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The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever evolving self. Raw, luminous, and urgent, this collection channels Baer’s own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

Baer K: How About Now / LF

How About Now

Poems

From the author of the award-winning and 'gritty, insightful debut' (Washington Post) Tap Out, Edgar Kunz's sophomore collection of poetry rolls up its sleeves to reckon with legacies of labor and the question of worth in a system built on exploitation.Fixer pairs love poems with elegies. Through the untimely death of his father, a handyman and addict, through first loves and lasting loves, Kunz asks what it costs, exactly, to build lives and relationships together. And is it possible to untether this work from the demands of daily survival?With lyrical yet accessible vignettes, expertly weaving melancholia and humor, Kunz brings the reader on a journey across the country, and through American late capitalism, that is both damning and brimming with hope.

A New York Times Editors’ Choice book from the author of the award-winning&nbsp;Tap Out&nbsp;– “a gritty, insightful debut” (Washington Post) – Edgar Kunz’s second poetry collection propels the reader across the shifting terrain of late-capitalist America.&nbsp;&nbsp;Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Fixer

"With lyric and tonal dexterity, these poems spin backwards and forwards in time -- from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness -- between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest -- could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival."--

Named A Most Anticipated Book by: LitHub * Vulture * Time *&nbsp;A PW 2022 Holiday Gift Pick&nbsp;One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our time&nbsp;dystopian. But&nbsp;The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work,&nbsp;The World Keeps Ending, and the World Goes On&nbsp;ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.&nbsp;

The World Keeps Ending, and the World Goes On

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full.Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us.&nbsp;

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full.Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us.&nbsp;

Phases

Cynthia Manick's poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism.No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba's dulcet tones on a meditation app and the satisfaction of half-priced Entenmann's poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world.Cynthia Manick's latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter.

Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism.   No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought.

No Sweet Without Brine

The Millions Most Anticipated Pick and A GMA March Reads Pick?Lee Kravetz has created a bit of a miracle, a plot-driven literary puzzle box whose mystery lives in both its winding approach to history and its wonderous story. It's a book full of ideas about inspiration and a love for language that translates across borders, physical and generational.??Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's Son?Captivating . . . . Part truth, part fiction, the novel is an ingenious addition to an ever-growing body of work about Plath that has helped make her an American literary icon.??Washington PostBlending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar.A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath's modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life?that of her psychiatrist, a rival poet, and years later, a curator of antiquities. Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath's semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she's connected to Plath's legacy in an unexpected way. Plath's psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness. Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy. Like Michael Cunningham's The Hours, Paula McLain's The Paris Wife, and Theresa Anne Fowler's Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz's masterful literary novel is a hugely appealing read.

The Millions Most Anticipated Pick and A GMA March Reads Pick“Lee Kravetz has created a bit of a miracle, a plot-driven literary puzzle box whose mystery lives in both its winding approach to history and its wonderous story. It’s a book full of ideas about inspiration and a love for language that translates across borders, physical and generational.”—Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's Son“Captivating . . . . Part truth, part fiction, the novel is an ingenious addition to an ever-growing body of work about Plath that has helped make her an American literary icon.”—Washington PostBlending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar.A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath’s modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life—that of her psychiatrist, a rival poet, and years later, a curator of antiquities.&nbsp;&nbsp;Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath’s semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she’s connected to Plath’s legacy in an unexpected way.&nbsp;Plath’s psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness.&nbsp;&nbsp;Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy.&nbsp;&nbsp;&nbsp;Like Michael Cunningham’s The Hours, Paula McLain’s The Paris Wife, and Theresa Anne Fowler’s Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz’s masterful literary novel is a hugely appealing read.

The Last Confessions of Sylvia P

100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a PoemImplicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering?not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others.In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of&nbsp;How to Read a PoemImplicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering—not just our own suffering but also the pain of others.&nbsp;We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others.In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth&nbsp;century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems.&nbsp;For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

100 Poems To Break Your Heart

"With echoes of Audre Lorde's The Cancer Journals and Susan Sontag's Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman's journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice. With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on "the body," viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms. Gibson presents her body as a "looking glass" that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the "we" in her. The Span of a Small Forever is both testimony and transformation-heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives"--

With echoes of Audre Lorde’s The Cancer Journals and Susan Sontag’s Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman’s journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice.With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness.&nbsp;Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith.&nbsp;Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.&nbsp;&nbsp;Gibson presents her body as a “looking glass” that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the “we” in her.&nbsp;The Span of a Small Forever&nbsp;is both testimony and transformation—heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives.

The Span of a Small Forever

The notorious Shel Silverstein classic you won't want your children to read.Dive into this a satirical, entertaining alphabet book for adults with quirky humor and Shel's signature black-and-white art! No, this is not for your kids?this is just for you! ?You will be chuckling over Uncle Shelby's ABZ Book.? ?New York Times?Delightful and...zany, Shel Silverstein is a gifted cartoonist.? ?Chicago Daily Tribune?It's very, very funny.? ?Pittsburgh Post Gazette Generations have grown up with the works of Shel Silverstein, known not only as a poet and illustrator but also for his work as a cartoonist, playwright, performer, recording artist, and Grammy Award-winning songwriter. With the timeless magic of his work, Shel has encouraged all to dream and dare to imagine the impossible with his extraordinary poetry and unforgettable characters. With Uncle Shelby's ABZ Book, adult fans of Shel Silverstein have a book of their own.

The notorious Shel Silverstein classic you won’t want your children to read.Dive into this a satirical, entertaining alphabet book for adults with quirky humor and Shel’s signature black-and-white art! No, this is not for your kids—this is just for you!&nbsp;“You will be chuckling over Uncle Shelby’s ABZ Book.” —New York Times“Delightful and…zany, Shel Silverstein is a gifted cartoonist.”&nbsp;&nbsp;—Chicago Daily Tribune“It’s very, very funny.”&nbsp;—Pittsburgh Post Gazette&nbsp;Generations have grown up with the works of Shel Silverstein, known not only as a poet and illustrator but also for his work as a cartoonist, playwright, performer, recording artist, and Grammy Award-winning songwriter. With the timeless magic of his work, Shel has encouraged all to dream and dare to imagine the impossible with his extraordinary poetry and unforgettable characters. With Uncle Shelby’s ABZ Book, adult fans of Shel Silverstein have a book of their own.

Uncle Shelby’s ABZ Book: A Primer for Adults Only

The first comprehensive English collection from one of the world's most influential mystics-Attar-the twelfth-century poet Rumi called his master. Twelfth-century Persian poet Attar (1145-1221) was revered by Rumi and though his work is beloved around the world, he is mostly unknown to English readers. Translated in simple, elegant language by award-winning poet Sholeh Wolpé-one among generations of poets influenced by Attar's poetry-The&nbsp;Invisible Sun&nbsp;is a beautiful treasury of Attar's most prescient poetry, offering comfort and inspiration. Attar was one of the most important mystic Sufi poets in the East, comparable in stature and influence to John Milton in the West. In Western thought there is a sharp separation between day-to-day human experience and the transcendence of religion and spirituality. But Sufi philosophy teaches that while the soul awaits its release from the confines of the body, it can experience the other world through mystic union achieved by an inward journey to purify the self. The Invisible Sun&nbsp;widely introduces the work of Attar-the master Rumi called "the spirit" and himself "its shadow"-to English-speaking readers as never before. Profound yet exquisite in its simplicity, bringing comfort and wisdom, Attar's poetry continues to resonate today:Everything, large and small, honors your existence,don't look at yourself with contempt. There is nothing greater than you.

The first comprehensive English collection from one of the world’s most influential mystics—Attar—the twelfth-century poet Rumi called his master.Twelfth-century Persian poet Attar (1145–1221) was revered by Rumi and though his work is beloved around the world, he is mostly unknown to English readers. Translated in simple, elegant language by award-winning poet Sholeh Wolpé—one among generations of poets influenced by Attar's poetry—The&nbsp;Invisible Sun&nbsp;is a beautiful treasury of Attar’s most prescient poetry, offering comfort and inspiration.Attar was one of the most important mystic Sufi poets in the East, comparable in stature and influence to John Milton in the West. In Western thought there is a sharp separation between day-to-day human experience and the transcendence of religion and spirituality. But Sufi philosophy teaches that while the soul awaits its release from the confines of the body, it can experience the other world through mystic union achieved by an inward journey to purify the self.The Invisible Sun&nbsp;widely introduces the work of Attar—the master Rumi called “the spirit” and himself “its shadow”—to English-speaking readers as never before. Profound yet exquisite in its simplicity, bringing comfort and wisdom, Attar’s poetry continues to resonate today:Everything, large and small, honors your existence,don’t look at yourself with contempt.There is nothing greater than you.

A Guide for the Soul from Rumi's Master

The Invisible Sun

?These are the poems of a master poet. . . . When you read these poems, you will learn to hear deeply the sound a soul makes as it sings about the mystery of dreaming and becoming.? ? Joy Harjo, Mvskoke Nation, U.S. Poet LaureatePulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American oral tradition.One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing?most notably the Native American oral tradition?are the centerpiece of his work.This luminous collection demonstrates Momaday's mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday's connection to his Kiowa roots, and his spiritual relationship to the American landscape.The title poem, ?The Death of Sitting Bear? is a celebration of heritage and a memorial to the great Kiowa warrior and chief. ?I feel his presence close by in my blood and imagination,? Momaday writes, ?and I sing him an honor song.? Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest.The Death of Sitting Bear evokes the essence of human experience and speaks to us all.

Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape.The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief.

New and Selected Poems

The Death of Sitting Bear

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever evolving self. Raw, luminous, and urgent, this collection channels Baer’s own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

A gorgeous collection of poems exploring womanhood, sisterhood, love, loss, and longing, for people who find catharsis in poems, or people who have always wanted to read poetry, but don’t know where to start.“How little / love is. How worth everything.” Such is the central theme of Courtney Kampa’s sharp yet tender “Skin and Other Weapons,” one in a collection of beautiful, intimate poems examining the little shared experiences that make us human. Courtney herself was the kind of person who made life better just for knowing her, and though she tragically passed in 2022, her work carries her brilliance and light forward. While Courtney is no longer here, her husband Will Anderson notes that converting readers to poetry was one of her greatest joys, and this collection will make a convert of any reader.Courtney wrote for the girls she was raised with and the women she was raised by. She wrote for herself—which is to say, she wrote for so many of us. In “Cartography,” a group of friends dissects the end of a relationship with a woman who, through the telling, becomes “meaner now, and / more beautiful.” In “The Rules” she writes “I don’t believe in girlhood. I don’t believe / we are ever small, or ever don’t know what it is / we shouldn’t know,” challenging the sweetness and innocence constantly attributed to little girls who live in a world that is neither sweet nor innocent.&nbsp;In “The Cool Kids,” the speaker, desperate to belong but horrified by what her peers require of her, wonders “if this is what it feels like / to be pinned down by the sky.”Individually, each of these poems feels like advice from a friend who knows you deeply and provides a sense of comfort and validation. Taken as a whole, the collection tells a larger story of growth—of the love and loss involved—and learning how to exist in the world. As accessible as they are transcendent, these poems will leave readers feeling as if they have been “anointed with a bright and borrowed light.”

A gorgeous collection of poems exploring womanhood, sisterhood, love, loss, and longing, for people who find catharsis in poems, or people who have always wanted to read poetry, but don’t know where to start.“How little / love is. How worth everything.” Such is the central theme of Courtney Kampa’s sharp yet tender “Skin and Other Weapons,” one in a collection of beautiful, intimate poems examining the little shared experiences that make us human. Courtney herself was the kind of person who made life better just for knowing her, and though she tragically passed in 2022, her work carries her brilliance and light forward. While Courtney is no longer here, her husband Will Anderson notes that converting readers to poetry was one of her greatest joys, and this collection will make a convert of any reader.Courtney wrote for the girls she was raised with and the women she was raised by. She wrote for herself—which is to say, she wrote for so many of us. In “Cartography,” a group of friends dissects the end of a relationship with a woman who, through the telling, becomes “meaner now, and / more beautiful.” In “The Rules” she writes “I don’t believe in girlhood. I don’t believe / we are ever small, or ever don’t know what it is / we shouldn’t know,” challenging the sweetness and innocence constantly attributed to little girls who live in a world that is neither sweet nor innocent.&nbsp;In “The Cool Kids,” the speaker, desperate to belong but horrified by what her peers require of her, wonders “if this is what it feels like / to be pinned down by the sky.”Individually, each of these poems feels like advice from a friend who knows you deeply and provides a sense of comfort and validation. Taken as a whole, the collection tells a larger story of growth—of the love and loss involved—and learning how to exist in the world. As accessible as they are transcendent, these poems will leave readers feeling as if they have been “anointed with a bright and borrowed light.”

A Bright and Borrowed Light

How About Now

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