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Bieber F: Hvar in the Modern Age

Hvar in the Modern Age

Identity and Change in Southeast Europe

The Next World War: The new age of global conflict and the fight to stop it

How Central European Émigrés Transformed the British Twentieth Century

The Alienation Effect

Cambridge Latin American Studies

A Study in Ethnographic and Spatial History

The Making of Brazilian Amazonian Societies

Die C. Müller Gummiwaren AG und der Beginn des Massenmarkts, 1875-1948

Körper, Kautschuk, Kolonien

A Memoir with Manuscripts

The Migrants

Daniel Defoe's Secret Service and the Plot to End Scottish Independence

A Spy Amongst Us

Europe, Empire, and Identity from Late Antiquity to World War II

Phantom Byzantium

Bloomsbury Studies in Modern Architecture

Robin Boyd was Australia's foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd's geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time. The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd's development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd's fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd's commitment to a broader national project and the shaping of Australian identity.

Robin Boyd was Australia’s foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. 

This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd’s geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time.
     
The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd’s development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd’s fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd’s commitment to a broader national project and the shaping of Australian identity.

Australian Architect, International Critic

Robin Boyd

Treasure and Ghosts in the London Clay

Stony Jack and the Lost Jewels of Cheapside

Histories of Internationalism

This book explores how American internationalism and Eastern European social science influenced and reshaped each other in the 1930s, giving rise to the phenomenon of transnational social science. By tracing interactions between Polish and Jewish scholars and American internationalists, it reveals how politically relevant knowledge-on nations, nationalism, and migration-evolved into the area studies on Eastern Europe that emerged at American universities during the early Cold War. Following Woodrow Wilson's interest in Eastern Europe, a group of American internationalists-primarily linked to Columbia University, think tanks, and philanthropists-worked to establish a network of experts in the region. In their effort to support peace and democracy, they sought to advance social-scientific knowledge of Eastern Europe's contested borderlands. Poland and the Making of Transnational Social Science explores how interactions between scholars-Polish and Jewish intellectuals and their American counterparts-shaped interwar transnational thought on self-determination, nationalism and national indifference, anti-Semitism and racial exclusion, migration, and assimilation. This knowledge circulation played a key role in the evolution of 1930s social science and its transition into American Cold War area studies.

Eastern Europe, the United States and the Wilsonian Moment

Poland and the Making of Transnational Social Science

From Roman Britain to the Anglo-Saxons

How England Began

'The portrait of a fascinating, eccentric, and indomitable woman . . . an incandescent novel' Elle 'No author has yet captured Frida's tragic life in words as sensually and passionately as this' Grazia 'Claire Berest writes as captivatingly and vividly as Frida Kahlo painted' Paris Match WINNER OF ELLE FRANCE'S GRAND PRIX DES LECTRICES * Frida doesn't speak, she yells. She curses like a sailor and demonstrates with the communists on the streets of Mexico City. She likes drinking tequila, putting flowers in her hair, talking crudely about sex, and parties that wake the dead. Even when her body is wracked with pain, she paints. Frida suffered two terrible accidents in her life, one in which a streetcar knocked her down - the other accident was Diego Rivera. Her greatest vice. The love of her life. The most famous artist in Mexico. A man who is as hard to live with, as he is to be without. Translated into English for the first time, Claire Berest's award-winning novel is a striking fictional imagining of the vibrant life of one of the world's most enigmatic and beloved artists: Frida Kahlo.

The award-winning novel about the colourful and captivating life of Frida Kahlo

Frida

Hvar in the Modern Age

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