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Balka J: I Hope You Remember

I Hope You Remember

Poems on Loving, Longing, and Living

"One of the most important and original poets of the twentieth century, May Swenson (1913-1989) was born in Utah to Swedish immigrant parents. After graduating from Utah State University and working briefly as a reporter, she moved to New York City in the mid-1930s and began her life as a poet. She took various office jobs to support herself, including time with the Federal Writers' Project and, later, as a manuscript reader for New Directions in the 1950s. Swenson went on to publish seven collections of poetry (with several more collections published posthumously), and three poetry books for children. Swenson's work is often compared to the poetry of E. E. Cummings and Elizabeth Bishop, with whom Swenson corresponded for decades. Her many awards include the Shelley Memorial Award, the Bollingen Prize, and the Award in Literature from the National Institute of Arts and Letters. She was a Chancellor of the Academy of American Poets from 1980 to 1989. This book provides an account of Swenson's life that draws on her extensive diaries, which have never been made available to the public. The narrative concentrates on Swenson's life from 1935 to 1959, a period that encompasses her departure from Utah, her personal and professional struggles before her first breakthrough publications, and her early years of literary success. The poet expresses her anxieties and aspirations as she experiments with her sexuality, extricates herself from a sheltered Mormon upbringing, and begins a new life in New York at the height of the Depression. The author traces Swenson's struggles with poverty, anonymity, and predatory men; her romantic relationships, primarily with women; the people she met, books she read, and the work she produced, offering a unique portrait of the times, the place, and a poet who resisted labels throughout her life"--

May Swenson, A Writer's Life

The Key to Everything

It's full. She saidI officially have no space left. All my heart is taken upWith love for you in my chest. From one of the UK's leading performance poets, this collection celebrates the very best types of mum, including mum as gamer, party animal, slob and free spirit.

My Mum and Other Poems

Teaching Poetry in a Digital World supports ELA educators for grades 6-12 to incorporate digital literacy in their classroom through teaching the reading and writing of poetry.

Teaching Poetry in a Digital World supports ELA educators for grades 6-12 to incorporate digital literacy in their classroom through teaching the reading and writing of poetry.

Inspiring Poetry Writing through Technology in Grades 6-12

Teaching Poetry in a Digital World

Bloomsbury Introductions to World Philosophies

Where does the great Bengali poet and philosopher Rabindranath Tagore stand in today's global world? The legacy of Rabindranath Tagore is vast. No writer in the history of India and Asia in general matches his variety and range of creation. In this book, Ramin Jahanbegloo looks beyond the poetry and literature for which Tagore was awarded the Nobel Prize, showing how his thinking enriches every branch of the humanities - philosophy, pedagogy and the arts. Each chapter is dedicated to one aspect of Tagore's philosophy: his vision of human nature and its relation to Nature and God; his views on interculturality and dialogue among cultures; the idea of universal education and its influence on modern educative institutions. Reading Tagore as an intercultural thinker, Jahanbegloo seeks to understand how he confronted violent and fanatic orders. He places an emphasis on Tagore's social and political contributions, his dialogue with Gandhi and his approach to colonialism. Attempting to bring civilisations and cultures closer together, Tagore answered many of the intellectual, moral and spiritual crises of his time. His work has inspired writers and intellectuals from different parts of the world for more than a century. This far-reaching exploration of the many facets of Tagore's multi-dimensional thoughts allows us to understand why.

Thinking Across Cultures

The Philosophy of Rabindranath Tagore

Drawing on a total of 8,308 haiku poems written by 834 English as Foreign Language (EFL) university students in Japan, this book explores the value, possibility, and potential of teaching and researching English-language haiku in second and foreign language (SFL) contexts.

Drawing on a total of 8,308 haiku poems written by 834 English as Foreign Language (EFL) university students in Japan, this book explores the value, possibility, and potential of teaching and researching English-language haiku in second and foreign language (SFL) contexts.

Evocative Voice in Second Language Poetry Writing

Haiku Across Borders

Poems

Thinking with Trees

Andrew Lang (1844-1912) made his name in the last quarter of the Victorian era in a remarkable number of literary and intellectual fields. This is the first annotated edition of Lang's poems, bringing together his books of verse and over 150 additional poems, many of them collected for the first time.

The Poems of Andrew Lang

Radiant poems from the bestselling author of Memphis

Magic Enuff

A New York Times Book Review Editors’ Choice “A comprehensive biography of . . . one of the most acclaimed poets of her generation and a face of American feminism.”—New York Times A major American writer, thinker, and activist, Adrienne Rich (1929–2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich’s correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations.

A Biography

The Power of Adrienne Rich

The Basics

Poetry: The Basics

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds ('real' and 'imaginary') unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre's poems never stray too long or too far from the spell of unspoiled nature: "The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely."
Friends 'with benefits' tour the wonders of Grenada's landscapes; extraterrestrials visit the Caribbean and the locals don't seem phased; red birds "saunter airily like tourists," La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

Myth

"In this book, Meredith Martin presents a historical account of prosodic criticism and, through the example of her own research path, argues for new scholarly practices in literary studies and the humanities more broadly. Challenging the common scholarly practice of emphasizing one critical narrative, one pathway through history or one author's reading, the book traces three arcs: the effects of the major shift in the late twentieth century from print-based to digital resources in scholarship with the emergence of the World Wide Web; Martin's experience as a scholar who coordinated a digital project about the history of the study of poetry, which led to the creation of the Princeton Prosody Archive and the founding of Princeton's Center for Digital Humanities (CDH); and the mix of computational and aesthetic elements in the study of prosody, including the study of versification and meter, in the broader context of English literary study as a discipline. Across these three arcs, Martin argues that scholars must take seriously the idea of digital media as mediation, through which textual forms are transformed into data and delivered to us via data structures, and that our reading of historical texts in digital forms must reckon with these mediations. She also demonstrates the connection between the intellectual labor of studying prosody-or any historical object-and the intellectual labor of fostering a collaborative research process. "This is a book," she writes, "about the shifting grounds of knowledge production in the digital age, and how we might situate ourselves amid these shifts by returning to, of all things, poetry.""--

Why literary studies must confront digital mediation We live and research in a technologically mediated landscape in which old models of reading and researching—methods that presume an autonomous, single scholar gathering resources and making claims—no longer hold. Scholars have yet to theorize either the embeddedness of their sources inside multiple layers of mediation or their own place in an information ecosystem that demands our active participation. In Poetry’s Data, Meredith Martin explores what current access to data might mean for mapping the discourse of poems. Martin’s account of her work learning about digital humanities so that she could build a database of historic prosodic materials becomes a through line in a narrative that chronicles how literature has understood poetry’s data—its sounds—from the sixteenth century to the present day. Digital knowledge infrastructures have historical antecedents that scholars have been trained to theorize. And yet, as Martin points out, we have not been trained to identify and navigate, let alone critique, the current landscape of knowledge production. Through five chapters and five examples from the Princeton Prosody Archive, Martin shows that the histories of mediation and format are essential to the teaching of poetry and poetic form.

Digital Humanities and the History of Prosody

Poetry's Data

I Hope You Remember

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