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Hooligans Of Love

'Feuer, Feuer, Feuer' - es brennt im Reggaewald! Die elefantastische Feuerwehr muss ausrücken, um die Flammen zu löschen. Doch dann stellt sich heraus, dass ein kleiner Drache der Brandstifter war, der immer aus Versehen Feuer spuckt, wenn er wütend ist. Der will das gar nicht. Werden der Reggaehase Boooo und seine Freunde einen Weg finden, den Drachen zu besänftigen und den Reggaewald zu retten?

Der Reggaehase Boooo und das Feuer der Wut

Populäre Kultur und Musik

Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.

Aesthetic Concepts in Popular Culture

Beyond Style and Genre

Studio One Women-Reissue

Ska-Attack Vol. 2

Kulinarische Kriminalromane

Martin Störtebäcker, 72 Jahre alt und von seinen Freunden liebevoll »der Käpt'n« genannt, lebt friedlich in der deutschen Rum-Metropole Flensburg, wo sich sein Faible für den köstlichen Zuckerrohrbrand her-vorragend pflegen lässt. Aber dann segnet sein bester Freund Lasse das Zeitliche - und gibt dem Käpt'n aus dem Grab einen letzten Auftrag mit: Er soll zur legendären Rum-Insel Jamaika reisen und sich endlich auf die Suche nach seinem dort verschollenen Bruder begeben. In der Karibik angekommen freundet sich der Käpt'n schnell mit einer abenteuerlustigen Taxifahrerin an, die ihn bei seiner Suche unterstützt. Doch schon bei der Besichtigung der ersten Rum-Distillery stellen sie fest: Etwas stimmt ganz und gar nicht in dem tropischen Paradies. Der Brennmeister der Distillery wird auf brutale Weise ermordet aufgefunden - und es wird nicht der letzte Mord gewesen sein. Ein rasantes Katz-und-Maus-Spiel beginnt ...

Martin Störtebäcker, 72 Jahre alt und von seinen Freunden liebevoll »der Käpt’n« genannt, lebt friedlich in der deutschen Rum-Metropole Flensburg, wo sich sein Faible für den köstlichen Zuckerrohrbrand her-vorragend pflegen lässt. Aber dann segnet sein bester Freund Lasse das Zeitliche – und gibt dem Käpt’n aus dem Grab einen letzten Auftrag mit: Er soll zur legendären Rum-Insel Jamaika reisen und sich endlich auf die Suche nach seinem dort verschollenen Bruder begeben. In der Karibik angekommen freundet sich der Käpt’n schnell mit einer abenteuerlustigen Taxifahrerin an, die ihn bei seiner Suche unterstützt. Doch schon bei der Besichtigung der ersten Rum-Distillery stellen sie fest: Etwas stimmt ganz und gar nicht in dem tropischen Paradies. Der Brennmeister der Distillery wird auf brutale Weise ermordet aufgefunden – und es wird nicht der letzte Mord gewesen sein. Ein rasantes Katz-und-Maus-Spiel beginnt …

Kriminalroman

Rum oder Ehre

A TELEGRAPH&nbsp;AND LONDON STANDARD BOOK OF THE YEAR 2024 'Alan is such a wonderful storyteller' Debbie Harry 'If you love music, you should definitely read this book' Nihal Arthanayake, BBC Radio 5 Live 'Alan Edwards is a class act: observant, attentive, always in the right place at the right time. I Was There tells you how' Jon Savage 'A beautiful, warm, jaw-dropping, once-in-a-lifetime, lifting-the-stone guide to a secret world . . . I loved it' Tony Parsons 'Revelatory' Will Hodgkinson, The Times 'Gossipy, insightful and a whole lot of fun' Neil McCormick, Daily Telegraph 'An absorbing read . . . Raw, warm and packed with incident' Barbara Ellen, Observer Alan Edwards, the godfather of British music PR, has worked with some of the most legendary artists of our time, from David Bowie to the Spice Girls via the Rolling Stones, the Stranglers, Prince and Amy Winehouse. In I Was There, he describes getting his break in the mid-'70s as a scruffy, stoned 20-year-old just back from the hippie trail; his encounter with London's thriving punk scene, which inspired him to set up his own PR company; broadening his horizons as his work with the likes of Blondie takes him to the US and beyond; and his move into the world of pop with the Spice Girls during the tabloid-crazed '90s. At the centre of this story sits the defining relationship of Edwards' career: his close, thirty-year collaboration with David Bowie. He guides us through a series of vivid, funny, always insightful behind-the-scenes reports, whether he's playing a spontaneous game of football with Bob Marley, listening to Prince discuss the future of civilisation in a nightclub VIP area, or being used as a pawn in the power struggle between Mick Jagger and Keith Richards. Above all, we're treated to Edwards' fascinating observations about the brilliant artists he has worked with and what makes them tick, as he looks back on his role in the last five decades of music and culture.

Dispatches from a Life in Rock and Roll

I Was There

Candle Burning

Anfang der 1970er Jahre revolutioniert Jamaika den weltweiten Umgang mit Tonaufnahmen. Dort wo der Reggae entsteht, verbinden sich auf ungehörte Weise Technik und Musik. Studioaufnahmen werden in ihre Bestandteile zerlegt und über tiefer gelegten Bässen mit Hall und Echo neu zusammengesetzt. Die produktionstechnische Innovation revolutioniert die internationale Charts- und Clubmusik. Sie beeinflusst die zeitgenössische Musik in all ihren Facetten und macht selbst vor der Klassik nicht halt. 50 Jahre später ist die jamaikanische Erfindung unter der Bezeichnung "Dub" als globales Genre etabliert. Helmut Philipps hat mit Veteranen, Pionieren und Erfindern der Dub-Technik konferiert und erzählt die Biografie des jamaikanischen Dub. Seine Dub-Konferenz hinterfragt die Mythen und Legenden, die das Genre umranken, und zeigt, was daraus geworden ist.

50 Jahre Dub aus Jamaika

DUB KONFERENZ

‘This collection of timeless photographs gives us an up close inside look at this uniquely complex man and brilliant iconic artist who forever changed the world. One love…’ – Lenny KravitzRebel Music is a tribute to one of the greatest legends in world music, Bob Marley. In 1975, Kate Simon first photographed Bob Marley and the Wailers at the Lyceum in London, where the now-legendary live performance of ‘No Woman No Cry’ was recorded. They then collaborated throughout the Seventies, with Simon shooting some of the most intimate, enduring and emblematic images ever taken of Marley, including his iconic Kaya album cover.Simon captured it all: portraits of the reggae greats of the Seventies, such as Lee ‘Scratch’ Perry, Bunny Wailer and Peter Tosh; the Exodus Tour, on the road with Bob Marley and The Wailers as they performed across Europe; and the One Love Peace Concert, where Bob famously united Jamaica’s opposing political leaders. Ultimately, in 1981, Simon would ride with the funeral cortege from Kingston to St Ann and Bob Marley’s final resting place.Rebel Music contains over 400 photographs from Simon’s archives, many published here for the first time. Introduced by Patti Smith, with a foreword by Lenny Kravitz and afterword by Keith Richards, a cast of 24 contributors join Simon in sharing the stories behind the images, including ex-Wailers guitarist Junior Marvin and bass player and band leader Aston ‘Family Man’ Barrett; musicians such as Junior Delgado, Steve Jordan, Paul Simonon and Bruce Springsteen; filmmaker Don Letts and producer Danny Sims; and Island Records founder, Chris Blackwell.

‘This collection of timeless photographs gives us an up close inside look at this uniquely complex man and brilliant iconic artist who forever changed the world. One love…’ – Lenny KravitzRebel Music is a tribute to one of the greatest legends in world music, Bob Marley. In 1975, Kate Simon first photographed Bob Marley and the Wailers at the Lyceum in London, where the now-legendary live performance of ‘No Woman No Cry’ was recorded. They then collaborated throughout the Seventies, with Simon shooting some of the most intimate, enduring and emblematic images ever taken of Marley, including his iconic Kaya album cover.Simon captured it all: portraits of the reggae greats of the Seventies, such as Lee ‘Scratch’ Perry, Bunny Wailer and Peter Tosh; the Exodus Tour, on the road with Bob Marley and The Wailers as they performed across Europe; and the One Love Peace Concert, where Bob famously united Jamaica’s opposing political leaders. Ultimately, in 1981, Simon would ride with the funeral cortege from Kingston to St Ann and Bob Marley’s final resting place.Rebel Music contains over 400 photographs from Simon’s archives, many published here for the first time. Introduced by Patti Smith, with a foreword by Lenny Kravitz and afterword by Keith Richards, a cast of 24 contributors join Simon in sharing the stories behind the images, including ex-Wailers guitarist Junior Marvin and bass player and band leader Aston ‘Family Man’ Barrett; musicians such as Junior Delgado, Steve Jordan, Paul Simonon and Bruce Springsteen; filmmaker Don Letts and producer Danny Sims; and Island Records founder, Chris Blackwell.

Rebel Music: Bob Marley & Roots Reggae

#2 UNCUT BOOK OF THE YEAR 2023 In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multi-racial force of British and Caribbean island musicians singing about social issues, racism, class and gender struggles. It spoke of injustices in society and took fight against right wing extremism. The music of 2 Tone was exuberant: white youth learning to dance to the infectious rhythm of ska and reggae; and crossed with a punk attitude to create an original hybrid. The idea of 2 Tone was born in Coventry, masterminded by a middle-class art student raised in the church. Jerry Dammers had a vision of an English Motown. Borrowing £700, the label's first record featured 'Gangsters' by The Specials' backed by an instrumental track by the, as yet, unformed, Selecter. Within two months the single was at number six in the national charts. Dammers signed Madness, The Beat and The Bodysnatchers as a glut of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, soon infighting amongst the bands and the pressures of running a label caused 2 Tone to bow to an inevitable weight of expectation and recrimination. Still under the auspices of Jerry Dammers, 2 Tone entered in a new phase. Perhaps not as commercially successful as its 1979-1981 incarnation the label nevertheless continued to thrive for a further four years releasing a string of fresh signings and a stunning end-piece finale in '(Free) Nelson Mandela'. Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment, shaped British culture.

#2 UNCUT BOOK OF THE YEAR 2023 In 1979, 2 Tone exploded into the national consciousness as records by The Specials, The Selecter, Madness, The Beat, and The Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multi-racial force of British and Caribbean island musicians singing about social issues, racism, class and gender struggles. It spoke of injustices in society and took fight against right wing extremism. The music of 2 Tone was exuberant: white youth learning to dance to the infectious rhythm of ska and reggae; and crossed with a punk attitude to create an original hybrid. The idea of 2 Tone was born in Coventry, masterminded by a middle-class art student raised in the church. Jerry Dammers had a vision of an English Motown. Borrowing £700, the label's first record featured 'Gangsters' by The Specials' backed by an instrumental track by the, as yet, unformed, Selecter. Within two months the single was at number six in the national charts. Dammers signed Madness, The Beat and The Bodysnatchers as a glut of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, soon infighting amongst the bands and the pressures of running a label caused 2 Tone to bow to an inevitable weight of expectation and recrimination. Still under the auspices of Jerry Dammers, 2 Tone entered in a new phase. Perhaps not as commercially successful as its 1979-1981 incarnation the label nevertheless continued to thrive for a further four years releasing a string of fresh signings and a stunning end-piece finale in '(Free) Nelson Mandela'. Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment, shaped British culture.

Rude Boys, Racism and the Soundtrack of a Generation

Too Much Too Young: The 2 Tone Records Story

Inspired by Bob Marley's iconic song "Jamming," this joyful picture book by eight-time Grammy winner Ziggy Marley about a fun-filled pajama party celebrates screen-free family time, creativity, and connection. Join a family's pajama party sleepover as they spend a fun night together filled with games, pillow fights, music, and stories. It's a time to break normal routines, turn off electronics, build a blanket fort, and stay up late-to start family traditions and make memories that will last a lifetime. Using the most iconic lines from reggae legend Bob Marley's "Jamming" as a jumping-off point, Pajammin' reinvents the song for kids and caregivers, celebrating mindfulness, togetherness, and the power of imagination.

Inspired by Bob Marley's iconic song "Jamming," this joyful picture book by eight-time Grammy winner Ziggy Marley about a fun-filled pajama party celebrates screen-free family time, creativity, and connection.Join a family’s pajama party sleepover as they spend a fun night together filled with games, pillow fights, music, and stories. It’s a time to break normal routines, turn off electronics, build a blanket fort, and stay up late—to start family traditions and make memories that will last a lifetime. Using the most iconic lines from reggae legend Bob Marley’s “Jamming” as a jumping-off point, Pajammin’ reinvents the song for kids and caregivers, celebrating mindfulness, togetherness, and the power of imagination.

Pajammin'

White Rabbit Deep Cuts

'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's essential' Don LettsArguably the most influential force in Jamaican music, Lee Perry brought Bob Marley to international stardom and has since collaborated with artists such as Sir Paul McCartney, The Clash and The Beastie Boys. The book delves behind the myth of Perry to give a fuller examination of his life and work through extensive interviews with family members, fellow artists, friends, lovers, enemies, as well as the man himself to present a complex portrait of a unique soul driven by unseen spiritual forces. This revised and expanded edition has been thoroughly updated and completely overhauled to render a more nuanced, accurate and accessible read, with new information on Perry's later years, including his Grammy Award, cessation of herb smoking and final passing, as well as previously unpublished information about his early life, his unique relationship with Marley, and his fabled Black Ark studio.

The definitive bio of the most celebrated figure in Jamaican reggae, Lee Scratch Perry

The Genius of Lee 'Scratch' Perry

People Funny Boy

Hooligans Of Love

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