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Tamika D Mallory: I Lived to Tell the
Story

I Lived to Tell the Story

A Memoir of Love, Legacy, and Resilience

In Lawyers and Social Movements, Scott L. Cummings explores the role of lawyers in social movements at a moment in which that role has taken center stage in American legal theory and practice. This book is a comprehensive analysis of how lawyers mobilize law to advance movement goals and what impact they have within liberal democracy. Cumimings' central contribution is to show how lawyers act as allies-and sometimes leaders-in struggles for transformative and enduring democratic change.

An innovative approach for understanding how law matters in contemporary social movements that rise to meet the twin challenges of American democracy: promoting liberal values of equality and inclusion, while fortifying the rule of law itself.

Fifty years after the Civil Rights Movement, America confronts a new democratic reckoning. What role do-and should-lawyers play in strengthening collective action at this pivotal moment? In Lawyers and Movements, Scott L. Cummings offers an innovative answer to this age-old question, breaking from the legacy of legal liberalism to reveal the essential, yet underappreciated, work of lawyers in social struggle-redefining legal mobilization in transformative times. Building from a sweeping analysis of progressive legal theory and practice, Cummings challenges foundational critiques of lawyers as inaccurate and ill-suited to the current context. In response, he advances a new theory of legal mobilization in which control over law is at the heart of movements rising to meet the twin challenges of contemporary liberalism: promoting inclusion and equity, while fortifying democratic institutions. A call to radically rethink how lawyers contribute to progressive change, Lawyers and Movements asserts a timely challenge to democracy in crisis.

Legal Mobilization in Transformative Times

Lawyers and Movements

Creating for Playing, Learning, and Growing

Designing for Kids

The Impact of Race on American Infrastructure

White Care

A Family Story of Love, Loss and Obsession

Kutchinsky's Egg

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

Find Freedom from Chronic Overperformance

Life Reclaimed

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

I Lived to Tell the Story

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