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The insider's account of Depp Vs Heard that lifts the lid on the dark underbelly of contemporary Hollywood.

Loudenberg K: Hollywood Vampires

Hollywood Vampires

Johnny Depp, Amber Heard and the Celebrity Exploitation Machine

The Helter Skelter History of the Manson Murders

Love and Terror

Presidential Abuse of Power and Reforms

The Survival of American Democracy

In this book, Owen Cantrell focuses on politics and popular culture in the United States from 1980 to 2020 to argue that the twin structures of feeling of nostalgia and paranoia offered a pathway to address the changed relationship to history in this era that were a result of the backlash politics to the gains of the civil rights movement(s). Drawing on Bifo Berardi's contention that "the future is over" helps explain how the concept of the future effectively ended in this era and made the structures of paranoia and nostalgia eminently more desirable as a cultural response to political dilemmas. As the future lost its place as a locus of value, then, we entered a state of what Mark Fisher calls "a failed mourning" to describe how the narratives of paranoia and nostalgia offered compensation for a future that no longer felt relevant or even possible. Throughout the latter half of the twentieth century and the first two decades of the twenty-first century, the structures of paranoia and nostalgia mirrored the changing political relationship to history, race, and culture in the United States. From Back to the Future and The Matrix to Get Out and Black Panther, Cantrell demonstrates how paranoia and nostalgia have structured American political and cultural life over the past forty years Ultimately, this book addresses both how the structures of paranoia and nostalgia functioned in this era, as well as how popular films reflected the failure to imagine the future.

Paranoia and Nostalgia in American Popular Culture, 1980-2020

The Oral History of Gossip Girl

You Know You Love Me

A Memoir

You with the Sad Eyes

However gifted a particular forensic scientist or police officer might be, crimes are solved by teams, not individuals. In this unique and fascinating book, world-renowned forensic scientist Dr Angela Gallop and highly acclaimed former Detective Chief Superintendent and Head of CID for West Yorkshire Police Chris Gregg provide intriguing insights into some of the many cases they have helped to solve as well as looking at other high-profile cases where their individual skills could have saved time - and lives. For the first time Chris and Angela have come together to share their bespoke perspectives on the art and science of policing. They will look at various areas of law enforcement and consider how best their own expertise was - or could have been - deployed. A joint venture by two leading proponents in the international fight against serious crime. One representing the views, the history and the procedures of the police. The other representing the peak achievements of forensic science. Two voices. Two areas of expertise. One goal: To catch a killer...

However gifted a particular forensic scientist or police officer might be, crimes are solved by teams, not individuals. In this unique and fascinating book, world-renowned forensic scientist Dr Angela Gallop and highly acclaimed former Detective Chief Superintendent and Head of CID for West Yorkshire Police Chris Gregg provide intriguing insights into some of the many cases they have helped to solve as well as looking at other high-profile cases where their individual skills could have saved time - and lives. For the first time Chris and Angela have come together to share their bespoke perspectives on the art and science of policing. They will look at various areas of law enforcement and consider how best their own expertise was - or could have been - deployed. A joint venture by two leading proponents in the international fight against serious crime. One representing the views, the history and the procedures of the police. The other representing the peak achievements of forensic science. Two voices. Two areas of expertise. One goal: To catch a killer...

The Forensics of Crime

How to Catch a Killer

A Simon &amp; Schuster book. Simon &amp; Schuster has a great book for every reader.

Don't Let Anybody Call You That

'Ted Kessler and Hamish MacBain are fantastic chaps. The Dudley Moore and Peter Cook of music journalism' - Liam Gallagher 'Something special: a book of wit and verve about why Oasis matter' - The Telegraph This Sunday Times top 10 bestseller is the definitive book about the music of Oasis, published in time for the reunion tour. A deeply researched tribute to the creative talent and star power of the Gallaghers, A Sound So Very Loud is crammed with unknown detail and the kind of anarchic, brilliantly funny anecdotes that only Oasis could generate. Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world. In this comprehensive telling of the Oasis story through their spectacular back catalogue. Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like 'Live Forever', 'Wonderwall' and 'Champagne Supernova' to the fan-favourite B-sides and deep cuts such as 'Acquiesce', 'The Masterplan' and 'Half the World Away'. With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is the book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself. 'Essential reading. Hamish and Ted have had front row tickets to the Oasis story from the very beginning. There's no one who knows more about the band, the music and its impact' - Mat Whitecross, director of Oasis: Supersonic

The Inside Story of Every Song Oasis Recorded

A Sound So Very Loud

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Hollywood Vampires

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