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Thomas Dylan: Under Milk Wood / B

Under Milk Wood

The beloved Welsh modern classic

Revels Plays

By Thomas Norton and Thomas Sackville

Gorboduc

W&N Essentials

A revolutionary, award-winning, hugely influential choreo-poem about the experiences of Black women, with an introduction from Bernadine Evaristo

A revolutionary, award-winning, hugely influential choro-poem about the experiences of Black women, with an introduction from Bernadine Evaristo

With an introduction by Bernardine Evaristo

For Colored Girls who have Considered Suicide / When The Rainbow is Enuf

Champion of Black Social Dance and the Traditional Jazz Dance Company

Mura Dehn

NHB Modern Plays

A thrilling large-cast play for young actors exploring the psychology of survival - and an urgent allegory for our times. Plus a series of interactive games specially created by award-winning games designer Tassos Stevens, to facilitate a deeper exploration of the play's themes.

Life Raft

Elements in Theatre, Performance and the Political

This Element is the first monograph to focus on the presence and popularity of autofiction in contemporary theatre, a mode characterised by its mixture of autobiographical and fictional materials and generally associated with the cutting edge of literary fiction. To do so, it brings frameworks from literary and theatre studies to bear on a recent upsurge in plays that explicitly mobilise lived experience and its fictionalisation to political ends. Considering a comparative corpus of state-subsidised productions in Britain and Europe since the mid 2010s - both adaptations of literary works and plays written for the stage - this Element attends to autofiction's aesthetics and politics through its negotiation on stage of three conceptual binaries, each the focus of a section: fact/fiction, self/other, and inclusion/exclusion. By probing the mode's critical potential and pitfalls, it sheds light on the stakes of self-fictionalising practices in today's cultural markets and on the role of theatre therein.

Theatres of Autofiction

Classical Receptions in Twentieth-Century Writing

Tragic Classicism

Wole Soyinka

Student Editions

This Student Edition of Shelagh Delaney's 1958 plays offers a contemporary lens on the play and its then-radical exploration of themes including class, race, gender and homosexuality.

This Student Edition of Shelagh Delaney's 1958 plays offers a contemporary lens on the play and its then-radical exploration of themes including class, race, gender and homosexuality.

A Taste of Honey

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

Beckett and Broadcasting pioneered the study of Beckett and the media in 1976. Originally a doctoral dissertation defended at Åbo Akademi University (Finland), it has long been out of print. It is here republished with a sizable new introduction focusing on the role of radio in Beckett's œuvre.

On Works by Samuel Beckett for and in Radio and Television

Beckett and Broadcasting

Placeness and the Performative Production of Space

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

The Essential John Berger

Goya's Last Portrait/A Question of Geography

Under Milk Wood

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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