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Deitch H: Killer Potential / B

Killer Potential

The hot, twisty, stay-up-all-night novel for fans of THE GUEST and MY SISTER THE SERIAL KILLER

A CHILLING THRILLER FROM THE SUNDAY TIMES BESTSELLING AUTHOR OF INTERNATIONAL PHENOMENON, THE WHISPER MAN 'An electrifyingly scary thriller' DAILY MAIL --- Reeling after his father suddenly takes his own life, Neil Dawson starts seeking out answers to help make sense of this tragedy. He rifles through his father's possessions and is shocked to discover an old novel - one he'd never known his father had written. The Black Flower. Enclosed within is a dried rose - eerily similar to the one held in the book by a mysterious girl who is found with no name and no memory - only a black flower in her hand... Why did his father keep this book hidden? And is the flower a sign - or a warning? As Neil begins to uncover more strange clues, he suspects there is more to his father's suicide than meets the eye. Detective Hannah Price is mourning the death of her own father, whose shadow looms large after she followed him into the police. When Neil calls on her to help investigate his father's death, she soon realises the truth Neil is seeking lies within The Black Flower. But as she starts digging deeper, she's shocked to discover dark secrets from her own past lurking in its pages... --- Praise for Alex North 'The best crime novel of the decade' Steve Cavanagh 'A thriller that is both terrifying and utterly heartbreaking. Mesmerising and masterful' Mark Billingham 'This is a true skin-crawler' Guardian 'Shades of Thomas Harris and Stephen King but brilliant in its own right' C.J. Tudor 'First it's spooky. Then it's scary. Then it's terrifying' A.J. Finn

When Neil Dawson's father commits suicide, he is devastated by the loss. But even through his grief, Neil knows something isn't right. Among his father's possessions, he finds a copy of an old novel, The Black Flower. Opening it will take Neil into an investigation full of danger, pain and subterfuge. Detective Hannah Price is also mourning her father, having followed his footsteps into the police force. When she gets assigned to Neil's father's case, it will lead her on a journey into her own past and to the heart of a shattering secret...

Black Flowers

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Bronte, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

One week, every three years. Two women come together to test the endurance of their bond and to ask: what if? 2013, England. Ava and Aliya meet at university just outside of London. Ava is the quiet American who didn't come to England to meet boys in Jack Wills sweatpants with gelled hair. She's here for Emily Brontë and Brideshead Revisited. Everything disappoints her until: Aliya. Aliya is shy, earnest and this is the first time she has been away from her parents who live in Pakistan and the sense of freedom is overwhelming. When they meet, there's an immediate spark. While everyone else is getting drunk on love, life, sex, drugs, they are getting drunk on each other. They move in together, become twin-like, wife-like in their devotion. They sleep in the same bed, read out loud to each other, finish each other's sandwiches. But in their very last week, something breaks between them and Ava flies back to America alone. Three years later, Ava swishes into London with her new boyfriend, a director opening a play in London. Aliya is nervous and feels stalled in a life that used to seem full of promise. Meanwhile Ava's been at drama school and her life looks glamorous and exciting. But as the cracks start to appear in the façade, the two begin to find their fragile connection again. Will this be the year they admit their feelings for each other? Or next time? Or the time after that? What readers are saying about Sarvat Hasin: 'Heartbreaking, beautiful, epic. I loved it.' Kiran Millwood Hargrave, author of The Mercies 'Blindingly brilliant . . . I cannot wait to read everything she writes.' Daisy Johnson, author of Everything Under 'A beautiful and imaginative reinterpretation that had me spellbound.' Jennifer Saint, author of Ariadne 'A wholly original story.' Guardian

'A superlative novel by one of our most perceptive writers' Julia Armfield

Strange Girls

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable. In A Hundred Voices, celebrated novelist Sergei Lebedev draws together one hundred of the finest Russian-speaking writers from across the centuries. From Alexander Pushkin and Nikolai Gogol, Leo Tolstoy and Vladimir Nabokov, to Nadezhda Mandelstam and Olga Slavnikova, Natalya Meshchaninov and Alla Gorbunova, the new, fresh voices of Russia today rub shoulders with the greats of the past. Together these hundred writers, their hundred voices, sing out together to create a glorious chorus of three centuries of Russian short stories. Reviews for Sergei Lebedev: 'One of Russia's most interesting young novelists' Anne Applebaum 'Lebedev is arguably the best of Russia's younger generation of writers' New York Review of Books 'One of modern Russia's finest writers' Philippe Sands

An anthology of the very best Russian short stories, from the 19th century to today, selected by Sergei Lebedev, author of Untraceable.

Russian Short Stories from the 19th to the 21st Centuries

Defiant Voices

* FROM THE BESTSELLING AUTHOR OF THE LAST HOUSE ON NEEDLESS STREET * 'A dark, grimly compelling and very twisty tale' - GUARDIAN 'A beguiling, haunting modern fairy tale' - DAILY EXPRESS 'Beautifully written. Too compelling to put down' - LITERARY REVIEW The Nowhere Children are expecting you... High in the mountains sits Nowhere, a verdant valley surrounded by walls of rock. People have lived at Nowhere for centuries, though never for long, and rarely happily. Its last owner was its most famous: movie star Leaf Winham, who built Nowhere House as a refuge to hide from his fame... and to hide his crimes. Only when Nowhere House went up in flames were the graves discovered, the last resting places of lost young men who would never go home. Years later, Nowhere valley has become a sanctuary for runaway children, a place where adults cannot enter. Drawn by this promise, fourteen-year-old Riley pulls her brother Oliver from his bed in the middle of the night, hoping to find a new family. But the Nowhere Children are fierce in defending their valley and their secrets. For something dark lives in the ruins of Nowhere House, something that asks a terrible price for sanctuary... 'Nowhere Burning is nothing short of spellbinding' - OLIVIE BLAKE 'So sharp and beautiful it draws blood and leaves scars' - GRADY HENDRIX 'Gorgeous, dangerous, mythic and horrific. A remarkable storyteller' - A.J. FINN 'Broke my heart a dozen times and held me spellbound throughout' - SARAH HILARY 'A creepy, clever and heartrending story, compelling and beautifully crafted' - EMMA HEALEY 'Atmospheric and achingly tender suspense from one of our most original writers' - ERIN KELLY

from the bestselling author of The Last House on Needless Street

Nowhere Burning

In this riveting domestic thriller, a standalone sequel to Mothers’ Instinct, a recent divorcée and her two children befriend their new neighbors, only to realize there's something dangerously unsettling about the couple next door.After separating from her work-obsessed husband, Nora Depardieu is ready for a fresh start. With her vivacious teenage daughter and eight-year-old son in tow, she moves into half of a cozy two-family house in a tranquil suburb and goes to work as a teacher’s aide.Being a working single mother is a challenge, and Nora is grateful when her new next-door neighbor, Tiphaine Geniot, offers to watch the kids. The arrangement thrills Nora’s daughter, who has begun a mutual flirtation with Tiphaine’s fifteen-year-old son, Milo.But Nora doesn’t know that the Geniots are a disturbed couple whose lives were destroyed by a devastating loss. She also doesn’t know a tragic secret about Milo that is also connected to her new house.As the truth of the past come to light, what Nora doesn’t know could kill her. . . .Translated from the French by Natasha Lehrer

In this riveting domestic thriller, a standalone sequel to Mothers’ Instinct, a recent divorcée and her two children befriend their new neighbors, only to realize there's something dangerously unsettling about the couple next door.After separating from her work-obsessed husband, Nora Depardieu is ready for a fresh start. With her vivacious teenage daughter and eight-year-old son in tow, she moves into half of a cozy two-family house in a tranquil suburb and goes to work as a teacher’s aide.Being a working single mother is a challenge, and Nora is grateful when her new next-door neighbor, Tiphaine Geniot, offers to watch the kids. The arrangement thrills Nora’s daughter, who has begun a mutual flirtation with Tiphaine’s fifteen-year-old son, Milo.But Nora doesn’t know that the Geniots are a disturbed couple whose lives were destroyed by a devastating loss. She also doesn’t know a tragic secret about Milo that is also connected to her new house.As the truth of the past come to light, what Nora doesn’t know could kill her. . . .Translated from the French by Natasha Lehrer

A Novel

After the End

We live in time - it holds us and molds us - but I never felt I understood it very well. Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, Tony Webster and Adrian Finn swore to stay friends for life. Now in middle age, a lawyer's letter proves that Tony's memory may be imperfect. The story of one man coming to terms with the mutable past, The Sense of an Ending is laced with Julian Barnes' trademark precision, dexterity and insight, and won him the Booker Prize for Fiction in 2011. 'A precise, poignant portrait of the costs and benefits of time passing, of friendship, of love. A small masterpiece' Erica Wagner, The Times

The Sense of an Ending

NAMED A BEST THRILLER OF THE YEAR BY THE NEW YORK TIMESNAMED A BEST BOOK OF THE YEAR BY ESQUIRE'This twisty, absorbing thriller is both a moving love story and fascinating speculative fiction exploring memory, time and reality' GUARDIAN'An expertly crafted puzzle of a story' NEW SCIENTIST'Suspenseful, provocative and surprisingly tender' NEW YORK TIMES BOOK REVIEW'Old-school creepy... a five-star horror novel' STEPHEN KING on Ascension'A vivid, unputdownable story, about love and loss and all it means to be human'SUNYI DEAN, Sunday Times bestselling author of The Book Eaters'An outstanding puzzle box of a novel ... thrilling, intelligent sci-fi with a touch of horror'GARETH BROWN, internationally bestselling author of The Book of Doors'A nimbly constructed story that starkly explores the dangers of neuroscience run amok' KIRKUSIn this staggeringly mind-bending speculative thriller for fans of Blake Crouch and Ted Chiang, a woman dives into her husband's memories to uncover a decades-old threat to reality itself...Maggie Webb has lived the last decade caring for her elderly husband, Stanley, as memory loss gradually erases all the beautiful moments they created together. It's the loneliest she's ever felt in her life.When a mysterious stranger named Hassan appears at her door, he reveals a shocking truth: Stanley isn't losing his memories. Someone is actively removing them to hide a long-buried secret from coming to light. If Maggie does what she's told, she can reverse it. She can get her husband back.Led by Hassan and his technological marvels, Maggie breaks into her husband's mind, probing the depths of his memories in an effort to save him. The deeper she dives, the more she unravels a mystery spanning continents and centuries, each layer more complex than the last.But Hassan cannot be trusted. Not just memories are disappearing, but pieces of reality itself. If Maggie cannot find out what Stanley did all those years ago, and what Hassan is after, she risks far more than her husband's life. The very course of human history hangs in the balance.'A compelling narrative that takes the reader on a page-turning journey through both time and memory'T.R. Napper, award-winning author of 36 Streets'A tender and compelling tale of love and memory across time and history. Thrilling, thought-provoking and melancholy. Superb'David Wragg, author of The Black Hawks

Dissolution

'A triumph of the queer gothic' Jane Flett, author of Freakslaw'Seductive and surprising at every turn' Caitlin Blackwell Baines, author of How to Build a Haunted House'Lush, sinister and blackly funny' Kate Collins, author of A Good House for ChildrenAt the height of lockdown, six friends make an illicit break for freedom. They're determined to enjoy their summer at Holt House, even if that means ignoring the deep fractures in their group. Jan is secretly sleeping with Nadya, whose boyfriend, Theo - ever the gracious host - just wants everyone to get high. Kara and Luke can't stop fighting, and Jan's ex-lover, Ursie, feels out of place among their excess and privilege. As tempers flare and old wounds reopen, their friendship begins to strain - politics, racism, antisemitism, sex and lies. And with drugs and desires blurring in the shadows of the house, a more ominous force threatens to ruin their trip...'Both a deeply unnerving read and a sly commentary on the skeletons in Britain's closet' Victoria Gosling, author of Bliss &amp; Blunder'A drug-fuelled cross between The Decameron and The Haunting of Hill House ... Craig at her unsettling best' Hesse Phillips, author of Lightborne'Lush, complex, and close to the bone, The Decadence filled me with horror in the best way' Krystelle Bamford, author of Idle Grounds

An unnerving novel of summer debauchery

The Decadence

AN OBSERVER BEST NEW NOVELIST 2025 * A BOOK OF THE YEAR IN THE INDEPENDENT, TELEGRAPH, NERVE AND GUARDIAN * WINNER OF THE SOMERSET MAUGHAM AWARD SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE SHORTLISTED FOR THE SUNDAY TIMES YOUNG WRITER OF THE YEAR AWARD SHORTLISTED FOR THE RSL ONDAATJE PRIZE LONGLISTED FOR THE JHALAK PROSE PRIZE 'An ambitious, stylishly delivered novel ... Reminiscent of Salman Rushdie' OBSERVER 'Johal has written a major novel, and at his very first attempt' TELEGRAPH, 5-STAR REVIEW When the waters of the Saraswati, a river of legend, start to rise in a corner of northern India, seven scattered descendants of a forbidden marriage are unexpectedly swept up in its current. Satnam, adrift from his life in London, is drawn into a contentious scheme to restore the river. Nathu, an archaeologist, ventures from Nairobi to a dig site that might reveal artefacts of a lost civilisation. And elsewhere in former lands of empire - in Singapore, Canada, Mauritius and Pakistan - the ripples are felt across generations. Gurnaik Johal's panoramic debut deftly animates the passions that bind us to our histories and each other. 'A rich tapestry, occasionally bewildering, often beguiling' THE NEW YORK TIMES

'The ambition and scale is off the charts' Graham Norton

Saraswati

Commonwealth Caribbean Law

Commonwealth Caribbean Criminal Law is a comprehensive guide to criminal law, covering the jurisdictions of Barbados, Jamaica, Trinidad &amp; Tobago, the Bahamas, and Belize, with reference also to other jurisdictions such as Guyana and the OECS member states. Written by established lecturers at the University of the West Indies, this text is an essential guide for all students of criminal law in the region.

Commonwealth Caribbean Criminal Law

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

Surveillance, Care, and the Policing of Violent Digital Images

Facing the Child

'DELIVERS NEW PLEASURES ON EVERY PAGE' ANNE ENRIGHT 'STYLISH, SHARP AND FIERCELY INTELLIGENT' LUCY CALDWELL 'A GLOWING, MOVING, DARING BOOK' SEÁN HEWITT It begins on an orange afternoon, cool but ruminant, close to Halloween. Sunny, only four years old, looks up from the tub of toys in the living room and asks, 'Mama, do you remember when I died?' Over the strange, strained year that follows, Sunny will refer repeatedly to her previous lives - and how they ended. Her parents Lena and Odhran, who tumbled into family life after an accidental pregnancy and a hasty registry office wedding, are left desperate for answers. Is their child suffering from disassociation, a psychological disorder or something more? Has she absorbed their own haunted histories - Lena's experience as an indie musician in the era of sleaze, or the shady legacy of madness in Odhran's family? Can we ever really protect our children? What if we can't? From the multi-award-winning author of This Happy and We Were Young, comes a shimmering, propulsive novel about maternal concern, childhood imagination, past lives and present loves. 'DEEPLY WISE, DEEPLY HUMANE' KIERAN GODDARD 'A LUMINOUS PORTRAIT OF A YOUNG FAMILY UNDER PRESSURE' MICHELLE GALLEN 'FULL OF CURIOUS IDEAS AND MELANCHOLIC BEAUTY' SARA BAUME 'SIMPLY EXQUISITE' ANNE GRIFFIN

Make Strange

Killer Potential

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