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Applin Warner R: Jason Robert Brown

Jason Robert Brown

A Critical Companion

Visions of the City

Arthur Miller's New York

33 1/3

Branden Jacobs-Jenkins carefully retraces Hamilton's origins as the musical that brought politicians "from both sides of the aisle," from Michelle Obama calling it "the best work of art [she's] ever seen in any medium" to Hillary Clinton's quoting it at the end of her 2016 speech at the Democratic National Convention. This book squares the emergence of Hamilton as a cultural darling of the American leftist political classes with its portraits of a morally-questionable political figures in history told through the merging of two forms with notoriously radical roots. It parses how and why this Broadway musical reached the height of visibility that it has and what this communicates about the American sociopolitical climate and culture at the beginning of the 21st century - especially after one of the most discordant and alarming sociopolitical showdowns since the 19th century. And ultimately, though Hamilton is a perfectly enjoyable and impressively crafty piece of musical theater, it argues that it in many ways is not, in fact, revolutionary. Does Hamilton engage seriously with politics? Or is politics merely the backdrop for the same-old show business?

The Original Broadway Cast Recording's Hamilton

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

Shakespeare in Performance

Troilus and Cressida

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

A compendium of ideas about process and performance

Theatreness

Routledge Research in Art History

Establishing a "missed link" between the work of Piero Manzoni and Hélio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists' practices, particularly focusing on the shift from painting to performance in the long Sixties.

Establishing a “missed link” between the work of Piero Manzoni and Hélio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists’ practices, particularly focusing on the shift from painting to performance in the long Sixties.

from Abstraction to Participation

Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica

Black Playwrights and Heightened Text: When Shakespeare Ain't Enuf breaks down the misconception that heightened text sits only within a white tradition and brings the work of Black playwrights from across history to the forefront by highlighting the use of heightened dramatic text in their work.

Black Playwrights and Heightened Text: When Shakespeare Ain’t Enuf breaks down the misconception that heightened text sits only within a white tradition and brings the work of Black playwrights from across history to the forefront by highlighting the use of heightened dramatic text in their work.

When Shakespeare Ain’t Enuf

Black Playwrights and Heightened Text

In Perfect Peace

Drama and Utopianism in the Nineteenth Century

Performing Citizenship and German Amateur Theatricals

Making the Rules

Elevator Repair Service

Sound Design for the Visual Storyteller is an overview of the sound design process for the beginner filmmaker or storyteller, providing the foundational knowledge needed to succeed at utilizing and designing sound for visual stories, films, and even podcasts.

Creating Sound for Visual Media

Sound Design for the Visual Storyteller

Jason Robert Brown

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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