a writer who views literature as a portal to understanding the chaos of life. Story Telling is not a prescriptive guide to writing. Rather, it is a conversation. In it, Isabel shares her triumphs, mistakes, and lessons learned from the challenges and joys of writing. She intertwines her own stories with invaluable wisdom for anyone pursuing the craft, making this book equally a memoir, a masterclass in the alchemy of storytelling, and a celebration of the enduring power of stories.

A profound exploration of the art and magic of writing by New York Times bestselling author Isabel Allende. In this deeply personal and insightful book, Isabel Allende delves into her creative process, reflecting on nearly half a century of writing that has captivated millions of readers worldwide. For Isabel, writing is more than a craft. It is an addiction, a means of preserving memory, and a way to make sense of life. She offers readers an intimate glimpse into her creative world, where stories take shape through intuition, discipline, and a deep connection to the human experience. It is also a glimpse into the life of a writer who views literature as a portal to understanding the chaos of life. Story Telling is not a prescriptive guide to writing. Rather, it is a conversation. In it, Isabel shares her triumphs, mistakes, and lessons learned from the challenges and joys of writing. She intertwines her own stories with invaluable wisdom for anyone pursuing the craft, making this book equally a memoir, a masterclass in the alchemy of storytelling, and a celebration of the enduring power of stories.

A Writing Life

Story Telling

Lake Effect

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