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Yale Drama Series

A Yale Drama Series-winning play about self-defense, desire, and healing in the aftermath of a college rape.

A Yale Drama Series-winning play about self-defense, desire, and healing in the aftermath of a college rape

Padilla L: How to Defend Yourself

How to Defend Yourself

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

The sixteenth winner of the Yale Drama Prize, a big-hearted evocation of queer intimacy set in a bathhouse at the end of the world

Bathhouse.pptx

An absurdist comedy and fifteenth winner of the Yale Drama Prize, exploring family, religion, identity, desire, and beauty in Korean American culture

An absurdist comedy and fifteenth winner of the Yale Drama Prize, exploring family, religion, identity, desire, and beauty in Korean American culture

Jar of Fat

The fourteenth winner of the Yale Drama Series prize explores "Blackness" and the reasons why joy and peace might be harder to get than we think

Apologies to Lorraine Hansberry (You too, August Wilson)

An earthy, cruel, and hilarious family drama of profound and reckless love

An earthy, cruel, and hilarious family drama of profound and reckless love

Bottle Fly

The 2014 winner of the Yale Drama Series

Serial Black Face

Global Theatre Anthologies

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. India's dramatic literature demonstrates extraordinary range, depth, and sophistication. Thousands of years ago the theory and practice of how to make theatre was detailed in the Natyashastra. As a result, powerful plays were written; and, over time, a multiplicity of theatrical cultures have developed. Examining recurring themes such as the misuse of authority, the oppressive caste practices, the expression and legitimacy of romantic love, societal gender expectations, and the search for meaning in seemingly empty or destructive human endeavours, this anthology threads together diverse cultures, drawing connections across space and time. Though each play is its own unique entity, exploring them together allows readers to consider what theatrical techniques and cultural concerns may be significant aspects of Indian drama. Featuring work by the first Asian Nobel Laureate, acclaimed political writers, and a female gynaecologist who created startling drama from the women she had encountered, the range of playwrights speaks to the cultural diversity of the drama: with plays ranging from classical Sanskrit drama through major works from the beginning to the end of the 20th Century. Through taking an international perspective, Global Theatre Anthologies draws together work from ancient, indigenous, and modern times, encouraging thinking across boundaries and questioning what theatrical and societal values are part of India drama,, and what the relationships are between the old and new world.

Global Theatre Anthologies: Classical and Modern Plays from India

Placeness and the Performative Production of Space

In his compelling new book Ian Smith addresses the pernicious influence of systemic whiteness on our interpretation of Shakespeare's plays. Unmissable reading for students and scholars of drama, cultural and early modern studies.

In his compelling new book Ian Smith addresses the pernicious influence of systemic whiteness on our interpretation of Shakespeare's plays. Unmissable reading for students and scholars of drama, cultural and early modern studies.

Reading and Misreading Race

Black Shakespeare

Oxford World's Classics

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

One of the most diverse and maverick intellectuals of the early modern period, Margaret Cavendish is known for critiquing a wide range of early modern cultural and philosophical beliefs. In this edition Lisa Walters brings together popular works such as The Blazing World, alongside lesser-known poems and prose pieces, like The Ambitious Traitor.

The Blazing World and Other Writings

The Essential John Berger

Goya's Last Portrait/A Question of Geography

Movement Training as a Catalyst for Change

Physicality and Acting

Arden Studies in Early Modern Drama

The concepts of trust and risk provide important insights into the social and cultural life of early modern England but remain relatively unexplored in early modern literary studies. This collection addresses that gap by exploring a wide range of literary genres and texts including comic drama, lyric verse, emblem books, ledgers, wills, polemical prose and religious epic. Contributors explore issues of personal trust through the faith and lies that characterize Shakespeare's sonnets, Donne's sermons and Milton's Paradise Lost. Following the idea of trust and risk into community brings us to a discussion of The Merry Wives of Windsor, the spiritual trust of faith communities and the network of relationships that are traceable though surviving records of women's wills. Following this progression outwards from the personal to the communal, the final essays in the collection consider the role of institutional trust, specifically the early modern obsession with credit in its various guises. The Merchant of Venice, Volpone and The Winter's Tale act as illustrative examples of credit's significance for understanding trust and risk in the early modern period. Taken together the range of texts and genres considered reveal new insights into early modern English literature and its socio-economic context.

The concepts of trust and risk provide important insights into the social and cultural life of early modern England but remain relatively unexplored in early modern literary studies. 

This collection addresses that gap by exploring a wide range of literary genres and texts including comic drama, lyric verse, emblem books, ledgers, wills, polemical prose and religious epic. Contributors explore issues of personal trust through the faith and lies that characterize Shakespeare’s sonnets, Donne’s sermons and Milton’s Paradise Lost. Following the idea of trust and risk into community brings us to a discussion of The Merry Wives of Windsor, the spiritual trust of faith communities and the network of relationships that are traceable though surviving records of women’s wills. Following this progression outwards from the personal to the communal, the final essays in the collection consider the role of institutional trust, specifically the early modern obsession with credit in its various guises. The Merchant of Venice, Volpone and The Winter’s Tale act as illustrative examples of credit’s significance for understanding trust and risk in the early modern period. Taken together the range of texts and genres considered reveal new insights into early modern English literature and its socio-economic context.

From Shakespeare to Milton

Early Modern Bonds of Trust

NHB Modern Plays

Delay

Harvard Library of Ukrainian Literature

A Play in Three Acts

Signals of Being, or Verbum Caro Factum Est

Routledge Revivals

Drama in the English Classroom

Stereophonic

Very Short Introductions

Agatha Christie is the author of over 80 books and the world's longest running play. This Very Short Introduction will explore this extraordinary success by considering the curious alchemy of her straightforward style and her convoluted plotting, and it will examine the construction of her most popular serial characters.

Agatha Christie is the author of over 80 books and the world's longest running play. This Very Short Introduction will explore this extraordinary success by considering the curious alchemy of her straightforward style and her convoluted plotting, and it will examine the construction of her most popular serial characters.

A Very Short Introduction

Agatha Christie

How to Defend Yourself

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Inhalt

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Weitere Titel der Reihe: Yale Drama Series

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