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Applin Warner R: Jason Robert Brown

Jason Robert Brown

A Critical Companion

Contemporary Critical Approaches

Madness in Print and Visual Culture

Rowena Hawkins develops an analysis of the European Shakespeare Festivals Network (ESFN) as a productive, intercultural space that destabilises traditional hierarchies in theatre. This book argues that ESFN performances offer audiences opportunities to rethink, rewrite and, crucially, to 'network' Shakespeare through active and comparative spectatorship. Hawkins explores the locations in which Shakespeare Festivals are held and the dislocations that occur when festival Shakespeares move between them, asking what it means to host a range of global Shakespeare productions in historically-significant locations, such as castles or reconstructed early modern theatres. She considers whether festivals hosted in such sites produce different meanings for festivalgoers than those hosted in modern theatre spaces. Using two audience research studies, Hawkins draws out interesting facts about what international Shakespeare festivals mean to those who attend them, what they can offer a divided Europe and how modern retellings of early modern plays influence and complicate local political contexts.

Networking Performance across Europe

Festival Shakespeares

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Afro-Latin America

Art and Anti-Racism in Latin America

Movement Training as a Catalyst for Change

Physicality and Acting

Physical Improvisation for Theatre Makers and Directors

The Pulse Approach

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

Cultural Histories of Theatre and Performance

Drama and Utopianism in the Nineteenth Century

Performing Citizenship and German Amateur Theatricals

Lyrics for Stacey Kent

The Summer We Crossed Europe in the Rain

Methuen Drama Agitations: Text, Politics and Performances

The Star Power of Reagan, Trump, and Zelensky

Performing Presidents

Jewish Lives

A revelatory look at the complex inner world of one of the twentieth century’s most beloved theatrical composers &nbsp; Stephen Sondheim (1930–2021) was a towering figure in American musical theater. Celebrated for his iconic Broadway shows such as Company, Sweeney Todd, and Into the Woods, his accolades include eight Tony Awards, multiple Grammy Awards, an Academy Award, and a Pulitzer Prize. In this intimate biography, Daniel Okrent follows Sondheim through the tumult of his upbringing and his parents’ divorce, his acquaintance with Oscar Hammerstein II and subsequent discovery of musical theater, and his rise to fame as both a lyricist and composer. &nbsp; Okrent shines new light on Sondheim’s tormented emotional life, wavering self-confidence, and alcoholism, drawing on the artist’s intimate correspondence with such notable figures as Hal Prince, Leonard Bernstein, and Arthur Laurents; exclusive interviews with his close friends and collaborators, including James Lapine and John Weidman; and Sondheim’s own oral history, which remained closed until his death. As Okrent explores the ways Sondheim’s music and lyrics express the inner man, he reveals a life that was defined by two parallel arcs: the movement from alienation to connection, and from ambivalence to resolution.

Art Isn’t Easy

Stephen Sondheim

Culture and Experiment in the Irish Free State

Performing Modernity

Jason Robert Brown

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