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Faktorovich Anna: Introduction to the
Attribution of Literature

Introduction to the Attribution of Literature

The Re-Attribution of the British 18th and 19th Century Corpuses

Routledge Critical Thinkers

Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.

This Routledge Critical Thinker is an introduction to the literary thought of three major classical thinkers: Plato, Aristotle and Longinus. Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.Including an annotated bibliography this guide offers a literary introduction to these classical thinkers and is ideal for Literature students studying theory and criticism.

Plato, Aristotle, Longinus

Classical Philosophers on Literature

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

Bloomsbury Handbooks

A state-of-the art reference to the field of systemic functional linguistics, providing a guide for advanced students and researchers in the field.

The Bloomsbury Handbook of Systemic Functional Linguistics

Language and Social Life [LSL]

Language and Culture in a Rural French Community

Revalorising Occitan in the 21st Century

Frühe Neuzeit

Alle drei Bände der von Jörg Jochen Berns herausgegebenen Edition Von Strittigkeit der Bilder. Texte des deutschen Bildstreits im 16. Jahrhundert sind als preisreduziertes Set zu erwerben. Die Bände geben verlässlich Einblick in eine deutschsprachige, theologisch grundierte Mediendebatte. Singulär ist die umfassende Zusammenstellung zum einen wegen ihres Umfangs von neunundneunzig historischen Texten auf mehr als zweitausendeinhundert Seiten, zum andern wegen der regionalen Vielfalt und konfessionellen Vielstimmigkeit dieser Zeugnisse: von Amling, Bucer, Buchstab, Bullinger bis hin zu Quad, Schwenckfeld, Zwingli. Nicht nur werden viele der Dokumente hier erstmals seit vier Jahrhunderten wieder ediert, sondern auch zum ersten Mal zusammengestellt und so miteinander konfrontiert, dass es möglich wird, Gemeinsamkeiten und Differenzen zu erkennen, Leitbegriffe zu verfolgen und argumentative Muster freizulegen. Die Texte werden durch Anmerkungen und umfängliche Nachworte kommentiert und durch umfangreiche Register erschlossen. Als Handwerkszeug bildwissenschaftlichen Forschens, insbesondere auf kunsthistorischem, kirchengeschichtlichem, volkskundlichem, psychologiehistorischem, mediengeschichtlichen oder germanistisch-linguistischem Terrain, ist die Sammlung unverzichtbar.

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

Object Lessons

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts-yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama's fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts—yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama’s fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Fist

Fundamentals of Ecocriticism and Environmental Literature

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that the popularity of typologies in France participated in the construction of a national ideal conceived as a sum of individual parts. Tholozany shows that types such as the dandy, flâneur, and grisette abounded in plot-riven literary genres and in journalistic sketches, signaling a fear of obsoleteness that continually evolving printing technologies cast on social thought, thereby inaugurating a new way of thinking about society.

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that they played a role in the construction of a national ideal in France during the period. As Tholozany shows, types such as the dandy, flÃ¢neur (including the child flÃ¢neur), and  grisette abounded, both in plot-driven literary genres and in journalistic sketches. At the same time, in classifying and describing these types, writers such as Jules Janin and Honoré de Balzac in collaboration with graphic artists insisted on the impossibility of establishing a stable social taxonomy. This paradoxical gesture, Tholozany claims, has larger consequences, since the social type’s resistance to a stable classification ultimately points to the difficulty of defining national identity as the sum of its typological parts. Reminding us that character, type, and stereotype are all words borrowed from printing technologies, Tholozany suggests that the types in what Walter Benjamin called panoramic literature signal a fear of obsoleteness that continually evolving printing technologies cast on social thought, a response that inaugurated a new way of thinking about society.

The (Un)Making of National Identity in France

Social Types in Nineteenth-Century French Literature and Journalism

De Gruyter Studium

Die Editionswissenschaft ist eine Grundlagenwissenschaft für alle Fächer, in denen Medien der verschiedenen Art zuverlässig aufbereitet und zur Verfügung gestellt werden müssen. Entsprechend benötigen Editoren neben einem fundierten Fachwissen gute Kenntnisse in editorischer Theorie und Praxis. Da sich aber die Editionswissenschaft im wesentlichen aus der Germanistik entwickelt hat und oft noch als Hilfswissenschaft ohne großen Anspruch gilt, fehlt es an allgemeinen Richtlinien, die für alle Fächer gleichermaßen gelten können. Theoretische Überlegungen über die Fächergrenzen hinaus gibt es kaum. Das Studienbuch unternimmt den Versuch, sich nicht auf eine Disziplin und das Medium ,Text' zu beschränken. Es hat aus diesem Grund stets die anderen Fachrichtungen und Medien (Musik, Bild, Film) im Blick. Zudem geht es nicht allein um praktische Probleme, sondern ebenso um theoretische, die wiederum nicht allein Texte betreffen. Ziel ist es, die Editionswissenschaft auf eine einheitliche Basis zu stellen und so zu zeigen, dass es sich tatsächlich um ein eigenständiges Fach handelt.

Editorial studies: a fundamental intermedial discipline for all subjects which require media of various kinds to be reliably processed and made available. Besides well-founded knowledge of their subjects, editors need knowledge and skills in the theory and practice of editorship. To date, however, there has been an absence of general guidelines which can be applied to all subjects. The present textbook develops these guidelines in order to provide a unified basis for editorial studies.

Einführung in die Editionswissenschaft

Millennium-Studien / Millennium Studies

Kurzfassung (epitome), Sammlung (sylloge), Auswahl (anthologia), Kommentar (hypomnema) und Glossar (glossai) sind derivative Textsorten, mit denen sich die Forschung bislang vor allem in thematisch eng fokussierten Spezialuntersuchungen beschäftigt hat. Der wichtige Dienst aber, den diese Texte im literarischen Feld der Antike grundsätzlich leisten, wurde noch nicht hinlänglich gewürdigt.Zum ersten Mal werden in dieser Studie die genannten Textsorten zusammen in den Blick genommen und als Ausprägungen eines allgemeineren Phänomens verstanden: Als dienende ‚Auxiliartexte‘ tragen sie auf verschiedene Weise dazu bei, dass wichtige Primärtexte verfügbar, bewältigbar, verständlich und relevant bleiben, auch nachdem sie sich aus ihrem ursprünglichen Produktions- und Rezeptionskontext gelöst haben.Zunächst wird hier das Konzept der ‚Auxiliartexte‘ entwickelt. Dann richtet sich der Blick auf die literarische Praxis; analysiert werden knapp dreißig griechische und lateinische Auxiliartexte – unter besonderer Beachtung ihrer Proömien – aus mehreren Jahrhunderten und Fachdisziplinen. Schließlich werden die bemerkenswerte Allgegenwart und textsortenmäßige Ausdifferenzierung von Auxiliartexten kommunikationstheoretisch erklärt.

Praxis und Theorie einer Textfunktion im antiken literarischen Feld

Auxiliartexte

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. The significance of metafiction to this field is very great—arguably even more so than within modern literature studies, despite the greater prevalence of metafictions in later texts—because it necessarily implies that a text is fictional, and that its author was aware of it as such. Some have argued that the ancients had no clear concept of ‘fiction’, nor the literary-critical tools to think about and analyse it. While some other scholars have recently begun to refer to metafiction in studies devoted to individual literary texts, no general study exists of the use of metafiction in ancient literature and the implications of this for our understanding of fiction in antiquity.This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an ‘archaeology’ of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

Introduction to the Attribution of Literature

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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