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Produkt vom BFSG ausgenommen: Hersteller ist Kleinstunternehmen

Marcelo Delfini

Daniela Dubbini

Manuel Lugones

Ivana Rivero

Innovación y empleo en tramas productivas de Argentina

Introducción. Marcelo Delfini, Daniela Dubbini, Manuel Lugones e Ivana, Rivero &#13;
&#13;
Primera parte&#13;
Vinculación entre firmas en sectores primarios: Los casos de las tramas&#13;
vitivinícola, frutícola e hidrocarburífera&#13;
&#13;
El modelo centenario de la vitivinicultura mendocina: Génesis, Desarrollo y Crisis (1870-1980), Ana María Mateu &#13;
&#13;
La trama vitivinícola en la provincia de Mendoza, Adriana Bocco, Laura Alturria, Ana María Ruiz; Guillermo Salvarredi, Hernán Vila y Jerónimo Oliva&#13;
&#13;
La trama frutícola en el alto valle de Río Negro y Neuquén.&#13;
Evolución histórica y situación actual, Graciela Landriscini, Osvaldo Preiss,&#13;
Facundo López Raggi, Verónica Rama e Ivana Rivero &#13;
&#13;
Estudio de la trama de la industria de los hidrocarburos en la Provincia de Neuquén, Roberto Kozulj y Manuel Lugones&#13;
&#13;
Segunda Parte&#13;
Tramas productivas en actividades industriales tradicionales&#13;
&#13;
Trayectoria de la industria automotriz en la Argentina desde sus inicios hasta finales de la década de 1990, María Inés Barbero y Jorge Motta&#13;
&#13;
Articulación y desarrollo de competencias en la trama automotriz argentina: morfología, innovación y empleo, Jorge Motta, Sonia Roitter, Marcelo Delfini, Gabriel Yoguel y Darío Milesi &#13;
&#13;
La siderurgia en la Argentina: origen y morfología, perfil del mercado y contexto internacional, José Borello, Hernán Morhorlang, Verónica Robert, Diego Silva Failde y Paula Suárez&#13;
&#13;
Tercera Parte&#13;
Nuevos sectores. ¿Nuevas tramas? Un análisis en el INVAP&#13;
y en la vinculación software y agricultura &#13;
INVAP y el desarrollo de una trama de base tecnológica: evolución histórica y situación actual, Roberto Kozulj y Manuel Lugones &#13;
&#13;
Informática para el sector agrícola y ganadero en la región pampeana, Ignacio Albornoz &#13;
&#13;
Cuarta parte&#13;
Las políticas públicas vinculadas a tramas &#13;
&#13;
Tramas, redes y políticas: Políticas públicas e instrumentos de promoción&#13;
y políticas públicas para el desarrollo detramas productivas,&#13;
Lionel Korsunsky, Analía Erbes, y Gabriel Yoguel&#13;
&#13;
Conclusiones &#13;
&#13;
Tramas productivas en la Argentina: unidad y diversidad en sus trayectorias,&#13;
Osvaldo Priess, Marcelo Delfini y José Borello

In September 1933, the Peruvian Rubber Company delivers nineteen indigenous people from the Amazon to businessman Amado Dam, intended for Argentina's first Ethnographic Theme Park. Unexpected among the human cargo is an artefact harbouring a sloth with a fascinating yet terrifying secret: the ability to create erotically explosive telepathic connections between people. What ensues is a raucous satire of men's fear of women's bodies, of the illusion of logic in the structures of so-called civilisation, and the way class and race obscure identities when the observer is a man with power.In The National Telepathy, Roque Larraquy, one of the most original voices in contemporary Argentinian literature, brings us a literary high-wire act, an over-the-top comic grotesque about atrocity. This shocking, bizarre, funny, imaginative novel lays all-too-bare the secret longings and not-so-secret machinations of a social class that will stop at nothing in order to stay on top.

The National Telepathy

Migdlys del Carmen González Marín

Saberes gerenciales para la innovación en las micropymes

A NEW YORK TIMES AND NEW YORKER BEST BOOK OF THE YEAR •&nbsp;A poet, a physicist, and a philosopher explored the greatest enigmas in the universe—the nature of free will, the strange fabric of the cosmos, the true limits of the mind—and each in their own way uncovered a revelatory truth about our place in the world “[A] mind-expanding book. . . . Elegantly written.” —The New York Times “A remarkable synthesis of the thoughts, ideas, and discoveries of three of the greatest minds that our species has produced.” —John Banville, The Wall Street Journal Argentine poet Jorge Luis Borges was madly in love when his life was shattered by painful heartbreak. But the breakdown that followed illuminated an incontrovertible truth—that love is necessarily imbued with loss, that the one doesn’t exist without the other. German physicist Werner Heisenberg was fighting with the scientific establishment on the meaning of the quantum realm’s absurdity when he had his own epiphany—that there is no such thing as a complete, perfect description of reality. Prussian philosopher Immanuel Kant pushed the assumptions of human reason to their mind-bending conclusions, but emerged with an idea that crowned a towering philosophical system—that the human mind has fundamental limits, and those limits undergird both our greatest achievements as well as our missteps. Through fiction, science, and philosophy, the work of these three thinkers coalesced around the powerful, haunting fact that there is an irreconcilable difference between reality “out there” and reality as we experience it. Out of this profound truth comes a multitude of galvanizing ideas: the notion of selfhood, free will, and purpose in human life; the roots of morality, aesthetics, and reason; and the origins and nature of the cosmos itself. &nbsp; As each of these thinkers shows, every one of us has a fundamentally incomplete picture of the world. But this is to be expected. Only as mortal, finite beings are we able to experience the world in all its richness and breathtaking majesty. We are stranded in a gulf of vast extremes, between the astronomical and the quantum, an abyss of freedom and absolute determinism, and it is in that center where we must make our home. A soaring and lucid reflection on the lives and work of Borges, Heisenberg, and Kant, The Rigor of Angels movingly demonstrates that the mysteries of our place in the world may always loom over us—not as a threat, but as a reminder of our humble humanity.

Borges, Heisenberg, Kant, and the Ultimate Nature of Reality

The Rigor of Angels

Salt lakes are some of the world's most extraordinary ecosystems but nearly all of them-from the Great Salt Lake to the Aral Sea-are drying up, a harbinger of dust storms, rising sea levels and worsening human health. In this dazzling love letter to strange and delicate waters and a moving odyssey into her own identity, Caroline Tracey takes readers around the world to document salt lakes, their loss and the efforts underway to save them. She explores how the lakes have reflected the fast-changing environment through Mormon diaries, Soviet realist novels and Australian Aboriginal paintings. And she unravels the lakes' lessons for her own life as she finds queer love and a sense of home in an imperfect world. An unforgettable coming-of-age story and an exquisite work of nature writing, Salt Lakes is a moving call to fight for all that is fragile in our lives.

An Unnatural History

Salt Lakes

This landmark collection provides new insights, concepts and techniques to understand and respond to tort claims based on illegal conduct. It is the first comparative study of this difficult field, which has remained contested despite numerous decisions of the highest courts in the common law world. The collection draws on scholars from common law and civilian jurisdictions spanning Argentina, Australia, Brazil, England and Wales, France, Germany, Italy, the Netherlands, Scotland, Singapore, Spain, South Africa and Sweden. Together they set out fact patterns, and justifications for tort liability to illustrate the coherence and unity that exists when courts address such claims. While common law legal systems have developed a specific defence of illegality for some of those fact patterns, civilian jurisdictions tend to see illegality operating, if at all, through the existing components of tort liability. The book explains how these different approaches have been reached, how they work, and what they reveal about reasoning in tort.

Comparative Lessons on Legal Reasoning

Understanding Tort Claims and Illegality

machina

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Adolfo Bioy Casares sah im Kino eine gewaltige Herausforderung für die Literatur, auf die er mit spezifisch literarischen Strategien reagierte. Bei den Verfilmungen seiner Texte erwiesen sich just diese Techniken als große Hürden: Die Herausforderung durch den Film wandelte sich zu einer Herausforderung an den Film. Matthias Hausmann widmet sich den filmisch geprägten Texten des argentinischen Autors sowie deren Adaptionen für die Leinwand. Damit rückt er einen bislang wenig beachteten Komplex der Film-Literatur-Beziehungen in den Fokus und gewinnt dadurch neue Erkenntnisse über narrative Verfahren, insbesondere die mise en abyme.

Film und Literatur als gegenseitige Herausforderung

Adolfo Bioy Casares und das Kino

Discover the world’s most iconic train journeys and soak up the geography, heritage, and quiet luxury that makes each unique.&nbsp; Spanning six continents, the journeys range from epic, multi-day odysseys to delightful local rides to capture the simple joys of rail travel.&nbsp; Each journey is brought to life with:&nbsp;<ul><li>Commissioned illustrations that evoke the spirit of each route.&nbsp;</li><li>An exploration of the cultural and historical significance of the trains, tracks, and stations. &nbsp;</li><li>Highlights to watch for along the way, from architectural gems and engineering feats to natural wonders and stunning landscapes.&nbsp;</li></ul> Travel through the snow-covered peaks of Switzerland, the vast deserts of Australia, the lush valleys of Japan, and the dramatic coastlines of Norway. Encounter tales of lions in Kenya, elephants on Namibian tracks, and wartime escapes in the Alps. Whether it’s the Ghan, the Glacier Express, or the Settle &amp; Carlisle, each route invites readers to experience the world from the window of a train.&nbsp; Perfect for armchair travellers, train enthusiasts, and lovers of slow travel,&nbsp;Great Rail Journeys is a giftable tribute to the enduring magic of railways. It’s a book to inspire your next adventure, or simply to enjoy the ride.&nbsp;

36 Adventures from Across the World

Great Rail Journeys

A lively inquiry into a literary genius, the translators who immortalized him, and what it means to cultivate a rich inner life in turbulent times"What happens to a writer's work when it is translated–specifically, what happens if his name is Franz Kafka?"In Kafkaesque, Maïa Hruska traces the strange, shape-shifting legacy of one of literature’s most elusive figures—not through traditional biography but through the lives of his earliest and most influential translators. With rigor and élan, she shows us how our understanding of Kafka is inevitably filtered through these voices, many of whom were, or would become, major writers and thinkers in their own right.Jorge Luis Borges rendered Kafka into Spanish, recognizing in him a fellow architect of the infinite. Primo Levi used the German he acquired in a concentration camp to bring The Trial into Italian despite the “psychoanalytic repulsion” he felt toward Kafka. Bruno Schulz published his Polish edition of the same novel before being shot by a Nazi officer. Vladimir Nabokov annotated The Metamorphosis in exile, having undergone his own transformation–from native to foreigner. Milena Jesenská, Kafka’s great love, translated him into Czech, a language he was both surrounded by and estranged from.What emerges across these essays isn’t just a portrait of a legendary writer and his translators but also a portrait of the twentieth century itself—its fractures and displacements, its aesthetic revolutions, its ethical crises. Part cultural history, part group biography, Kafkaesque is a dazzling meditation on language, identity, and the irreducible strangeness of reading and being read.

A lively inquiry into a literary genius, the translators who immortalized him, and what it means to cultivate a rich inner life in turbulent times "What happens to a writer's work when it is translated–specifically, what happens if his name is Franz Kafka?"In Kafkaesque, Maïa Hruska traces the strange, shape-shifting legacy of one of literature’s most elusive figures—not through traditional biography but through the lives of his earliest and most influential translators. With rigor and élan, she shows us how our understanding of Kafka is inevitably filtered through these voices, many of whom were, or would become, major writers and thinkers in their own right. Jorge Luis Borges rendered Kafka into Spanish, recognizing in him a fellow architect of the infinite. Primo Levi used the German he acquired in a concentration camp to bring The Trial into Italian despite the “psychoanalytic repulsion” he felt toward Kafka. Bruno Schulz published his Polish edition of the same novel before being shot by a Nazi officer. Vladimir Nabokov annotated The Metamorphosis in exile, having undergone his own transformation–from native to foreigner. Milena Jesenská, Kafka’s great love, translated him into Czech, a language he was both surrounded by and estranged from. What emerges across these essays isn’t just a portrait of a legendary writer and his translators but also a portrait of the twentieth century itself—its fractures and displacements, its aesthetic revolutions, its ethical crises. Part cultural history, part group biography, Kafkaesque is a dazzling meditation on language, identity, and the irreducible strangeness of reading and being read.

From Jorge Luis Borges to Primo Levi, Ten Writers Who Translated Kafka and Transformed Twentieth-Century Literature

Kafkaesque

In a world of lies, proof is power. John Dyer must take on a deadly political conspiracy in order to bring his friend's killer to justice in this gripping thriller by an award-winning writer. 'An addictive page-turner' Charles Beaumont Forty years ago four university friends in Michigan witnessed a terrible crime that went unpunished. John Dyer has done his best to forget that day but when two of the group die in suspicious circumstances his journalistic instincts push him to investigate. Why, after all this time, they are being silenced? Little does Dyer know that he is walking into a dangerous political conspiracy. When you're up against a presidential candidate and his operatives, and you can't trust anything you're told, how will Dyer find the proof he needs? 'Superbly written, with atmosphere, intelligence and tension, it reminds you of the best of Graham Greene. There can be no higher praise' Daily Mail 'A terrific novel' Literary Review

Frame 37

Culture - Environment - Society / Humanities and beyond

Este volumen reúne seis ensayos que analizan la narrativa de Mariana Enriquez, considerada la "reina del terror argentino", desde perspectivas feministas, ecológicas, urbanas y culturales. Editado por Zofia Grzesiak y Gerardo Beltrán, el libro examina cómo Enriquez reescribe la tradición del gótico rioplatense, combinando lo fantástico con la crítica social y política. Los estudios abordan temas como el ecofeminismo, la violencia de género, la salud mental, la ciudad y las creencias populares. Se trata de la primera monografía publicada fuera de Argentina dedicada íntegramente a su obra, lo que subraya su proyección internacional y la relevancia global de su literatura.

Las fuerzas extrañas de Mariana Enriquez: seis lecturas críticas

'It's a total mind-wrecker' - Max Porter, author of Shy 'The book I wish I had written' - Lisa Taddeo, author of Three Women 'Utterly gripping' - The Observer 'Dazzling' - Evening Standard Amanda knows she has to answer the questions. Lying feverish and unseeing in her hospital bed, she tries her best to account for how she came to be there. She remembers the lake, the house and the strange woman next door with her unthinkable confession. She remembers the fear of losing her young daughter, Nina. Now she is alone and Nina is gone. At what moment did everything go dark? Shortlisted for the International Booker Prize, Fever Dream is an unforgettable masterpiece of psychological terror from Samanta Schweblin. 'I picked up Fever Dream in the wee hours, and a low, sick thrill took hold of me as I read . . . I was checking the locks in my apartment by page thirty. By the time I finished the book, I couldn't bring myself to look out the windows' - Jia Tolentino, The New Yorker

The bone-chilling International Booker shortlisted novel

Fever Dream

**LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2026** **Winner of the National Book Award for Translated Literature** A sumptuous and surreal historical reimagining of one of South America's best-known trans men, Antonio de Erauso 'Playful and devastating, tender and enraging' INTERNATIONAL BOOKER JUDGES, 2026 'Luminous' SAMANTA SCHWEBLIN 'Bold and compassionate' Financial Times From deep in the wilds of the New World, Antonio de Erauso writes a letter to his aunt, the prioress of the convent he escaped as a young girl. Since leaving his past behind, he's become Antonio, conquistador. Now, hiding in the jungle and hounded by the army he deserted, Antonio is caring for two Guaraní girls he rescued from enslavement. But the New World has one more metamorphosis in store, which might save them all from extinction. Tender and surreal, We Are Green and Trembling conveys glimmers of hope for the future within the brutal colonial history of Latin America, finding in the rainforest a magical space for transformation. 'Profoundly resonant... the power of storytelling to reclaim what history tries to erase' Chicago Review of Books 'Sensuous and searing - a queer anticolonial picaresque' Publishers Weekly 'Gabriela Cabezón Cámara's writing is singular in the Spanish language' FERNANDA MELCHOR Translated by Robin Myers

We Are Green and Trembling

Innovación y empleo en tramas productivas de Argentina

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