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'Irresistibly fascinating'MARIE CLAIRE GREECE'Essential' VICTORIA HISLOP'Brilliantly conceived'PAUL CARTLEDGEAn enormous bestseller in Greece, this is a bold, witty retelling of the story of Ancient Greece by a rising star in archaeology

Papakostas T: How to Fit All of Ancient
Greece in an Elevator / LF

How to Fit All of Ancient Greece in an Elevator

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

An in-depth exploration of the network of agencies involved in policing child pornography—and what the future of security and care looks like. Facing the Child investigates the technocratic expertise in the policing of child sexual abuse material (CSAM). Mitali Thakor argues that CSAM has come to be framed as primarily a digital problem, to be resolved digitally, thereby unleashing a new form of corporatized policing helmed by global technology companies. Ambitious in scope, this multi-sited global ethnography draws on four years of original fieldwork and interviews with technology companies in the US, the United Nations in Bangkok, Thai and Dutch NGOs, and law enforcement in the US and the Netherlands. The book argues that in the 2010s, a network of technology companies, NGOs, and law enforcement created the notion of a “virtual child” in need of techno-solutionist saving to justify a vast expansion of surveillance technologies. The book examines how pervasive myths of child abuse online were exploited to serve the aims of seemingly disparate groups, from Christian neo-abolitionists to NGOs conducting virtual sting operations. It is this complex relationship between the care and securitization needed to fix the child victim as an object of data, concern, and rescue that the book explores.

Surveillance, Care, and the Policing of Violent Images Online

Facing the Child

Timeless Lessons in Business Leadership and Strategy from Ancient Rome and Classical Antiquity

Strategize Like Caesar

A Simple 12-Step Plan to Build and Pass Down Generational Wealth

Rich Mom, Richer Kid

The Final Day in Seven Lives

The Lost Voices of Pompeii

A Financial Times Book of the Year No other phenomenon has shaped human history as decisively as capitalism. It structures how we live and work, how we think about ourselves and others, how we organise our politics. Sven Beckert situates the story of capitalism within the largest conceivable geographical and historical framework in this fascinating new book. Capitalism, argues Beckert, was born global. Emerging from merchant communities across Asia, Africa and Europe, capitalism's radical recasting of economic life rooted itself only gradually. Then it burst onto the world scene, as European states and merchants built a powerful alliance that would propel them across the oceans. This epic drama corresponded at no point to an idealised dream of free markets. All along, state-backed institutions and imperial expansions shaped its dynamics. Capitalism decentres the European perspective, highlighting agency, resistance, innovation and ruthless coercion around the world through to the present with the rise of Asian economies, particularly China. Sven Beckert doesn't merely add up capitalism's debits and credits in this monumental book, but allows us to think afresh about the past to help us re-imagine the future.

A Global History

Capitalism

A provocative exposé of how our attention, behavior, and desires have been co-opted by the “choice box”—a curated set of options that offer a false sense of agency while funneling us down pre-determined paths controlled by a select few Choice boxes are all around us, but chances are you’ve never noticed them. Every time you click on a recommended video, rate an Uber driver, run a Google search, or invest in your 401k, you may think you’re the one calling the shots—but in reality, you’re limited to making the choices that a corporation wants you to make. Today, structured decision-making governs our lives to such an extent that we hardly see it at all. But who designs these choices, and whose interests do they serve? In Choose Your Own Captivity, historian Eli Cook introduces readers to the choice architects who first built these boxes and trapped us inside—from the maze-building eugenicist who invented the multiple-choice test to the marketing gurus who sold off our supermarket shelves to a few ultra-processed food giants. In less than a generation, architects like these have transformed a handful of online platforms into the richest businesses in the world. And by determining our options, controlling our actions, and even shaping our identities, they have laid the groundwork&nbsp;for the winner-takes-all game of digital capitalism that dominates us today. In a society built around the promise of free choice and personal responsibility, Cook argues, these hidden architects might just have the greatest power of all. A propulsive and vivid history, Choose Your Own Captivity opens readers’ eyes to the immense power of the choice box—and how to escape it.

A provocative exposé of how our attention, behavior, and desires have been co-opted by the “choice box”—a curated set of options that offer a false sense of agency while funneling us down pre-determined paths controlled by a select few Choice boxes are all around us, but chances are you’ve never noticed them. Every time you click on a recommended video, rate an Uber driver, run a Google search, or invest in your 401k, you may think you’re the one calling the shots—but in reality, you’re limited to making the choices that a corporation wants you to make. Today, structured decision-making governs our lives to such an extent that we hardly see it at all. But who designs these choices, and whose interests do they serve? In Choose Your Own Captivity, historian Eli Cook introduces readers to the choice architects who first built these boxes and trapped us inside—from the maze-building eugenicist who invented the multiple-choice test to the marketing gurus who sold off our supermarket shelves to a few ultra-processed food giants. In less than a generation, architects like these have transformed a handful of online platforms into the richest businesses in the world. And by determining our options, controlling our actions, and even shaping our identities, they have laid the groundwork&nbsp;for the winner-takes-all game of digital capitalism that dominates us today. In a society built around the promise of free choice and personal responsibility, Cook argues, these hidden architects might just have the greatest power of all. A propulsive and vivid history, Choose Your Own Captivity opens readers’ eyes to the immense power of the choice box—and how to escape it.

How Corporations Built Our Choices and Sold Our Freedom

Choose Your Own Captivity

To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge premium prices to thousands of eager subscribers. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes by analysing the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button. Useful reading for the general reader and for students and researchers involved with business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

Traditionally, the presence of pornography in American society has been mediated by two primary factors: legal restrictions and the relatively high cost of the product. The degree of legal restrictions on adult material has varied from era to era and community to community, but the porn premium has remained relatively constant. Given this, these should be heady days for adult business owners. Thanks to the Internet, distribution costs are virtually nil and even the most hardcore content is easily accessible in the smallest coastal hamlet and most rural farmhouse in America. Adult industry balance sheets should be bulging with profit. But in reality, far from it. The World Wide Web has completely eradicated both the legal restrictions and premium cost that used to govern adult industry economics. To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge thousands of eager subscribers premium prices. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes with a detailed analysis of the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button.Accessible to the general reader, this book will appeal to those who want to know more about the adult entertainment industry in America and will prove useful reading for students and researchers involved with a wide variety of academic disciplines including business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

The Pornography Business

A thrilling history of how we fell in and out of love with a technology that changed not just the world, but changed us. 'Science and technology never seem more exciting than when James Gleick is writing about them' - Elizabeth Kolbert, author of The Sixth Extinction 'Forces you to see the world with new eyes. Blending expertise with a thrilling narrative . . . I loved it!' - Alice Loxton, author of Eighteen and Eleanor 'Charts our distance-compressing, time-shifting telephonic adventure with exceptional brio and subtlety' - Stacy Schiff, author of The Revolutionary: Samuel Adams A supernatural instrument bringing voices from afar, the telephone burst onto the world stage 150 years ago, a triumphant story of individual ingenuity and vision. Instantly, the ability to speak across vast distances began to transform every part of life: from business organization to military tactics, from news gathering to sex work. But the story of The Telephone is also one of corrupt scheming and ruthless tactics; the race to the patent office, to make money, a contest replete with bribery, fraud and speculation. And no one, not even its inventors, realised what the telephone was good for or how ubiquitous it would become. As the telephone settled into the background - in offices and on streets, on bedside tables and kitchen walls - people forgot how they ever lived without it. Now, as landlines, telephone books and telephone boxes vanish into the past, bestselling author James Gleick shows how this commonplace object irreversibly changed not only the world but who we are as human beings. 'Gleick does what only the best science writers can do: take a subject of which most of us are only peripherally aware and put it at the center of the universe' - Time

A New History

The Telephone

This open access book is a cultural history of lawsuits that explains the development of French performance rights from la Belle Époque, via the roaring Twenties, and into Post-War France. It does so by analysing the ways in which performers, composers, and playwrights used French court rooms, newspaper scandals, and international conferences to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. Towards the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre, the rise of modern celebrity culture and mass media, to the French governments' management of radio entertainment in the interwar period, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime, while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emerging of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

From the Sunday Times bestselling author of Wild and Wicked Things comes a dark gothic fantasy about intoxication, obsession and a desperate hunger for knowledge, whatever the cost. 'A queer fairy tale of toxic romance that echoes with longing' Tanya Pell, author of Her Wicked Roots Thora Grieve finds herself destitute and an outcast after the sudden death of her husband, but a glimmer of hope arrives when a family friend offers her the chance to study botany under a famed professor. Once at the university, Thora becomes entranced by a mysterious young woman, Olea, who emerges each night to tend to the plants in the private garden below her window. Hungry for connection, Thora befriends Olea through the garden gate and their relationship quickly and intensely blossoms. Intoxicated, Thora throws herself into finding a cure for Olea's ailment and sinks deeper into a world of beauty, poison and obsession. She's finally found the freedom to pursue her darkest desires, but will it be worth the price? 'This Vicious Hunger will consume you like a sweet poison. May deftly unfurls the dark, dangerous underbelly of science, obsession and desire through the lens of three morally grey women that will keep you turning the pages long into the night' Maddie Martinez, author of The Maiden and Her Monster 'The dark, romantic gothic fantasy of my dreams! The atmosphere is truly luscious, the intrigue takes root in you and won't let go, and the payoff is absolutely delicious. I devoured it' Hannah Mathewson, author of Witherward Praise for Francesca May: 'Brimming with romance and gilded with danger, Wild and Wicked Things is a heady, lyrical gem of a book' Hannah Whitten, New York Times bestselling author of For the Wolf 'Haunting, immersive, and seething with dark magic, Wild and Wicked Things cast its spell on me' Alexis Henderson, author of The Year of the Witching 'Wild and Wicked Things ticked all my boxes . . . I couldn't put it down' Genevieve Gornichec, author of The Witch's Heart Readers are loving This Vicious Hunger: 'I absolutely loved every second' ¿¿¿¿¿ WOOOW. This book was such a fantastic read. I was on the edge of my seat the entire time, it was so intense and beautiful, and mysterious and romantic' ¿¿¿¿¿ 'The atmosphere and intrigue have you turning pages like there's no tomorrow!' ¿¿¿¿¿ 'If you looked up the definition of gothic fantasy, it would just be a picture of this book. add in slow burn and this is a feast fit for a king' ¿¿¿¿¿ 'Haunting and seething with dark desires' ¿¿¿¿¿ 'This Vicious Hunger delivers everything I want from a gothic fantasy . . . moody, claustrophobic, and full of dangerous beauty' ¿¿¿¿¿

This Vicious Hunger

A fairy-tale adventure full of dangerous magical creatures, perfect for fans of Sophie Anderson and Michelle Harrison, from the author of Wolf Siren, winner of the Carnegie Medal for Writing 2026'A wonderful book with buckets of warmth, wisdom and charm' Megan Hopkins, author of StarminsterIn the village of Greeth-Under-Edge, magical creatures are causing chaos. A green-toothed hag lurks in the river, a nest of gnomes are up to no good and a scatter of salamanders threaten to set everything on fire.Creirwy and Morfran, trainee sorcerers, have been sent to banish the creatures by brewing an almost impossible potion. To collect the ingredients, they'll need to go on an adventure with dangers at every turn.But as the twins journey through a moon fairy forest, into a hag's watery lair and to the top of a giant's beanstalk, they find that the most powerful magic is not always where you'd expect ...

Feather Vane

Halo

"2552. Having barely escaped the final battle for Reach against the vast alien alliance known as the Covenant, the crew of the Pillar of Autumn, including Spartan John-117--the Master Chief--and his AI companion Cortana, is forced to make a desperate escape into slipspace. But their destination brings them to an ancient mystery and an even greater struggle. In this far-flung corner of the universe floats a magnificently massive, artificial ringworld. The crew's only hope of survival is to crash-land on its surface and take the battle opposing the Covenant to the ground"--Back cover.

The bestselling adaptation of the iconic video game Halo: Combat Evolved featuring the Master Chief—part of the expanded universe based on the award-winning video game series! 2552. Having barely escaped the final battle for Reach against the vast alien alliance known as the Covenant, the crew of the Pillar of Autumn, including Spartan John-117—the Master Chief—and his AI companion Cortana, is forced to make a desperate escape into slipspace. But their destination brings them to an ancient mystery and an even greater struggle. In this far-flung corner of the universe floats a magnificently massive, artificial ringworld. The crew’s only hope of survival is to crash-land on its surface and take the battle opposing the Covenant to the ground. But they soon discover that this enigmatic ringworld is much more than it seems. Built one hundred thousand years ago by a long-lost civilization known as the Forerunners, this “Halo” is worshipped by the Covenant—a sacred artifact they hope will complete their religious quest for supposed transcendence, and they will stop at nothing to control it. Engaging in fierce combat, Master Chief and Cortana will go deep into the Halo construct and uncover its dark secret and true purpose—even as a monstrous and far more vicious enemy than the Covenant emerges to threaten all sentient life on Halo and the galaxy beyond…

HALO: The Flood

How to Fit All of Ancient Greece in an Elevator

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